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Women In Hardhats Are Sexy – Yes, You Can Thank Franz Kafka

On the bus this evening ,a young lady in a “Security” uniform got on. She was also wearing a hardhat – a snazzy grey hardhat,

This took me back to the days (and many things take me back to the days) when I knew a couple who worked in the movie trade. He was a cameraman and she was an editor – though each knew the others job pretty well.

They were dealing with a scene where a construction company was renovating an old building. It was being shot on location beside a real old building (a railway station) that had fallen into great disrepair. There were big machines, piles of dirt, construction supplies and construction ‘workers’.

The scene focused on two women who were (if I remember) partners in the construction firm. They were on site to direct the operation. A whole scene had been shot, showing the work in progress and various conversations between the two actresses.

But then everything was hauled to a stop.

One of the “producers” (that is, someone who was supplying the money) had an idea. Which is never good from folk who are not expected to have any ‘creative’ say. They are there to count the dollars and cents.

However, this fellow wanted the whole scene (a morning’s work with actors and machines and crew) re-shot. He wanted the two actresses to wear hardhats. He liked to see women in hardhats,

Well, Buddy was helping pay the bills, and everyone would just get paid twice for doing the scene again. And maybe the different lighting would not be noticed.

So, hardhats were found and the whole thing was shot again.

And – yes – we can thank Franz Kafka for this, because he invented the hardhat through his work with the “Workers’ Accident Insurance Institute for the Kingdom of Bohemia.”

And, decades later, I have used this dilapidated railway station as a setting for one of the chapters in my current novel – though there are no hardhats.

May The 4th

may-the-fourth-meme-star-trek
Will
 
… hopefully …
 
Lead to May the 5th
 
& then
On to May the …
 
   – well –
 
U might be getting the picture.
 
Two things (so far) stand out
 
About
 
May the 4th, 2020.
 
One is, that in Italy,
 
Restrictions about
 
Going out
 
And about
 
Are being loosened
 
And the first thing
 
A citizen in Venice
 
Did
 
Was get in her boat
 
And wander the
 
Canals.
 
This is so pleasing.
 
She can see
 
-if she wishes to look-
 
Jellyfish
 
And the bottom of
 
The Canal.
 
Clean water runs through it.
 
The other thing that
 
May the 4th
 
Always brings to my mind
 
Is
 
That
 
Star Trek
 
Is so much better
 
Than Star Wars.
 
(Oh, beam me up)
 
May the 4th be with you!

When I Helped Harrison Ford Make A Movie

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I note that Harrison Ford is starring in a new movie, The Call Of The Wild. This seems reason enough to reprise my wild time working with Harrison, and dropping his name yet again.

In 2001/02 the movie, WIDOWMAKER K-19, was made, much of it filmed in Halifax harbour and out on the nearby ocean. It deals with submarines and an in-ship disaster, staring Harrison Ford and Liam Neeson.

I was not aware of this when I visited Halifax. I went down to the waterfront and went along the boardwalk. It was very foggy on the water (which it can be without having much on land). I was exceedingly surprised to see, looming out of the fog, a submarine next to the wharf. There are submarines in Halifax, but they are berthed at the navel dockyard a couple of kilometers from where I was walking. 

It took a couple of minutes to realize that it was not a naval submarine (no markings). What was happening was that the submarine was being turned by a couple of tugboats. I read later that each side of the same submarine was altered differently so, in close ups and aerial footage, it could appear to be two different submarines.

However, there quickly appeared to be a problem. From the shouts and gesticulations of a man on the wharf, I found out that one of the mooring lines had not been cast from the wharf. The submarine was being pulled away from the dock, but it was still attached. It was a gigantic and thick mooring line, and I do not know what damage would have been done to either ship or dock.

The man was yelling to another man on the deck of the sub, who had a bullhorn and in turn was bellowing to the crew of the tug boat. However, nothing was heard over the roar of the engines (tugboats have powerful engines). The man on the wharf was trying to lift the mooring line from its post before it got too taut to move. I ran over and helped him, and we managed to get it from the post just as it started to be pulled into the water.

Of course I watched the movie credits closely, but I was not mentioned.

No famous movie actors were involved in this incident.

[image] https://s.ying.com/ny/api/res/1.2/q7BOT9JdHZPOFk9mbrIy8A–~A/YXBwaWQ9aGlnaGxhbmRl

Burning In Berlin / A Horror Movie

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[From my long-ago time in Berlin this movie script (and two novels) emerged. Here is the beginning sequence.]

EXT. BARREN FIELD WITH AUTUMN GRASS – DAY

Traffic sounds comes from the four streets bounding the field.

EXT. HILL IN FIELD – DAY

An information sign is at the foot of the hill. A newly-painted Linden tree grows beside it.

EXT. INFORMATION SIGN – DAY

THE INFORMATION SIGN READS Fehurer Bunker

EXT. TOURIST BUS – DAY

INT. TOURIST BUS – DAY

A middle-aged TOUR GUIDE stands by the front seat, facing the passengers.

TOUR GUIDE

The Berlin police don’t

want us any closer.

EXT. TOURIST BUS – DAY

Tourist faces peering from the windows.

INT. TOURIST BUS – DAY

Tourists from the far side of the bus bend and peer over those seated.

EXT. LINDEN TREE ON HILL – DAY

One raven flutters and lands on a tree limb.

EXT. TOURIST BUS – DAY

Two or three faces are pressed in each window.

INT. TOURIST BUS – DAY

The Tour Guide is pointing through the window.

 

TOUR GUIDE

All of a sudden, the city says it

is unsafe. (laughs) They don’t want

to see all you rich tourists being

swallowed.

 

2.

EXT. TOURIST BUS – DAY

Peering faces, and Tour Guide’s finger pressed to window.

EXT. INFORMATION SIGN – DAY

A second Raven settles upon the sign. It hops about until it

stops over the word ‘Fehurer’.

EXT. TOURIST BUS – DAY

A BOY and GIRL, both slender and twelve, are staring from a window. A MAN WITH AN EYE PACH, in his forties and muscular, wearing a suit from the Salvation Army and a work shirt, bends over them, peering.

INT. TOURIST BUS – DAY

The Boy and Girl have their heads together. The girl moves her

hand, and points through the top of the window.

EXT. LINDEN TREE – DAY

A third crow is landing on one of the branches. The other two

are agitated, but quickly settle.

INT. TOURIST BUS – DAY

The Man With the Eye Patch hastily puts his hand over the

girl’s mouth.

 

MAN WITH EYE PATCH

Shh.

 

EXT. TOURIST BUS – DAY

The girl moves her hand from the window. The childrens’

faces move back.

EXT. LINDEN TREE – DAY

The two Ravens in the branches descend to the Information

Sign.

EXT. INFORMATION SIGN – DAY

The Three Ravens shuffle together, and stand shoulder to shoulder.

EXT. TOURIST BUS – DAY

The Tour Guide has his head pressed against the window.

3.

INT. TOURIST BUS – DAY

The Tour Guide, bent against the window, speaks loudly.

 

TOUR GUIDE

Too big for crows. They’re ravens.

 

EXT. INFORMATION SIGN – DAY

The three Ravens flutter down to the ground. They hop

erratically on the brown grass.

 

EXT. TOURIST BUS – DAY

The Tour Guide reluctantly leaves the window, and faces

the tourists.

 

TOUR GUIDE

Maybe the ground is dangerous, and

they feel it. Hitler’s original

bunker is still down there. Even the

Russians didn’t dare blow it up. It

would have caved in a dozen

surrounding blocks.

EXT. TOURIST BUS – DAY

There are now so many faces in the windows that some

jostling is going on. A few heads turn, speaking

angrily.

EXT. FOOT OF INFORMATION SIGN – DAY

The three Ravens no longer hop erratically. They are

obviously moving in a ritualized formation. Their

dance finishes with them lined up, staring at the

Tour Bus.

EXT. TOURIST BUS – DAY

INT. TOURIST BUS – DAY

The Tour Guide is standing at the top of the steps,

facing a YOUNG MAN with a Movie Camera around his

Neck.

 

YOUNG MAN

I gotta get a picture for my

Gramps. He fought Hitler and

still hates him.

 

 

4.

TOUR GUIDE

I’m not supposed to let –

 

YOUNG MAN

One guy won’t make it cave in.

 

TOUR GUIDE

But the others –

 

YOUNG MAN

I’ll be off and back in a minute.

The YOUNG MAN hold up the Camera to the Tour Guide.

 

YOUNG MAN

I’ll use the zoom. I won’t even walk

on your precious field.

EXT. FOOT OF SIGN – DAY

The Three Ravens are stock still. The one in the middle cocks

his head toward the bus. The Other Two close their eyes.

EXT. TOURIST BUS – DAY.

The door of the Tourist Bus opens.

EXT. FOOT OF SIGN – DAY

The Two Ravens with closed eyes cock their heads in the same

direction as the middle bird.

EXT. TOURIST BUS – DAY

The Young Man steps from the bus.

 

YOUNG MAN

Gramps will kick my ass if I

don’t.

INT. TOURIST BUS – DAY

The man With the Eye Patch pushes the Two Children onto the seat,

EXT. FOOT OF SIGN – DAY

The Two Ravens with closed eyes open their eyes in unison.

INT. TOURIST BUS – DAY

The Man With The Eye Patch stands in the aisle.

 

 

  1.          MAN WITH THE EYE PATCH

Stop him!

INT. TOURIST BUS – DAY

The Tour Guide takes one step along the aisle of the bus.

 

TOUR GUIDE

It’s just a frigging picture.

 

EXT. TOURIST BUS – DAY

The Young Man walks across the sidewalk to the edge of the field.

He holds the Camera in front of his face.

 

YOUNG MAN

Cement twenty feet thick. It

can’t cave in.

INT. TOURIST BUS – DAY

The Man With The Eye Patch sits with the Two Children.

EXT. TOURIST BUS – DAY

The Young Man looks behind him at the bus, then starts to walk

across the field.

 

YOUNG MAN

There’s something written on the

sign, but the zoom can’t get it.

EXT. TOURIST BUS – DAY

The Tour Guide is standing on the bottom step.

 

TOUR GUIDE

Hey!

EXT. FOOT OF SIGN – DAY

The Three Raves silently take flight

EXT. BARREN FIELD – DAY

The Young Man is adjusting the Camera when he hears the Tour Guide. He turns around with a scowl.

6.

EXT. BARREN FIELD – DAY

The Tour Guide is standing outside the open door. He is beckoning with his hand.

 

TOUR GUIDE

I can get fined. Come back here!

EXT. BARREN FIELD – DAY

The Young Man is adjusting his Camera, his back to the field. He doesn’t look up as he yells to the Tour Guide.

 

YOUNG MAN

They’re not going to fine you

for two more minutes.

EXT. BARREN FIELD – DAY

The Middle Raven starts to dive, while the others fly on.

EXT. TOUR BUS – DAY

The Tour Guide starts crossing the sidewalk.

 

TOUR GUIDE

I’ve already got one guy

complaining.

EXT. BARREN FIELD – DAY

The Two Ravens fly in unison, side by side.

EXT. BARREN FIELD – DAY

 

The Young Man finishes adjusting his Camera. He looks up to see

the Tour Guide at the edge of the field. He holds up his Camera.

 

YOUNG MAN

It’s new. I got it for this

trip.

EXT. BARREN FIELD – DAY

The Tour Guide is on the grass. He stops, and puts his hands on

his hips.

 

TOUR GUIDE

You said a minute. I’ll have to

leave you here.

7.

EXT. BARREN FIELD – DAY

The Two Ravens start into a steep dive, one above the other.

EXT. BARREN FIELD – DAY

The Young Man lets go of his Camera. It swings on the neck strap,

bouncing against his chest.

 

YOUNG MAN

Then you’ll have another guy

complaining.

EXT. BARREN FIELD – DAY

The Single Raven adjusts its dive. Its eyes blink.

EXT. BARREN FIELD – DAY

The Young Man glares at the Tour Guide. He grabs his Camera again,

then turns back toward the Sign, raising the Camera to his face.

EXT. BARREN FIELD – DAY

The Two Ravens shift position, the bottom one moving to the top.

EXT. BARREN FIELD – DAY

The Tour Guide just starts to look up as the Lone Raven strikes

him on the side of the head.

EXT. BARREN FIELD – DAY

The Two Ravens are in a steep dive. The top one gets behind

the other.

EXT. BARREN FIELD – DAY

The Tour Guide is rolling on the ground. The Raven’s claws are

clamped to his ear, and its beak is in his eye.

EXT. TOUR BUS – DAY

The Two Ravens enter the door of the bus.

EXT. BARREN FIELD – DAY

The Single Raven tears off the Tour Guide’s ear.

EXT. TOURIST BUS – DAY

The Bus Driver holds his hands protectively in front of his

face as the Ravens fly past.

8.

EXT. BARREN FIELD – DAY

The Young Man turns toward the bus. He starts filming.

EXT. BARREN FIELD – DAY

The Tour Guide attempts to get up. The Raven has its beak in his

mouth.

INT. TOURIST BUS – DAY

The Ravens fly along the aisle, amid screaming passengers.

INT. TOURIST BUS – DAY

The Man With The Eye Patch grabs the two children. He shoves them

onto the floor between the seats.

 

MAN WITH EYE PATCH

Stay down!

EXT. BARREN FIELD – DAY

The Tour Guide has managed to stand. The Raven is fluttering in

front of his face. It has the Tour Guide’s tongue in its beak.

EXT. BARREN FIELD – DAY

The Young Man continues taking pictures.

EXT. TOURIST BUS – DAY

Panicked, screaming faces are in the windows. Many passengers are

beating their hands against the glass.

INT. TOURIST BUS – DAY

The Ravens keep a steady course, but get side -by- side.

INT. TOURIST BUS – DAY

The Man With the Eye Patch is taking off his suit coat.

 

MAN WITH EYE PATCH

Not fucking again.

INT. TOURIST BUS – DAY

The Ravens skim the roof of the bus. They both look down.

INT. TOURIST BUS – DAY

The Man With the Eye Patch glances at the Two Children.

9.

INT. TOURIST BUS – DAY

The Two Children huddle on the floor. The Boy lies on the Girl.

stretching over her. He turns his head toward the Man With the Eye Patch.

INT. TOURIST BUS – DAY

The Man With the Eye Patch yells at the Boy.

 

MAN WITH EYE PATCH

Hide your face!

INT. TOURIST BUS – DAY

The Two Ravens dive simultaneously.

INT. TOURIST BUS – DAY

 

The Man With the Eye Patch holds up his suit coat in front of him.

The two Ravens fly right into the suit coat, pulling it from the Man’s hands. The Birds, entangled in the suit coat, hurtle against the window. One Bird gets free, while the other, still encased in the suit coat, falls on the Children.

INT. TOURIST BUS – DAY

The Boy shoves the Girl under the seat in front of them.

INT. TOURIST BUS – DAY

The freed Raven flies up toward the Man With the Eye Patch.The Man

crouches into the stance of a boxer, and punches the bird directly

on the side of its head. The stunned Raven tumbles over the

seat back.

INT. TOURIST BUS – DAY

The Boy scurries under the seat where he had been sitting.

INT. TOURIST BUS – DAY

The Man With the Eye Patch grabs his suit coat with the trapped

Raven, and throws it to the far side of the bus.

 

MAN WITH THE EYE PATCH

(yelling)

All of you – get down!

INT. TOURIST BUS – DAY

The Raven is half out of the suit coat when it hits the window.

10.

It spirals to the roof of the bus.

INT. TOURIST BUS – DAY

The raven which the Man With the Eye Patch hit, teeters on the

top of a seat back.

INT. TOURIST BUS – DAY

The Man With the Eye Patch grabs for his suit coat.

INT. TOURIST BUS – DAY

The Raven on the seat back lifts into the air.

INT. TOURIST BUS – DAY

The Boy finally manages to squeeze completely under the seat.

INT. TOURIST BUS – DAY

The two Ravens start flying to the front of the bus.

INT. TOURIST BUS – DAY

The Man With the Eye Patch holds his suit coat in front of him

again.

 

MAN WITH EYE PATCH

Stay down!

INT. TOURIST BUS – DAY

The Ravens reach the front of the bus. The Bus Driver is crouched

on the floor, jammed under the steering wheel.

INT. TOURIST BUS – DAY

The Man With the Eye Patch lowers his suit coat. He glances at the

two Children.

EXT. TOURIST BUS – DAY

The Two Ravens fly out of the door of the bus.

EXT. BARREN FIELD – DAY

The Tour Guide is sprawled on his back. The Raven’s claws are

gripping either side of his neck, and its beak is jabbing into

his other eye.

11.

EXT. TOURIST BUS – DAY

The Two Ravens wobble in their flight as they raise into the air.

EXT. BARREN FIELD – DAY

The Young Man is walking toward the Tour Guide, filming. He

hesitates, stops walking, and looks up.

INT. TOURIST BUS – DAY

The Man With the Eye Patch is reaching between the seats.

 

MAN WITH EYE PATCH

Come on out.

EXT. TOURIST BUS – DAY

The Young Man raises his Camera and steps back, aiming into the

sky.

INT. TOURIST BUS – DAY

The Man With the Eye Patch helps the Girl from under the seat.

As she gets up and stands by the window, he assists the Boy. When

The Boy is standing, the Man With the Eye Patch puts on his suit

Coat.

 

MAN WITH EYE PATCH

You two knew about this, didn’t

you?

The Girl taps her finger against the window.

 

GIRL

Look!

EXT. BARREN FIELD – DAY

The Two Ravens swoop toward the Third Raven on the ground.

INT. TOURIST BUS – DAY

The Man With the Eye Patch and the Children look out the window.

The Boy glances up at the Man.

 

BOY

You said we’d be safe.

The Man With the Eye Patch stands straight.

 

MAN WITH EYE PATCH

You’re safe, ain’t you?

(Image)https://i.pinimg.com/originals/3f/33/98/3f3398e10b275d21c698e4918748f790.jpg

Turning A Novel Into Film – Characters And Actors On The Loose

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When adapting a novel manuscript to a film script, I realize it will take a whole host of other people to tell me how successful I might be. I’ve done this twice before, and realize that I must not only ignore my usual method of writing, but often go exactly against it.

I attempted to “learn” how to write for film. I read many instruction books, attended classes and workshops, and had meetings with people. I read many film scripts, which did help me accept the (to my eye) arcane format. But the one thing that actually turned me visual, was the comment of a writer/editor friend who said, after reading my attempt, “I can’t see it.”

That is, it did not cause visual action in her mind.

And I understood.

Perhaps the biggest hurdle is to accept that a movie is not a book, and that changes, additions and omissions will be necessary. As with a play, there is a finite time limit, that generally clocks in under two hours. The threads and plot points of a movie are different. And the characters (I swear) feel this freedom, and choose to accentuate other aspects of themselves than revealed in a novel.

The very fact their paragraphs of dialogue are best reduced to two or three lines makes them uppity. And because they can, in mere seconds, be in diverse locations, performing radically different actions, they become exact without apology. They don’t have to fill in the spaces.

The writer has to fill in the spaces however, and do so with visual stimulation. The transitions have to be swift and their descriptions exact. The road is always the fast lane and the characters kick the tires with gusto.

Seventeen Years Ago, Harrison Ford And Me

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I am startled to find this happened seventeen years ago, give or take a few months. I have yet to receive any residuals

Harrison Ford And Me

In 2001/02 the movie, K*19 The Widowmaker, was made, much of it filmed in Halifax harbour and out on the nearby ocean. It deals with submarines and an in-ship disaster, starring Harrison Ford and Liam Neeson.

I was not aware of this when I visited Halifax. I went down to the waterfront and went along the boardwalk. It was very foggy on the water (which it can be without having much on land). I was exceedingly surprised to see, looming out of the fog, a submarine next to the wharf. There are submarines in Halifax, but they are berthed at the naval dockyard a couple of kilometers from where I was walking. 

It took a couple of minutes to realize that it was not a naval submarine (no markings). What was happening was that the submarine was being turned by a couple of tugboats. I read later that each side of the same submarine was altered differently so, in close-ups and aerial footage, it could appear to be two different submarines.

However, there quickly appeared to be a problem. From the shouts and gesticulations of a man on the wharf, I found out that one of the mooring lines had not been cast from the wharf. The submarine was being pulled away from the dock, but it was still attached. It was a gigantic and thick mooring line, and I do not know what damage would have been done to either ship or dock.

The man was yelling to another man on the deck of the sub, who had a bullhorn and in turn was bellowing to the crew of the tug boat. However, nothing was heard over the roar of the engines (tugboats have powerful engines). The man on the wharf was trying to lift the mooring line from its post before it got too taut to move. I ran over and helped him, and we managed to get it from the post just as it started to be pulled into the water.

Of course I watched the movie credits closely, but I was not mentioned.

No famous movie actors were involved in this incident.

Dracula Takes Another Bite

EXCLUSIVE: Paramount Pictures has acquired screen rights to Dracul, the first prequel authorized by the estate of Bram Stoker. The film will be developed as potential directing vehicle down the line for Andy Muschietti, reteamed with It producers Barbara Muschietti and Roy Lee. Written by Dacre Stoker and J.D. Barker, the tale is set in 1868, where a 21-year old Bram Stoker meets with an ungodly evil that he traps in an ancient tower all the while scribbling the events…

via Paramount Bites Into ‘Dracul’: ‘It’ Director Andy Muschietti In Mix — Deadline

What I Learned From The Movies About Sweet Sugar

antique-sugar-bowl-with-spoons

Last night I watched Brief Encounter, a 1940s movie based on a play by Noel Coward (he was a producer) and directed by David Lean. It starred Trevor Howard and Celia Johnson  (she received an Academy Award nomination for Best Actress). It is well worth watching.

It was while watching the movie that I learned a life lesson. A small life lesson, but one that has escaped me for decades. Yes, in some things I am a slow learner.

In the movie there is more than a brief encounter in a railway station lunch bar. Tea is ordered, and the comment is made that there is no sugar provided. The waitress responds: “Yes, there is. The sugar is in the spoon.”

A minor – though rather sweet – bit of business. However, it solved a problem I have had for years.

There always seems to be that small amount of sugar left in the sugar bowl just before it is to be filled again. It is always too much to add to the last cup of coffee (about the only place I use sugar). Yet, I don’t want to discard it, or leave it as some sugar that has been in the bowl for months.

Now I have a solution. I put it in the spoon and await the next cup of coffee.

Movies are more than just entertainment.

DE

(image)photo.foter.com/photos/pi/275/antique-sugar-bowl-with-spoons.jpg

Horror Movie In Berlin – Ravens Against Tourists

5-01(image)http://theberlinexpert.com/images/rotatingimage/5-01.jpg                                                                                                                                                            8.

EXT. BARREN FIELD – DAY

 

The Young Man turns toward the bus. He starts filming.

 

EXT. BARREN FIELD – DAY

 

The Tour Guide attempts to get up. The Raven has its beak in his

mouth.

 

INT. TOURIST BUS – DAY

 

The Ravens fly along the aisle, amid screaming passengers.

 

INT. TOURIST BUS – DAY

 

The Man With The Eye Patch grabs the two children. He shoves them

onto the floor between the seats.

 

MAN WITH EYE PATCH

Stay down!

 

EXT. BARREN FIELD – DAY

 

The Tour Guide has managed to stand. The Raven is fluttering in

front of his face. It has the Tour Guide’s tongue in its beak.

 

EXT. BARREN FIELD – DAY

 

The Young Man continues taking pictures.

 

EXT. TOURIST BUS – DAY

 

Panicked, screaming faces are in the windows. Many passengers are

beating their hands against the glass.

 

INT. TOURIST BUS – DAY

 

The Ravens keep a steady course, but get side -by- side.

 

INT. TOURIST BUS – DAY

 

The Man With the Eye Patch is taking off his suit coat.

 

MAN WITH EYE PATCH

Not fucking again.

 

INT. TOURIST BUS – DAY

 

The Ravens skim the roof of the bus. They both look down.

 

INT. TOURIST BUS – DAY

 

The Man With the Eye Patch glances at the Two Children.

9.

 

INT. TOURIST BUS – DAY

 

The Two Children huddle on the floor. The Boy lies on the Girl.

stretching over her. He turns his head toward the Man With the Eye Patch.

 

INT. TOURIST BUS – DAY

 

The Man With the Eye Patch yells at the Boy.

 

MAN WITH EYE PATCH

Hide your face!

 

INT. TOURIST BUS – DAY

 

The Two Ravens dive simultaneously.

 

INT. TOURIST BUS – DAY

 

The Man With the Eye Patch holds up his suit coat in front of him.

The two Ravens fly right into the suit coat, pulling it from the Man’s hands. The Birds, entangled in the suit coat, hurtle against the window. One Bird gets free, while the other, still encased in the suit coat, falls on the Children.

 

INT. TOURIST BUS – DAY

 

The Boy shoves the Girl under the seat in front of them.

 

INT. TOURIST BUS – DAY

 

The freed Raven flies up toward the Man With the Eye Patch.The Man

crouches into the stance of a boxer, and punches the bird directly

on the side of its head. The stunned Raven tumbles over the

seat back.

 

INT. TOURIST BUS – DAY

 

The Boy scurries under the seat where he had been sitting.

 

INT. TOURIST BUS – DAY

 

The Man With the Eye Patch grabs his suit coat with the trapped

Raven, and throws it to the far side of the bus.

 

MAN WITH THE EYE PATCH

(yelling)

All of you – get down!

 

INT. TOURIST BUS – DAY

 

The Raven is half out of the suit coat when it hits the window.

DE

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