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Dusk had already fallen as I stepped from a bus. I was intent about making a close connection to another bus. Haste, in this case, not making waste.
It was an articulated bus – some refer to them as accordion buses – segmented in the middle with three exit doors. They actually do bend in the middle and hold more passengers. I left the bus by the front door and was walking quickly along its length. I was just passing the middle door when, from the last door, two young men (I don’t think they were teenagers) tumbled and shuffled out of the third door onto the sidewalk. They were a few steps in front of me.
One of them was yelling and shoving and swinging at the other.
“Do you want me?”
“Were you looking at me?”
“What is it with you?”
These were the type of questions from the aggressor. He was dressed decently and had a cap. The other fellow (they looked the same age) had a bag over his shoulder and headphones on his head. He was more decently dressed and wore glasses. I took him as a university student. As could have been the other chap.
It appeared something had happened on the bus, though there certainly had been no altercation there. The aggressor was shoving the other one across the sidewalk to the grass verge. His headphones were knocked off and he had trouble holding to his briefcase. The aggressor seemed to just repeat variants of what he was saying. Angry questions.
I was in a hurry. I also did not want to get in the middle of a fight. The police tell us to steer clear and to contact authorities. City fistfights can quickly turn to weapons. I was aware of all this but … I was thinking, well, if that were an elderly person being hit, or a child, or a female, I would have felt obligated to do something. Intervene verbally, at least. Make some commotion to perhaps diffuse the situation. If it was a person being struck who was beyond self-defence, I would have intervened with the supposition that someone else would come to assist. Such thoughts jumbled through my head.
The fellow with the briefcase was on the grass verge, and down he went. He lost his grip on the briefcase. I don’t know if he was struck with such force to make this happen, or if he slipped on the grass, or if he slipped attempting to get out of the way. The aggressor was standing over him and yelling, but he did not (as they say around here) ‘take his boots to him”. The fellow on the ground said: “Corbin, I don’t want to fight with you.”
All this, of course, took place in less than twenty seconds. I had slowed my stride and I was watching, but I had not stopped. That they knew each other (as they say around here) “changed the water on the beans”. In retrospect, I realise I had noticed an element of ritual”about this event. The aggressor had not gone for a blow to the face, and did not take undue advantage now. However, he was still furious.
“You earned it.” He was sputtering. “You deserve it.”
The fellow on the grass scrambled after his briefcase and his headphones. As he got to his feet the other fellow shoved him again. He skittered, but retained his footing and dashed out into the street. The aggressor started to give pursui, but some traffic slowed him just a bit. The other fellow ran along the sidewalk on the other side, then started to walk more normally. The aggressor did not cross the road.
I did get my bus.
DE

As a child, sometime before Grade One, I encountered a radio/gramophone combination that frightened the music right out of me.
I assume I must have heard the radio before. And I would think I had heard music before. But maybe not to this degree. And certainly not in such volume.
My visual memory is of the odd configuration to the house. We lived in a flat over a commercial garage. There had to be a number of rooms, but I only remember two large connected rooms, going the length of the house. They were each elongated as it was, and were the stuff of apprehension at the best of times. At dusk, or in the evening, there was the feeling of entering some other world. Not a forest perhaps, but a place of shadows where animals and other assorted unpleasant surprises could stalk my passage. And then – presumably – they could leap out, regardless of how carefully one manoeuvred through the gloom. I don’t know if I ever told my parents of this gauntlet I had to face at certain times of the day. But it certainly gave me pause at the best of times. And dusk was not the best of times. Or a weekend family get together after supper. Which is what I believe this was.
I know I was part way through one of the rooms, and getting ready to enter the other. There was still a distance to walk when a loud noise filled the air. I was frightened, but did not run or duck. I froze. It was music. It would not have been an unknown sound, so that is probably why I did not flee.
However, it was music as I had never heard it. I peered the length of the second room, but saw nothing different. I saw my parents seated – as they often were – beside the radio. They were obviously happy and not frightened by the ‘noise’. I was both stock-still and confused. Since they were not troubled I decided to run to them.
I don’t know if the music was in some manner explained to me (I presume it would have been). What they were listening to was an LP of orchestral classical music. My knowledge now makes me imagine it was something wonderfully bombastic by Tchaikovsky. I presume they might have been playing it louder than their usual radio programs. But it made a stirring impression on me, lasting decades.
DE
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Budapest Classical Music Concerts

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All sorts and conditions of people take the bus (myself included) . On this particular trip of some years ago I took note of the two talkative folk who sat in front of me. One was on oe side of the aisle, the other was on the other.
Directly in front was a handsome young man in his twenties who had, that morning, just been released from penitentiary. He was on his way home. Across the aisle from him was a grizzled and bearded man in his mid-life. He had never taken a bus ride before.
They talked. I listened.
The convicted felon (a cheerful and polite fellow) had, with a partner, robbed a grocery store. Stole the safe. Got a lot of money (thousands in the double digits). They got away with it. However, some days later, his partner got a case of the ‘guilts’ and turned himself in. And told what had happened. And his buddy, unplanned and unwanted, soon followed. Fourteen months.
The bearded fellow, never on the bus, had a host of motorcycles and vans and such, and travelled in them. he took a header when he hit an empty pop bottle. He was a hippy from way back and more or less continues to this day. Even the bus driver recognized the van he described, famous for its art work.
The former inmate revealed how to make ‘moonshine’ from unimaginable ingredients; how to make money from ‘nicotine patches’ by cutting them into strips and selling the contents; and that cigarettes behind bars cost $15 each. Oh – yes – he also lost his girlfriend because of his actions. “A BIG mistake,” he said.
I gotta admit, all this, plus the beautiful scenery, whiled away the time.
DE

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It will take a whole host of other people to tell me how successful I will be. I’ve done it twice, and realize I must not only ignore my usual method of writing, but often go exactly against it.
I have attempted to “learn” how to write for film, with many instruction books, and classes, and workshops, and meetings with people. I read many film scripts, which did help me accept the (to my eye) arcane format. But the one thing which turned me visual was the comment of a writer/editor friend who said, after reading my attempt, “I can’t see it.” That is, it did not cause visual action in her mind. And I understood.
Perhaps the biggest hurdle to get over is to accept that a movie is not a book Changes, additions, and omissions will be necessary. As with a stage play, there is a finite time limit that generally clocks in under two hours. The threads and plot points of a movie are different. And the characters (I swear) feel this freedom, and choose to accentuate other aspects of themselves than are revealed in a novel.
The very fact their paragraphs of dialogue must be reduced to two or three lines makes them uppity. And because they can, in mere seconds, be in diverse locations, performing radically different actions, they become exact without apology. They don’t have to fill in the spaces.
The writer has to fill in the spaces however, and do so with visual stimulation. The transitions have to be swift. Their descriptions exact.
The road is always the fast lane, and the characters kick the tires with gusto.
DE

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An ounce of prevention is worth a pound of cure (even in metric).
I experienced over two month’s of writer’s block many years ago. I did, literally, sit at my desk for hours, and can to this day accurately describe that desk. Its vision is before/behind my eyes as I key. It had a red leather surface, boarded in black. It was of thick mahogany with drawers. It faced the wall not far from the door to the room. I have placed it in one of my novels.
To not have this debilitating situation happen again, I have devised a scheme that I find is 90% successful in combating writer’s block.
Do not finish your thought on page or screen. Make sure it is solidly in your mind (make notes if necessary) but do not write it down.
If it’s a description – don’t finish it.
If it’s dialogue – don’t complete it.
If it’s a line of poetry – don’t end it.
The next day, start off with the phrase you would have ended with yesterday. Read the preceding page or two, and when you enter the phrase not completed, the odds are excellent you will continue on your way.
DE
THE REALITY: (from REALITY)
A few years ago I had cause to walk the grounds of a Catholic college. I did this often, as it was a large and peaceful place to wander. There were some paths, some gardens, some benches, wide playing fields and even a stroll beside a river. A peaceful retreat from the city.
I did meet one ancient priest telling his beads (there was a ‘retirement’ residence also present) who gave me a jovial ‘good day’. He was walking the paths through the trees (as was I) and eventually settled on a bench (as I did not). I kept through the trees, which were really planted in individual copses. enjoying refuge from the sun. The trees seemed to be all pines, with full and tightly packed branches. As I went through one such group of firs, I looked between the trees. There was a statue on the other side. I circled and went up to it. As I approached I was overcome with the oddest feeling of familiarity, though I knew I could never had been there before.
And then.
And then I realized what it was.
It was a scene I had created for my two ‘Satan’ novels. A central character has the statue of an angel within a copse of firs in his back yard. My novel has an angel statue ,and reality had the Virgin Mary. But, still . . .
I’ve written of many real places which I have visited, but none took me so aback as this.

THE ART: (from THERE HAS BEEN A SIGHTING)
Mr. S. unexpectedly takes her arm, and begins to lead her along a winding, flagstone path. She has never seen such large pieces of the stone, and they glisten as if polished.
The path skirts a small stand of black spruce before it continues to the river. He stops her at the mouth of a gravel walkway leading through the trees.
“Let’s pop in here.”
“Your little acre of the Black Forest?”
“Hardly an acre.”
“Precision.” Breeze laughs. “Whatever would my father think of you?”
“Does any father think well of any man when his daughter is concerned?”
“Probably not.”
“No,” agrees Mr. S. “So not to worry.”
“He would think even less of someone leading his daughter down the garden path,” observes Breeze.
“That would be before he saw what I am about to show you.”
Mr. S. holds her arm tightly, and guides her onto the gravel walk. It leads directly to the base of a tree, then makes an abrupt curve between the largest of the spruce.
One of the boughs is so low Breeze ducks her head. She has the sensation of being in the midst of a forest, for the heavy branches obscure the surroundings.
“If I may be permitted a moment of drama.”
Mr. S. covers her eyes and speaks softly.
“Will you turn to your right, and take a few steps?”
Even though he had asked, Breeze is startled as he gently eases her forward, and she feels a slight urge to resist him. Her steps are more cautious than the gravel walkway demands, and the press of his body is noticeable. She counts her footsteps under her breath. She is surprised when they stop at half a dozen, and he quickly removes his hand.
“She’s beautiful.” Breeze stares, open-mouthed.
“Yes.” Mr. S. is pleased. “I think so, too.”
“An angel in the woods.”
“The angel of peace.” Mr. S. walks her around the statue. “Not at all bad for a knockoff.” He pauses behind the wings.
“A knockoff?”
“A reproduction.” He puts his foot on the pedestal, and leans forward. “I don’t really know how old it is. Certainly last century – possibly before.” He points to the blue folds. “I’ve had the paint cleaned and touched up. Is it too garish?”
“It … it stands out.” Breeze hunts for a word. “Let’s call it vibrant.”
DE


