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The Ghost Of A Chance In The Supernatural Workshop

ghoststoriesana00jamegoog_0252

I do give writing workshops, though few and far between. I doubt I can be classed as a specialist in anything, I am more a ‘nuts and bolts’ instructor. However, I do write a lot of supernatural material, and I am adept at dialogue. Both are fun to play around with.

I was blessed at one Supernatural workshop to have every student both interested, and showing an accomplishment in writing. There is, of course, more chance of this when they are laying down the big bucks, but it is still appreciated.

One of the students took me aback during the course of the day. She had handled my bizarre and distracting writing exercise with aplomb, which is always positive. However, in more general discussions, she balked at my dictat that writers must write at regular times, preferably every day.  She did not have the time (with young children at home). She even stole time when a child bathed, by scribbling quickly while watching the child. Although there was time in the late evening, she refused to intrude on that. She watched TV and let her mind rest. I can readily accept that part, as that is what I also do. I doubt I could be creative past nine o’clock  even if it meant I would win the Booker.

In the afternoon, she surprised me by, quite frankly, looking ten years younger. She was relaxed and more engaging. I like to think she was reacting to being able to be somewhere where all she had to do was deal with writing. That’s my story and I’m sticking to it.

In the course of further general discussion, she tossed off the fact that, the previous year, she had “written a novel”. At first we thought she was in jest. However, she was taking a course from some ‘by mail’ organization, where they give exercises and critiqued work returned to them. The woman who had no time, had written a novel in a year (besting me by a year and a half). I know from her writing abilities it would not be a poor novel, and, if nothing else, it was a foundation to other writing.  I don’t even know if she’ll submit it to a publisher – it was a learning exercise.

Kudos to her, said I, and every student agreed.

DE

(image) https://ebooks.adelaide.edu.au/j/james/mr/antiquary/plates/ghoststoriesana00jamegoog_0252.jpg

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Star Trek To Boldly Go To TV Again

my20tng20wallpaper20modified

Can I use the word eons when talking of Star Trek? Considering the time travel that often enveloped them, why yes – yes, I can.

So, eons ago, I wrote a script for Star Trek, The Next Generation. Memory says (and I’ve been told my memory is not up to light speed), this was the only television series that asked for, and actively used, scripts from writers outside their own stable. They used one script per season from these submissions. So I submitted.

I had a response from Lolita Fatjo, and it gave me some quiet thrill to see her name among the STTNG credits at the end of each show. I believe she was classed under “Pre production”. I also thought she had a real nifty name. I note she currently still has dealings with Star Trek, helping to facilitate Star Trek Fan conferences and arranging appearances by some of the Star Trek stars.

I did not have an abundance of communication with Ms. Fatjo (I liked to think of her as Lolita). I think I got a package of information about the type of thing they wanted for a script. Memory says there was a desire to have a main plot line concentrating on just two or three of the main characters. There was to be one additional sub plot. There were arcs to accommodate the commercials. I believe they hoped for some humour. And timing, of course, all was timed to the exact minute. I followed directions and wrote a script and put it into the format and sent it off. I had two further dealings with Lolita. One told me they had received the script. The other – so deliciously close to the end of the season – was to tell me they would not be using it.

The script was called The Minstrel. An alien had a musical instrument (I think a horn, but it might have been strings) that would play tunes which adapted to whomever he was talking to. It had other properties, but I think I’ll keep them tucked away. You never know – there is a new show. Anyway, the Minstrel would interact (per act) with the Star Trek characters. Revelations were forthcoming. Not too many special effects (which was something else Lolita requested).

I received no big cheques or writing credits from this foray into television land. But not all was lost. I was writing my script in tandem with a friend who was writing her own script. News of our endeavours made the local writing circuit, and we were interviewed on regional radio. From that, we were asked to speak to a couple of writing classes, and even invited to an  alternate world fan club to give a reading. We boldly went.

DE

 

 

 

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A Year Goes Past And The Writing Continues

spofec-rr-ghost-tune-160

(image)http://1.bp.blogspot.com/-O43_czTkQ_I/VCFhPJYIfII/AAAAAAAAKHM/yq9FuImgLDI/s1600/SPOFEC-RR-Ghost-Tune-160.jpg

A year ago I started (returned to, actually), writing something every day.

“Every day” is not exact, and perhaps not even wise. I have settled into six days a week, with a day (Thursday) off. When advised to write every day, a writer should know that they should write regularly, at least four or five days every week. And try for a decent amount of time per day, at least one to two hours. Find a rhythm that works and stick to it unto death.

I began last year with the intent of finishing my novel, a thriller called The Bonner Prediction. That I have done, and edited twice. One more edit remains. That should be completed in a couple of months.

However, in the intervening year, I returned to a story I had started in the previous year. It’s genesis was less as a short story, and more of a character sketch. By that I mean my main interest was to write solely about this particular character which, other than for my novel about Franz Kafka, I don’t believe has happened to me. Setting was also well-established. Other than that, I follow the character, Alison Alexandra.

Alison Alexandra is taking me on a wild, unplanned and exciting ride. It is some of the most purely enjoyable writing I have done. Fifty or so pages so far. Obviously not a short story, but I don’t know to what extent it will go. Alison Alexandra is chock -a-block full o’ surprizes. Today she is taking a ride in a Rolls Royce “Ghost”. Oh – what will happen?

So – let me tell ya – write every day. 

I wrote the following a year ago.

Perhaps my creative stream is bubbling away

I did not plan a New Year resolution. What I had planned was to write something on my current novel the first day of the new year.

This is also not planned, but – so far – I have written every day of the year except two – one a travel day, and one a deliberate ‘take-a-day-off-day’. I am two or three chapters from the end of thisThriller. I have not written fiction so steadily for months. I hope it keeps on.

This is the part which I do nor know is related to my writing situation.

I have never dreamt about any of my writing – never. I know many artists dream about their work, get ideas about their work in dreams and such, but not me. So, I did not have a dream about my writing. However, I recently awoke from a dream where I was talking to my publisher. She said I should do another book of short stories about the Elephant. Is that close?

And, finally, the incident below. On Twitter, I came across an announcement of a restaurant/bakery in Calgary. The Corbeaux. This means The Ravens. They have a store sign which has noted similarities to one which I have described in a manuscript. And you can see their sign in this photo.

https://fbexternal-a.akamaihd.net/safe_image.php?d=AQCKukhRj63heHlL&w=470&h=246&url=http%3A%2F%2Ftoquesandtruffles.files.wordpress.com%2F2014%2F12%2Fimg_8531.jpg%3Fw%3D1200&cfs=1&upscale=1

And then you can read what appears in my unpublished second Satan novel, where ravens play an important part.

Perhaps my creative stream is bubbling away.

From Places Of Evil

Mr. S. does rehearse what he plans to say to Breeze, both while he waits for the taxi, and then in the twenty minute ride to her restaurant. He is surprised Dorkas and Caleb made as such little protest. He suspects they agree with his concerns about the twins, even if not enthusiastic with his solution.

Mr. S. has the taxi stop a couple of blocks from the restaurant. Breeze has installed a new sign, and she wants his opinion of how effective it will be attracting customers. Although he helped – at her insistence – to choose the design, he has yet to see the finished object.

He walks along the street, pretending to be someone looking in shop windows for a gift. He actually wants to purchase Breeze a celebratory present, but that is for later. He tricks himself enough, that when he finally does look up at the sign, it is with a degree of surprise.

Breeze has not purchased a painted sign, as he had supposed. The design is similar to the ones they discussed, but she has not chosen an image imposed upon a wooden background. Instead, there are carved and painted shapes jutting from the front of the building, parallel to the wall.

A thick piece of wood, chiseled into the shape of a tree top, is attached over the lintel. Two branches sprout from the trunk of the tree, which tapers to an uneven and jagged tip. At the very top, a life-sized carved raven sits, its head tilted up. On each of the protruding branches sits another raven, their bills open as they look at each other.

Nailed to the bottom of the tree, a metal chain hangs to the door, holding a wooden sign printed in Old German script. It announces the name of the restaurant: The Hungry Ravens.

“As black as black can be.”

Mr. S. hums as he walks across the narrow street. He has reservations about her sense of humour, with this reference to the ravens. Their unfathomable connection to the work of the Organization, and their role of `familiar’ to Satan’s intentions, are beyond – in his opinion – the wryest of humours.

As he steps toward the front door, he notices a more subtle change. Breeze has sand-blasted the brickwork facing the street. The dark red hue enhances the outline of the tree and its occupants. They look as if they are silhouetted against a sunset.

DE

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Writing By The Numbers

gold-plated for me
I have spent the better part of the last four years writing and editing novels. And the better part of this past year just in the editing. One is historical and the other is a thriller. Both really demand that I keep within the rules of the world I have created/entered. Imagination is certainly needed, but I think of it as a prosaic creativity.

I had been planning, this week, to return to a more creative type of writing. More amorphous and not as controlled. More of whimsy if not exactly whimsical.

I already had a short story partially done. I was greatly surprised I had started it a year ago). I wished to use a new name for the character, and have the setting more vague and open. I was going to start it on Thursday, but was reminded that Thursdays have been “my day off” the past year.  I am superstitious enough to keep to a working formula. So, I left it until Friday, even though it was Friday 13th.

Not having looked at it for nearly a year, I was gobsmacked to find the first line is: “Hermione Kafka embraces the number 13.”

Her name is now Alison Alexandra.
Her saga continues.

DE

(image) http://i.telegraph.co.uk/multimedia/archive/02054/number-13_2054848c.jpg

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Avoid The Trial of Writer’s Block

chop away at the writer’s block

(image)

An ounce of prevention is worth a pound of cure (even in metric).

I experienced over two month’s of writer’s block many years ago. I did, literally, sit at my desk for hours, and can to this day accurately describe that desk. Its vision is before/behind my eyes as I key. It had a red leather surface, boarded in black. It was of thick mahogany with drawers. It faced the wall not far from the door to the room. I have placed it in one of my novels.

To not have this debilitating situation happen again, I have devised a scheme that I find is 90% successful in combating writer’s block.

Do not finish your thought on page or screen. Make sure it is solidly in your mind (make notes if necessary) but do not write it down.

If it’s a description – don’t finish it.

If it’s dialogue – don’t complete it.

If it’s a line of poetry – don’t end it.

The next day, start off with the phrase you would have ended with yesterday. Read the preceding page or two, and when you enter the phrase not completed, the odds are excellent you will continue on your way.

DE

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Kafka To The Day: Writing His Diary

(page from *real* Kafka diary)

One of the most  startling situations regarding Kafka and my (re)construction of his *missing* diary occurred when I had been working on the manuscript a couple of months.

I initially (of course) had the hope of literally writing a diary entry a day. Not only did my real life intervene, but some of the constructed diary entries took days to write. Also, there were times when many of my diary entries were but a few lines long. Thus, I might do a number in a day of writing.

In one instance, as I was checking Kafka’s real diaries, I noted one of his entries had the exact date as the day I was reading it. That is, if he was filling in  a diary entry on Friday, 19 October (for I forget the exact day I realized this), I was reading it on Friday, 19 October. I looked at a perpetual calendar, and not only was the year in which I was writing an exact numerical year to his, so was the following year. 

As a result, I believe my novel took on a more authentic flavour. When I put my pen to paper on the 14th of March, it was also a Wednesday in 1917.  

DE

(image)  http://swc2.hccs.edu/htmls/rowhtml/kafka/Diaries.GIF

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Not Ready for Prime Time Characters / Spear Carriers

My onion novel, CHINA LILY, spans decades. My main family, the Cannaras, travel the globe (of their time, which is the Fourteen hundreds). Lots of time on ships. Lots of time on horseback.

In their distant locations, over their diverse times, they meet different people. These people fill the chapters they are in, but then they are gone. They are really secondary characters to the novel, but nothing could be accomplished without them. In their own time frame, they are front-and-center.

This same situation happened in my *thriller*. The time frame was much different (squeezed into a few days). And the location was in the same city, until near the end. But the nature of the immediacy, the surprising twists of plot, and the intense action called upon the use of many secondary characters. They were figuratively press-ganged into action. They did their bit and were not called upon again. Louie-the-dog was to be a secondary character with a ‘walk on’ part. He stayed.

 I am having a growing fascination for these secondary characters. They have to be developed within paragraphs instead of chapters. Their dialogue and thoughts have to be concise and unique from the start. They possess a freedom of action the main characters do not have. They are not loaded down with baggage. They are a challenge to write and difficult to rein in. They are generally saucy, and rarely ponder their lot. Yet they must be real and not just plot devices. They have to be taken at face value and accepted quickly. They must stand out in the background.

Secondary characters are a challenge to write and a thrill to create. Each and every one of them excite me.

Hmmmm …  a novel of only secondary characters  … hmmmm…

DE

“Fifth Business” by Robertson Davis
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Perhaps my creative stream is bubbling away

I did not plan a New Year resolution. What I had planned was to write something on my current novel the first day of the new year.

This is also not planned, but – so far – I have written every day of the year except two – one a travel day, and one a deliberate ‘take-a-day-off-day’. I am two or three chapters from the end of thisThriller. I have not written fiction so steadily for months. I hope it keeps on.

This is the part which I do nor know is related to my writing situation.

I have never dreamt about any of my writing – never. I know many artists dream about their work, get ideas about their work in dreams and such, but not me. So, I did not have a dream about my writing. However, I recently awoke from a dream where I was talking to my publisher. She said I should do another book of short stories about the Elephant. Is that close?

And, finally, the incident below. On Twitter, I came across an announcement of a restaurant/bakery in Calgary. The Corbeaux. This means The Ravens. They have a store sign which has noted similarities to one which I have described in a manuscript. And you can see their sign in this photo.

https://fbexternal-a.akamaihd.net/safe_image.php?d=AQCKukhRj63heHlL&w=470&h=246&url=http%3A%2F%2Ftoquesandtruffles.files.wordpress.com%2F2014%2F12%2Fimg_8531.jpg%3Fw%3D1200&cfs=1&upscale=1

And then you can read what appears in my unpublished second Satan novel, where ravens play an important part.

Perhaps my creative stream is bubbling away.

From Places Of Evil

Mr. S. does rehearse what he plans to say to Breeze, both while he waits for the taxi, and then in the twenty minute ride to her restaurant. He is surprised Dorkas and Caleb made as such little protest. He suspects they agree with his concerns about the twins, even if not enthusiastic with his solution.

Mr. S. has the taxi stop a couple of blocks from the restaurant. Breeze has installed a new sign, and she wants his opinion of how effective it will be attracting customers. Although he helped – at her insistence – to choose the design, he has yet to see the finished object.


He walks along the street, pretending to be someone looking in shop windows for a gift. He actually wants to purchase Breeze a celebratory present, but that is for later. He tricks himself enough, that when he finally does look up at the sign, it is with a degree of surprise.

Breeze has not purchased a painted sign, as he had supposed. The design is similar to the ones they discussed, but she has not chosen an image imposed upon a wooden background. Instead, there are carved and painted shapes jutting from the front of the building, parallel to the wall.

A thick piece of wood, chiseled into the shape of a tree top, is attached over the lintel. Two branches sprout from the trunk of the tree, which tapers to an uneven and jagged tip. At the very top, a life-sized carved raven sits, its head tilted up. On each of the protruding branches sits another raven, their bills open as they look at each other.

Nailed to the bottom of the tree, a metal chain hangs to the door, holding a wooden sign printed in Old German script. It announces the name of the restaurant: The Hungry Ravens.

“As black as black can be.”

Mr. S. hums as he walks across the narrow street. He has reservations about her sense of humour, with this reference to the ravens. Their unfathomable connection to the work of the Organization, and their role of `familiar’ to Satan’s intentions, are beyond – in his opinion – the wryest of humours.


As he steps toward the front door, he notices a more subtle change. Breeze has sand-blasted the brickwork facing the street. The dark red hue enhances the outline of the tree and its occupants. They look as if they are silhouetted against a sunset.

1

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