It is a whirlwind in here



Trump And France Walk Into A Bar


~ Monsieur le Président. What can I get you?

~ I’m guessing it will be wine?

~ It does not need to be.

~ Isn’t that what’s supposed to be civilised?
~ les Français have a much wider civilisation than that.

~ I have a fondness – or is it a weakness – for Charteuse.
~ That is fine, mais …

~ I like the green colour in the glass.
~ Indeed, it is beautiful.
~ Have you another suggestion?

~ Absinthe
~ Uh-oh. That sounds like a baddie, believe me.
~ It has a certain heft.
~ You know I don’t drink?
~  Mais, oui.
~ Then what is the purpose?
~ It is poor diplomacy to drink alone.
~Then have at it.
~ Monsieur Trump, the whole country – all of Europe – would like to thank you.
~ Am I going to get a wedgie here?
~ Not at all – you have saved us.
~ It’s starting to feel really really tight in my butt cheeks.
~ The citizens français have seen what you accomplish.
~ It’s getting hard to sit down.
~ And have voted against something similar happening here.
~ Are you trying to get me to drink this thing?
~ Mais, non. You just keep being who you are.


Seasons, Storms And Mushrooms Enhance Life And Love


the-perfect-storm-in-digital-marketing-q1Dear Eustace:

Summer wings its indolent way past,

and the petal touch of fall floats the air.

If one refused to meld into the other,

would thoughts of mortality arise?

I have often wished

– no, not upon the distant stars (shooting stars are dying a hot death, did you ever think of that?) –

but upon the green/mauve bud and the chill of September morns.

The wishes and the dreams … oh, my.

Have you noticed the abundance of mushrooms this year,

ink caps thrusting to the sky?

Such treats

– such tasty, tasty, treats.





Dear Margot:

The seasons each have their place,

and since I get pleasure from them all,

their comings,


(or, if you wish – passings)

seem not the least profound.

I certainly shan’t waste my time pondering over morality

– what, after all, is more immortal than the changing seasons?

And what might your wishes be, my friend?

I rarely do little more than reach out my hand,

and am fulfilled.

There is so much bounty to partake of

– and no better displayed then at this time of year

(your seasons; Bursting seasons).

Ah, the summer sun has warmed me,

but the crisp fall eve shall make me more appreciate

a warm lady snuggled by my side.

Watch out for mushrooms,

they make the body lament a single bed.






Dear Eustace:

My wishes would leave you

– yes, even you –


There aren’t heights on the earth tall enough to reach them,

and the ocean depths would soon be full,

if ever I let my hopes accumulate.

Ask not after a person’s dreams, for you could easily violate a soul.

I put more trust in the unspoken word,

and the unseen deed,

for they are oft the strongest.

There is chill enough in the air this morning to make your warm ladies

work overtime to keep you in a happy state.

What a storm was loosed upon the world last night.

I fear the poor mushrooms

will be more mush than anything else.

I fill my bed quite happily, sir,

do not lament for me.






Dear Margot:

I shall trust unspoken words

when my ears hurt from the noise they make.

I hear too much as it is,

voices full-primed with choice advice and platitudes,

whether from the pulpit or a cozy bed companion.

You’d be surprised the little that I heed.

With so much new in life,

so much to taste and try,

the wonder lies in the drabness of most lives.

From where do so many fears spring,

and how do they exist?

We also had a grand storm across our lands,

but I had not ignored the signs, and thus picked

a bounty of the succulent fungi.

Whether they aided me or not I can’t say,

but my rest did seem more deserved than usual.



ps Moira sends again her thanks for your hospitality.




Don’t Get Too Personal With The Madman In The Bakery



“Out, out – out of my way!

“Don’t touch me at all, but do as I say.

“A brush on the arm can cause me harm, when it’s the Brush of Death I’m awaiting.

“Don’t breathe.

“Don’t dare breathe near me.

“Your air – from inside you – coming out at me. How very, very horrible.

“It now has pieces of you, and it will corrupt.

“No, don’t listen to me.

“Stop up your ears and turn away.

“They’re my words and my thought – not to be sold and not to be bought. Out of my mouth from between my teeth.

“Don’t you know how personal that is?

“Allow me, allow me.

“I’ll open the door.

“I’ll let you enter.

“Demand what you want – don’t be afraid to ask. Make them fill your request. I come here for bread, and I come here for cake. You can trust me. Would I lie? They don’t mind me, they’re used to my song. It’s entertainment, you see, and it’s free.

“Chew them up, enjoy them – those muffins look good. I’m  a madman in a bakery, and I know how to eat.”



Not Ready for Prime Time Characters / Spear Carriers

My onion novel, CHINA LILY, spans decades. My main family, the Cannaras, travel the globe (of their time, which is the Fourteen hundreds). Lots of time on ships. Lots of time on horseback.

In their distant locations, over their diverse times, they meet different people. These people fill the chapters they are in, but then they are gone. They are really secondary characters to the novel, but nothing could be accomplished without them. In their own time frame, they are front-and-center.

This same situation happened in my *thriller*. The time frame was much different (squeezed into a few days). And the location was in the same city, until near the end. But the nature of the immediacy, the surprising twists of plot, and the intense action called upon the use of many secondary characters. They were figuratively press-ganged into action. They did their bit and were not called upon again. Louie-the-dog was to be a secondary character with a ‘walk on’ part. He stayed.

 I am having a growing fascination for these secondary characters. They have to be developed within paragraphs instead of chapters. Their dialogue and thoughts have to be concise and unique from the start. They possess a freedom of action the main characters do not have. They are not loaded down with baggage. They are a challenge to write and difficult to rein in. They are generally saucy, and rarely ponder their lot. Yet they must be real and not just plot devices. They have to be taken at face value and accepted quickly. They must stand out in the background.

Secondary characters are a challenge to write and a thrill to create. Each and every one of them excite me.

Hmmmm …  a novel of only secondary characters  … hmmmm…


“Fifth Business” by Robertson Davis

Create a free website or blog at

Up ↑