THERE WAS A TIME, OH PILGRIM, WHEN THE STONES WERE NOT SO SMOOTH
THE END
07 01 2022
595 pp. 174,838 words
THERE WAS A TIME, OH PILGRIM, WHEN THE STONES WERE NOT SO SMOOTH
THE END
07 01 2022
595 pp. 174,838 words
The Ghost of Kafka walks
(not stalks)
The streets
Of Prague.
Prague,
(The place he would/could
Never leave
Until the last
Half year of his life)
He described as:
“The little Mother has claws.”
Which she did.
For him.
He managed
(In the last half year of his life)
To escape to Berlin
During one of
The
Worst times
Anyone could live
In Berlin
Until the end of the
Second World War.
But
That was years
Away.
But he escaped
With a young
Lover,
Which made things
So much
Better.
But his Ghost only
Walks
The streets of
Prague
Whereas
Kafka’s Ghost
Stalks
The rest of
The World.
~ D. E. BA U.E.

I have noted some folk looking at this post from a couple of years ago. I had put it up because of the success of the television series, A Handmaid’s Tale.
Now, Ms. Atwood has produced a new novel, The Testaments, [which, by the way, has a brilliant front and back cover] with an international launch from London, England. I can humbly state that my part in her literary life remains the same.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
It was not my intent to piss off Margaret Atwood.
The opposite, in fact. I wanted her to know she was an inspiration.
She was giving a reading at the University of New Brunswick in my student days. I attended, but there was quite the gathering and she was whisked away at the end. However, I overheard there was a ‘gathering’ in her honour. Invitation only, of course. Academia and literati.
I crashed the party (that was the term used by the professor who clapped his sturdy hand upon my shoulder but – happily – did not thrust me into the night).
But Ms. Atwood was kept deep in many a learned conversation and I had no opportunity to converse. I did, however, overhear where she would be spending next afternoon – the historic University Observatory.
Next day I knocked upon the Observatory door.
It was not a cheerful Margaret Atwood who answered, and answered with alacrity.
She asked my name.
She asked my business.
And she asked how the hell I knew where she was. She had stolen the day to do some writing. Some ‘real’ writing, in this window-of-opportunity grudgingly offered on the book tour.
At least I was there to praise Atwood and not to bury her with some essay question.
Nor had I a manuscript to hand to her.
I might not have garnered a smile, but her curt thank you was reward enough.
For me, at least.
The stage
Is as bare as my lady’s ass
In his lordship’s bedchamber.
Rough-hewn
In the most knockabout way,
Leaving splinters
In the palace lawns of the imagination.
There’s many a dip ‘twixt the trap and the lip.
It fares little better
Than hastily strewn boards
Covering parched ground,
With barely enough elevation
To keep the understanding masses at bay.
Were one fool enough
To come from out the wings,
And at centre front
Begin a soliloquy about the beauty
Of the wretched arena on which he stands,
To fight the resulting
And justified
Spontaneous combustion,
There would not be found one drop of piss
From any a Thespian’s hose.
For who,
Could allow
This sacrilege to be spoken?
Even the flag atop the pole knows
The magic is not yet arrived.
A stage without commercial trappings:
without solid doors and thick drapes;
uncluttered by pillars and arches,
tables and chairs,
windows and fireplaces;
sans orchestra,
sans balcony,
sans pit.
A stage revealing all its secrets.
Profound as emptiness.
A stage in wait.
For in this world writ small
– as in the globe around –
the audience has nothing to know,
nothing to learn,
until the actor makes an entrance,
prepares to fight past our eyes
to battle with those thoughts
and fears
which lurk in sheltered halls.
What’s Hecuba to him?
Why – nothing.
Merely a name in a script,
A cue at which to turn his profile thus.
It is what Hecuba becomes to we who wait,
that turns the key upon the heavy gate.
~DE BA. UE
Of course, it is the 21st of March.
To fuss about with the restrictions of time and space and equatorial crossings is as pointless (and heartless) as using AI whilst writing about the First Day of Spring.
Someone please break into a chorus of “TRADITION”!
DE
Paw, my cat/kitten,
Black as the Ides of March
With one white mitten,
Has a green ribbon
Tied around his neck,
As we stand on the dock
And welcome the arrival of Sister Darling,
Of The Rarefied Church of the World (reformed)
On this Saint Patrick’s Day,
She steps off the fishing boat,
And unceremoniously hands me
A hefty cauldron,
As she scoops up Paw
And holds him close, the way
(I trust)
She will eventually hold me.
“Irish stew,” says she.
But I didn’t even have to guess,
For I can recite, by smell,
The ingredients.
Lamb on the bone
Carrots/celery
onions/leeks/garlic
Bay leaf/sea salt/black pepper
Lots of potatoes
And two (I hope) pints of ale.
“You are right,” she says
As Paw snuggles into her hair,
“And you will get
A Reward.”
I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2026/ A lot of stuff have I seen / A lot of stuff to report}
DE BA. UEL
Paw, the cat/kitten,
Black as a sky night
With one white mitten,
Was up yesterday morning
And saw the waxing gibbous moon.
The moon – of course – affects Paw,
As it does all the animals
(Including us).
But Paw,
A persnickety little bugger
At the best of times,
Seems to take umbrage
With the moon,
Or
At the moon,
When it grows (and glows)
To its full height and size.
Paw,
Being a cat,
Does not howl at the moon,
But he spits,
And hisses,
And growls,
And goes “Itititititititit”,
And makes himself quite a nuisance.
He will get the crazies,
And dash back and forth
From window, to door,
To window.
I’d let him out (I swear, just to be quit of him),
But I have no guarantee
– None at all –
That he would come back,
And I’d miss the little bugger.
[That’s the truth]
I bundle him firmly
(So I won’t get lacerated),
And carry him up
To the lantern room
At the top of the lighthouse.
I let him loose.
I’ll find him in the morning,
Finally asleep,
But still, occasionally,
Muttering “Itititititititit” to himself,
While he dreams.
I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2026 / A lot of stuff have I seen / A lot of stuff to report}

In my novel, Kafka In The Castle, I fill in missing entries of his actual diaries. There are many days to fill, as he either did not write during these days, or he destroyed the record.
I do give him a brief recognition of Friday 13th. Kafka was not a superstitious person, and such things weighed on him lightly.
In reality, memories of the Swiss Girl he mentions (a teen he met and probably “embraced”) haunted him all his life. But pleasantly – oh, so pleasantly.
~~~~~~~~~~~~~~~~~~~~
13 April 1917
I almost wrote down the year as 1913. That was the year I met the Swiss girl. And I remember her joking about Friday the thirteenth, and how we had missed it by just a day. She was superstitious – Christians seem to be. I wonder what precautions she is taking today. It will be three years and seven months since I saw her. Yet some of the things we did could have happened last week. I think that memory must be made of rubber. You can sometimes pull it toward yourself – and sometimes it snaps away like a shot. Causing as much pain.
(image)https://www.playhugelottos.com/uploads/assets/news/PlayHuge/Fridaythe13th.jpg
Q: To be or not to be?
A: Who asketh the query?
Q: Bond – James Bond.
A: Sound and fury, it seems to me.
Q: They say you’re a talker – is that true?
A: More of a thinker.
Q: Then a doer?
A: I put many acts in play.
Q: The power behind the throne?
A: When the throne is rotten.
Q: So, do you dither?
A: Whilst thou hither.
Q: What is your wish?
A: To whisper in your ear.
Q: To tell me what?
A: Fear not, it won’t be poisonous.
Q: Will it be a secret?
A: More likely than not.
Q: In my line of work, secrets are Death.
A: You deal with Kings and Queens?
Q: I’m on Her Majesty’s Secret Service.
A: A double life is a double sword is a double bind.
Q: How do you know that?
A: I write plays.
Q: And tell the truth?
A: My word is my bond.
DE BA UEL

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In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote.
*********************************
15 January 1917
Dreamed that I never dream.
“That can’t be true,” said AB, dropping the papers she held. “Everybody dreams.”
“It never happens to me,” I insisted. “And what’s more, I don’t really believe that anyone else dreams, either.”
“Of course people dream,” said AB, dropping bunches and pots of flowers on the floor. “I dream all the time. I’m full of dreams every night.”
“Even tonight?” I asked, excited, because I had some power, some type of knowledge, although I didn’t know what it was. “Tonight,” she repeated. “Especially tonight,” she said, dropping bowls of snow on the floor. “It is right now, right here.” Her voice was also full of excitement. “I am dreaming about you.”
“Me?” I said. “You can’t be dreaming about me. I’m right here – I’m not in your dream.”
“Not only are you in my dream,” she said, dropping automobiles and tram cars on the floor, “but you’re talking in your usual obstinate way. You’re cross, and you’re silly, and you’re shaking your hands at me.”
“I’m doing no such thing,” I said, wringing my hands and starting to yell.
“You’ve taken your absurd thoughts,” she said, dropping pieces of Prague on the floor, “and you’re forcing me to be part of them.”
“Even if it’s true – all true,” I said, trying to sweep Prague into the river, “it still isn’t me. You’re the one having the dream.”
AB snatched the broom out of my hand, and dropped it to the floor. “Then try to wake me,” she said.
16 January 1917
I have the feeling, that what I really am doing at the office, is committing suicide. And doing a good job.
Fishing Pole Toy with a pulsating light at the end of the fishing line [operated by human]
Chase The Laser Toy [operated by human]
Bag of small balls and toys to chase [thrown by human]
Assorted cans of delicious treats:
1) salmon and shrimp feast
2) ocean white fish and liver
3) cod, sole and shrimp
4) white chicken penne pasta served in a silky sauce
5) white chicken florentine in a light broth [fed by human]
What Did the Human Get For Christmas?
One enlarged photo of Bedford the Cat, framed with a glass front [unsigned]
DE
What did the human get for Christmas?
One enlarged phoyo of Bedford the Cat, framed with a glass front [unsigned]