Search

kafkaestblog

It is a whirlwind in here

Month

April 2019

Travel and Dine on The Orient Express With Alison Alexandra

vsoe-rest-int-07

A few days ago, Alison Alexandra unceremoniously ended my chapter. I had planned another week of work to arrive at the ending. She did away with my ending, put in her own, and ignored the intricate back story I had planned.

So, I sat myself down and wondered what would happen in its place. It turns out Alison Alexandra wants to take a vacation, and the one place where she might just get away from herself (as she seems to desire) is the . She previously had a few pages (literally writing-years ago) on the train.

Sounded good enough for me.

A half hour later, the Face Book page for the Venice-Simplon-Orient-Express popped up in my feed.

Full steam ahead, think I.

The following is a portion of Alison Alexandra’s previous trip on the Venice-Simplon-Orient-Express.

~~~~~~~~~~~~~~~~~~~~~~~~~

In the reflection in the glass of her for-the-time-being-stateroom window, Alison Alexandra notices the glances from people on the platform watching her peering, and she doesn’t want to give them any ideas of turning into spies themselves so she stops and turns from the train and continues to walk its length to the engine. Of course, she is looking for spies herself, as befits the aura of the Venice-Simplon-Orient-Express. Spies and temptresses and writers and countesses and moustached gentlemen of natty appearance with zee little grey cells working overtime. And criminals and murderers and explorers and adventurers and (no doubt) adulterers and placid businessmen with fettered imaginations and the old wealth and the nouveau rich and folk on the run from the past and folk hoping to run to the past and not once in her complete walk to the engine did she once stop for all those posing to take a Selfie with the Orient Express in the background because – really – if you can’t remember it with your own memory then what’s the point?

She looks up at the engine and realizes that it has never belched billowing smoke and that it never will and she has been prepared for this disappointment – but still. It is a pleasant fantasy as is the whole trip as is the Venice-Simplon-Orient-Express itself since the *real* train stopped years ago and even then there had been so many variations with so many destinations that someone could have taken several “Orient Express” trips and travelled on several different routes. In fact, two of the most famous books set on the Orient Express”, Christie’s Murder On The Orient Express and Greene’s Stamboul Train, are set on two different trains, neither of them the “Orient Express”. So Alison Alexandra is not really miffed there is no smoke-belching engine with escaping steam. She can make her own fantasy as others have done before her.

She returns along the platform, rubbing her fingers across the side of the blue-and-gold Waggons-Lits Sleeping Cars. She has kept out of the way of the ceremonial line-ups of the train staff greeting passengers. Enough attention has been paid. She again peers into her compartment window of the S-Series sleeper – slightly smaller and slightly less ornate – more suitable for a sole traveller who plans no assignations. The train is five minutes away from leaving. Alison Alexandra will indeed change for her evening meal. Not all her interests in the fashion of her youth have dissipated. And- after all –she is on the Venice-Simplon-Orient-Express. She is not present only for the transportation.

Alison Alexandra wants to blend in and not be either a fashion statement nor a fashion disaster. Black is always the new black, so she enters her Waggon-Lit, enters her compartment, opens a travel case much older than she, and slips into spiffy clothing and accessories that would have allowed her to slip into any of the fantasies of the fantastic Venice-Simplon-Orient-Express with nary a comment of discord but with a nod of appreciation.

In the Etoile du Nord dining car, she has the desire to sit with three other people instead of one. She has made her request known, and will be hailed by a seated trio. She hopes for the best but her anticipation is tinged with a trace of concern. She does not want to be bored, nor does she want to spend the meal warding off unwanted attention. She felt it futile to make such stipulations up front. Sometimes you have to go with the flow.

“Hello.” A face turns up to her. “Are you Missy Alison?”

“Alison Alexandra.”

“I told you so.” Another head turns in her direction. “Your black attire will slide right well into a trio of  three widows.”

“Now, Blanche.” The third voice speaks without raising her head. “We’re sisters first, and widows second.”

“Which one of our husbands would have gone on this trip?”

“True.”

“So that’s why we’re here.”

“Is that why you’re here, Alison Alexandra?” The sister who has yet to look at her now does. “Death allowing you to escape into life?”

“No widow me.” Alison Alexandra looks at each face in turn. “Nor wife neither.”

“Do you still want to sit?”

“Oh, yes.” Alison Alexandra pulls out the final chair. “And as I am the only one in black, might I suppose your widowhoods are not recent.”

Scampi On A Plate Will A Meal Make

img_6670

There will be scampi on a plate with breakfast.

Quarts of wild strawberries will float in flagons of cold Rhenish wine.

Blueberries will be hidden by thick cream, and golden honey shall trickle from plates of buttered toast.

Braces of quail and brown roasted turkey will be surrounded by steaming heaps of new potatoes and tender ears of corn.

Joints of beef and lightly curried lamb will stand between bottles of red Anjou wine and jugs of red Italian fire.

A smoking, suckling pig will have bowls of dry, yellow squash at its feet and stacks of cheeses at its head.

Pastry and pies and a foot high chocolate cake will stand among jars of brandied fruit.

A cask of aged port will remain, to do justice at the end.

Then I shall settle back to patiently await my dinner.

(Image)4.bp.blogspot.com/-zZ6ui4BpCgo/UxPh7mmVsoI/AAAAAAAAAtc/wDO5GnUBoak/s1600/IMG_6670.jpg

Turning A Novel Into Film – Characters And Actors On The Loose

sony_fdr_ax1_4k_camcorder_1002485

When adapting a novel manuscript to a film script, I realize it will take a whole host of other people to tell me how successful I might be. I’ve done this twice before, and realize that I must not only ignore my usual method of writing, but often go exactly against it.

I attempted to “learn” how to write for film. I read many instruction books, attended classes and workshops, and had meetings with people. I read many film scripts, which did help me accept the (to my eye) arcane format. But the one thing that actually turned me visual, was the comment of a writer/editor friend who said, after reading my attempt, “I can’t see it.”

That is, it did not cause visual action in her mind.

And I understood.

Perhaps the biggest hurdle is to accept that a movie is not a book, and that changes, additions and omissions will be necessary. As with a play, there is a finite time limit, that generally clocks in under two hours. The threads and plot points of a movie are different. And the characters (I swear) feel this freedom, and choose to accentuate other aspects of themselves than revealed in a novel.

The very fact their paragraphs of dialogue are best reduced to two or three lines makes them uppity. And because they can, in mere seconds, be in diverse locations, performing radically different actions, they become exact without apology. They don’t have to fill in the spaces.

The writer has to fill in the spaces however, and do so with visual stimulation. The transitions have to be swift and their descriptions exact. The road is always the fast lane and the characters kick the tires with gusto.

Gap Year Sets You Loose Upon The World

shutterstock_1104332271

I was pleased as punch when I realised the other day that I had taken a Gap Year many years ago. And I was surprised to find that ‘Gap Year’ is a term which started in the 1960s. I rather thought it was from Academia in England from centuries ago.

I was correct to associate Gap Year with travel to new places, or a time to do good deeds. But also – happily – it was also a year between high school and university for students to take a turn in the real world through gainful employment.

The latter was me – admittedly edged forward by the fact that my Algebra marks were deplorable. I got an almost immediate job as an Apprentice Plate Maker in a printing shop. I doubt such a job exists anymore.

My job was two-fold. I placed negatives of photos and text on a metal plate, that had a mixture of chemicals hardened to its surface. Then I placed the metal plate, with negatives, in front of two burning pieces of a substance I no longer remember. They looked like two large and thick pencils. I believe an electrical current set the pencils alight, and the resulting, concentrated fire, burned all the chemical surface off the metal plate, except for the part covered by the negatives. The end result was a metal plate with nothing but the required image upon it.

The metal plate was then coated in ink, which only adhered to the raised image. The image was then transferred to paper and cardboard, making logos (we did many spice labels) plus photos and text. There would be a separate metal plate created for each different colour.

Thus went my Gap Year, which lasted fourteen months. No travels of the world, and no altruistic attempts to make the world a better place.

But I did help sell spice.

(image)https://capricornreview.co.za/wp-content/uploads/sites/71/2015/12/shutterstock_1104332271.jpg

Kafka Has A Dream About The Dead And Decay

9983697

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote. 

~~~~~~~~~~~~~~~~~~~~~~~~~~

21 March 1917

Dreamed I was standing in a galleria with him. In a town in Northern Italy. We could see across the rooftops, to a plain slipping gently toward the foothills of the mountains. The day was clear – a cool spring morning – and the touch of sun was welcome on our skin.

He pointed to a laden waggon passing beneath us. A curtain of dust rose from its wheels as it squeezed through a narrow lane. We watched it for awhile, then he turned to me, his body a silhouette against the vivid sky.

“I enjoyed my funeral. I wish we could have talked about it after – it was one of those things to share.”

“We did share it,” I pointed out. “I was there.”

“But I was not,” he said.

Then he eased himself over the balcony, and without effort, we were sitting in the back of the waggon, perched upon boxes and equipment. We rattled out of the village toward the countryside.

“I loved the outdoors,” he said. “I still remember my last walk in the fields.”

We moved slowly through the country side, the waggon rarely being jostled along the rutted road. The teamster must have been an expert, but he never turned his face to us. Intent upon his business, I suppose.

“You forget that I am dead; for which I thank you.”

“Sometimes I do,” I replied.

“It is at those times, I sometimes think I’m still alive.”

He occasionally pointed to things behind me. Once there was a rabbit. The countryside spread endlessly, without another person in sight. I mentioned this, and he nodded.

“It will be crowded at our destination. But I’ll want to meet my wife.” He then leaned toward me, across the waggon. “You helped me, you know – in our final dance.” He smiled, then sighed, then pointed beneath me.   “My destination is close, I must return.”

I looked down, and saw I was sitting on a coffin – the polished brown one of his funeral. I moved, then bent over, prepared to open it. His fingers touched the wood beneath my hand.

“No. Do not look. You would not like what you found.” His smile seemed forced, there were more teeth showing than usual. “I embrace my new world. But for you, I am well and truly dead.”

Because Of Shakespeare And His Influence On Books

The stage is as bare as my lady’s ass in his lordship’s bedchamber.

Rough-hewn in the most knockabout way, leaving splinters in the palace lawns of the imagination. There’s many a dip ‘twixt the trap and the lip.

It fares little better than hastily strewn boards covering parched ground, and barely enough elevation to keep the understanding masses at bay.

Were one fool enough to come from out the wings, and at centre front begin a soliloquy about the beauty of the wretched arena on which he stands, to fight the resulting and justified spontaneous combustion, there would not be found one drop of piss from any a Thespian’s hose.

For who could allow this sacrilege to be spoken? Even the flag atop the pole knows that the magic is not yet arrived.

A stage without commercial trappings:

without solid doors and thick drapes,

uncluttered by pillars,

and arches,

tables and chairs,

windows and fireplaces;

sans orchestra, sans balcony, sans pit.

A stage revealing all its secrets.

Profound as emptiness.

A stage in wait.

For in this world writ small (as in the globe around)

the audience

has nothing to know/ nothing to learn,

until the actor makes an entrance and prepares

to fight through our eyes and ears

to battle with those thoughts and fears

that lurk in sheltered halls.

What’s Hecuba to him?

Why – nothing.

Merely a name on a page of script,

A cue at which to turn his profile thus.

 

It is what Hecuba becomes to we who wait,

That turns the key upon the heavy gate.

A Bird Digs The Earth For Earth Day

american-robin

I saw a sight that I believe I have actually never seen, though it is fabled the world over.

Standing on the front stoop to test the air I saw a robin on the grass. Robins are rather skittish and usually, when a human presence is so close, it will make them hop (and they truly do *hop*) away. But this one stayed put.

My understanding is that birds ‘hear’ the worms under the earth – that is how they detect them. I assume that is why they so often have their head in a cocked position. However, for this robin, the listening part of the chase was over.

As I watched the robin made a strike into the earth with its beak. It was then that an almost cartoon-like image occurred. The bird had a portion of the worm in its beak and began to pull. It pulled and pulled and the worm stretched and stretched. It made me think of someone pulling a threaded needle from the fabric they were sewing. The length of the worm became even longer than the robin’s body. With this constant and slow tug, the worm finally popped out of the earth.

Then the robin had a go at it.

The bird took at the long, brown earthworm and began to snip off pieces with its beak. It could not have been more effective if it had a pair of scissors. Substantial, beak-sized pieces which it swallowed quickly. The long earthworm became shorter and shorter, giving the robin less to hold on to. In under two minutes the worm became one remaining morsel hanging from the robin’s beak. It was only then that the robin began to hop across the grass. The last piece of worm disappeared inside the robin and the robin quickly took off.

One satisfied predator.

One less worm.

(image)1.bp.blogspot.com/-da07hMgESEs/VT1Y9cNgOCI/AAAAAAAAMIs/DVG3oaeFGME/s1600/American-Robin.jpg

When Jesus Walked The Roads At Easter

f93a2793

Unicorns are mentioned eight times in the Holy Bible. So – there they were. The list is below.

Therefore, when I have Druids, and their affiliated unicorns,  go to Jerusalem in my novel A Lost Gospel, to make sure Jesus gets crucified, I feel I was on solid ground. And when one of my druids, Ogma,  has the following experience, I believe it possesses a symmetry of Biblical proportions.

Unicorns are mentioned in the following places of The Bible:

Numbers 23:22

God brought them out of Egypt; he hath as it were the strength of an unicorn.

Numbers 24:8

Deuteronomy 33:17

Job 39:9-12

Psalm 22:21

Psalm 29:6

Psalm 92:10

Isaiah 34:7

~~~~~~~~~~~~~~~~~~

From A Lost Gospel

“Are you lost?”

“No.”

Ogma was taken by surprise, but he did not turn toward the speaker. He had no desire to start a conversation, he just wanted to be left to himself.

“Yet you are a traveller to these parts.”

“Yes.”

Ogma knew only too well the interest local people had for strangers in their midst. It was an interest which could easily turn into suspicion. He was alone, and he did not want to have trouble in this unknown land.

“I had business in Jerusalem.” Ogma shrugged. “The desire came upon me to feel earth under my feet, not paving stones.”

“And you find yourself here.”

“I turned from the main road at a whim.”

“What did you in Jerusalem?”

“I do not intrude thus in your life.”  Ogma kept a steady gaze across the field, though he could not keep irritation from his voice.

“Yet you do intrude – for here you are.”

“If I’m on your land, I apologise. I thought it was a common road. There is no barrier in place to warn me otherwise.”

Ogma wondered if it was time to leave the way he had come, or to stay and talk. Despite the words spoken, the other man’s voice displayed no anger, or annoyance.

“Do you find no peace in Jerusalem?”

“I’ve had a troubled time in your grand city.”

Ogma suddenly realised he had things he wanted to say, which he could not discuss with the other druids. He finally turned to the man, wondering if he should explain further.

“By the gods of death!” Ogma stood back in fear. “This is not possible.”

“There are no boundaries to what is possible.”

“I saw them hang you up.”

“You saw flesh. And blood.”

“Then what do I see now?”

“More than a man of sorrows.”

“Glarus was right.” Ogma began to move further away, but stopped himself. “I’m not to fear you, or the change you bring.”

“Truth deserves acceptance, not fear.”

“Do you know of my burden?”

The other man raised his arm and pointed. Ogma turned to follow the outstretched hand. He saw the two unicorns standing close together among the trees.

“Have they brought me here?”

“They have led you to a place you sought yourself.”

“You know of Glarus.” Ogma stopped abruptly, and his voice lowered. “The gods I understand believe in trade. Take me instead of her.”

“You care so much?”

“I know the worth of things.” Ogma stared directly at the other man. “It is better to have her alive than me.”

“No man knows his own worth.” Yeshua touched the small man, then held him close. “My father’s love does not barter.” He released Ogma with a smile. “Return to Jerusalem. You travel with companions.”

“The beasts accompany me?”

“Thou hast heard me from the horns of the unicorns.”

(image)Unicorn Tapestries at the Cloisters – New York, New York https://assets.atlasobscura.com/media/W1siZiIsInVwbG9hZHMvcGxhY2VfaW1hZ2VzL2VmYjZmYmVkZjk1MzNhMDgyZV9GOTNBMjc5My5qcGciXSxbInAiLCJ0aHVtYiIsIngzOTA-Il0sWyJwIiwiY29udmVydCIsIi1xdWFsaXR5IDgxIC1hdXRvLW9yaWVudCJdXQ/F93A2793.jpg

The Smoke From Notre Dame

telemmglpict000194356479-xlarge_trans_nvbqzqnjv4bqwwijwh92gxexbhoiuogwc7yif0n6j3wamrlrqv6l0bi

The smoke from Notre Dame

Has crossed the ocean and

Settles on the pre-Easter snow

Of the front lawn.

 

It lies heavy.

 

It is full of Jesus (of course)

And the history of France

And the citizens of Paris

And the ash of ancient trees.

 

It smolders still.

 

It has the art of the ages

And the civilization of humanity

And the aura of the eons

And shards of blackened stained glass.

 

They admit no light.

 

The smoke from Notre Dame

Stirs in the wind

Gathers again into a shroud

Brushes tintinnabulation before it

 

And travels into history.

 

(image)https://www.telegraph.co.uk/content/dam/news/2019/04/15/TELEMMGLPICT000194356479-xlarge_trans_NvBQzQNjv4BqwwijwH92GxEXbhOiUOGwc7yif0N6J3waMRLrQv6l0bI.jpeg

 

Create a free website or blog at WordPress.com.

Up ↑