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It is a whirlwind in here

Classical Music Shakes The Child

Fortissimo

As a child, sometime before Grade One, I encountered a radio/gramophone combination that frightened the music right out of me.

I assume I must have heard the radio before. And I would think I had heard music before. But maybe not to this degree. And certainly not in such volume.

My visual memory is of the odd configuration to the house. We lived in a flat over a commercial garage. There had to be a number of rooms, but I only remember two large connected rooms, going the length of the house. They were each elongated as it was, and were the stuff of apprehension at the best of times. At dusk, or in the evening, there was the feeling of entering some other world. Not a forest perhaps, but a place of shadows where animals and other assorted unpleasant surprises could stalk my passage. And then – presumably – they could leap out, regardless of how carefully one manoeuvred through the gloom. I don’t know if I ever told my parents of this gauntlet I had to face at certain times of the day. But it certainly gave me pause at the best of times. And dusk was not the best of times. Or a weekend family get together after supper. Which is what I believe this was.

I know I was part way through one of the rooms, and getting ready to enter the other. There was still a distance to walk when a loud noise filled the air. I was frightened, but did not run or duck. I froze. It was music. It would not have been an unknown sound, so that is probably why I did not flee.

However, it was music as I had never heard it. I peered the length of the second room, but saw nothing different. I saw my parents seated – as they often were – beside the radio. They were obviously happy and not frightened by the ‘noise’. I was both stock-still and confused. Since they were not troubled I decided to run to them.

I don’t know if the music was in some manner explained to me (I presume it would have been). What they were listening to was an LP of orchestral classical music. My knowledge now makes me imagine it was something wonderfully bombastic by Tchaikovsky. I presume they might have been playing it louder than their usual radio programs. But it made a stirring impression on me, lasting decades.

DE

(image)

Budapest Classical Music Concerts

The Convict On The Bus And The Man of Motorcycles

well, it ‘might’ have looked like this

(image)

All sorts and conditions of people take the bus (myself included) . On this particular trip of some years ago I took note of the two talkative folk who sat in front of me. One was on oe side of the aisle, the other was on the other.

Directly in front was a handsome young man in his twenties who had, that morning, just been released from penitentiary. He was on his way home. Across the aisle from him was a grizzled and bearded man in his mid-life. He had never taken a bus ride before.

 They talked. I listened.

The convicted felon (a cheerful and polite fellow) had, with a partner, robbed a grocery store. Stole the safe. Got a lot of money (thousands in the double digits). They got away with it. However, some days later, his partner got a case of the ‘guilts’ and turned himself in.  And told what had happened. And his buddy, unplanned and unwanted, soon followed. Fourteen months.

The bearded fellow, never on the bus, had a host of motorcycles and vans and such, and travelled in them. he took a header when he hit an empty pop bottle. He was a hippy from way back and more or less continues to this day. Even the bus driver recognized the van he described, famous for its art work.

The former inmate revealed how to make ‘moonshine’ from unimaginable ingredients; how to make money from ‘nicotine patches’ by cutting them into strips and selling the contents; and that cigarettes behind bars cost $15 each. Oh – yes – he also  lost his girlfriend because of his actions. “A BIG mistake,” he said.

I gotta admit, all this, plus the beautiful scenery, whiled away the time.

DE

Adapt A Novel Manuscript To A Movie Script

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It will take a whole host of other people to tell me how successful I will be. I’ve done it twice, and realize I must not only ignore my usual method of writing, but often go exactly against it.

I  have attempted to “learn” how to write for film, with many instruction books, and classes, and workshops, and meetings with people. I read many film scripts, which did help me accept the (to my eye) arcane format. But the one thing which turned me visual was the comment of a writer/editor friend who said, after reading my attempt, “I can’t see it.” That is, it did not cause visual action in her mind. And I understood.

Perhaps the biggest hurdle to get over is to accept that a movie is not a book  Changes, additions, and omissions will be necessary. As with a stage play, there is a finite time limit that generally clocks in under two hours. The threads and plot points of a movie are different. And the characters (I swear) feel this freedom, and choose to accentuate other aspects of themselves than are revealed in a novel.

The very fact their paragraphs of dialogue must be reduced to two or three lines makes them uppity. And because they can, in mere seconds, be in diverse locations, performing radically different actions, they become exact without apology. They don’t have to fill in the spaces.

The writer has to fill in the spaces however, and do so with visual stimulation. The transitions have to be swift. Their descriptions exact.

The road is always the fast lane, and the characters kick the tires with gusto.

DE

 

Avoid The Trial of Writer’s Block

chop away at the writer’s block

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An ounce of prevention is worth a pound of cure (even in metric).

I experienced over two month’s of writer’s block many years ago. I did, literally, sit at my desk for hours, and can to this day accurately describe that desk. Its vision is before/behind my eyes as I key. It had a red leather surface, boarded in black. It was of thick mahogany with drawers. It faced the wall not far from the door to the room. I have placed it in one of my novels.

To not have this debilitating situation happen again, I have devised a scheme that I find is 90% successful in combating writer’s block.

Do not finish your thought on page or screen. Make sure it is solidly in your mind (make notes if necessary) but do not write it down.

If it’s a description – don’t finish it.

If it’s dialogue – don’t complete it.

If it’s a line of poetry – don’t end it.

The next day, start off with the phrase you would have ended with yesterday. Read the preceding page or two, and when you enter the phrase not completed, the odds are excellent you will continue on your way.

DE

Reality and Art and the World Between

THE REALITY: (from REALITY)

A few years ago I had cause to walk the grounds of a Catholic college. I did this often, as it was a large and peaceful place to wander. There were some paths, some gardens, some benches, wide playing fields and even a stroll beside a river. A peaceful retreat from the city.

I did meet one ancient priest telling his beads (there was a ‘retirement’ residence also present) who gave me a jovial ‘good day’. He was walking the paths through the trees (as was I) and eventually settled on a bench (as  I did not). I kept through the trees, which were really planted in individual copses. enjoying refuge from the sun. The trees seemed to be all pines, with full and tightly packed branches. As I went through one such group of firs, I looked between the trees. There was a statue on the other side. I circled and went up to it. As I approached I was overcome with the oddest feeling of familiarity, though I knew I could never had been there before.

And then.

And then I realized what it was.

It was a scene I had created for my two ‘Satan’ novels. A central character has the statue of an angel within a copse of firs in his back yard. My novel has an angel statue ,and reality had the Virgin Mary. But, still . . .

I’ve written of many real places which I have visited, but none took me so aback as this.

THE ART: (from THERE HAS BEEN A SIGHTING)

Mr. S. unexpectedly takes her arm, and begins to lead her along a winding, flagstone path. She has never seen such large pieces of the stone, and they glisten as if polished.
The path skirts a small stand of black spruce before it continues to the river. He stops her at the mouth of a gravel walkway leading through the trees.
“Let’s pop in here.”
“Your little acre of the Black Forest?”
“Hardly an acre.”
“Precision.” Breeze laughs. “Whatever would my father think of you?”
“Does any father think well of any man when his daughter is concerned?”
“Probably not.”
“No,” agrees Mr. S. “So not to worry.”
“He would think even less of someone leading his daughter down the garden path,” observes Breeze.
“That would be before he saw what I am about to show you.”
Mr. S. holds her arm tightly, and guides her onto the gravel walk. It leads directly to the base of a tree, then makes an abrupt curve between the largest of the spruce.
One of the boughs is so low Breeze ducks her head. She has the sensation of being in the midst of a forest, for the heavy branches obscure the surroundings.
“If I may be permitted a moment of drama.”
Mr. S. covers her eyes and speaks softly.
“Will you turn to your right, and take a few steps?”
Even though he had asked, Breeze is startled as he gently eases her forward, and she feels a slight urge to resist him. Her steps are more cautious than the gravel walkway demands, and the press of his body is noticeable. She counts her footsteps under her breath. She is surprised when they stop at half a dozen, and he quickly removes his hand.
“She’s beautiful.” Breeze stares, open-mouthed.
“Yes.” Mr. S. is pleased. “I think so, too.”
“An angel in the woods.”
“The angel of peace.” Mr. S. walks her around the statue. “Not at all bad for a knockoff.” He pauses behind the wings.
“A knockoff?”
“A reproduction.” He puts his foot on the pedestal, and leans forward. “I don’t really know how old it is. Certainly last century – possibly before.” He points to the blue folds. “I’ve had the paint cleaned and touched up. Is it too garish?”
“It … it stands out.” Breeze hunts for a word. “Let’s call it vibrant.”
DE

Facebook and Death

recognized the world over

(Image)  http://screenshots.en.sftcdn.net/en/scrn/69664000/69664462/facebook-pro-01-535×535.png

Today The Guardian informs us that 1 in 7 people on the earth use  Facebook. One Billion
(1,000,000,000) people. We are not alone. These are not all our “friends’, of course.But they are
out there, tapping on keys as I am doing right now.
On the right side of my FaceBook page, there is a list telling me what people are doing. We are
obviously a busy lot.
One poster  likes another poster’s post.
Another poster commented on another poster’s post.
One poster desires us to see a particular film.
One poster shares a link.
Another poster like.
Another poster comment.
A poster shares a link.
And then there is this list  of photos of folk on “chat”.
yes
yes
yes
3 hrs ago
1 m ago
15 m ago
yes
yes
51 m ago
yes
And then
a photo
no time indication
because she is dead.

Kafka Goes To The Movies

ever watching

Although Kafka disliked most technology, he did love to go to the cinema. He also had a great fondness for theatre and actors  (and particularly actresses), though he does not seem to have written any plays.

In the Prague of Kafka’s day, various charities were associated with particular cinemas.  When one paid for a ticket, a portion of the price went to the charity associated with the cinema. You could help the hungry, the homeless, people with medical needs.

Kafka (being, after all, Kafka) particularly enjoyed attending the theatre for the blind.

Kafka To The Day: Writing His Diary

(page from *real* Kafka diary)

One of the most  startling situations regarding Kafka and my (re)construction of his *missing* diary occurred when I had been working on the manuscript a couple of months.

I initially (of course) had the hope of literally writing a diary entry a day. Not only did my real life intervene, but some of the constructed diary entries took days to write. Also, there were times when many of my diary entries were but a few lines long. Thus, I might do a number in a day of writing.

In one instance, as I was checking Kafka’s real diaries, I noted one of his entries had the exact date as the day I was reading it. That is, if he was filling in  a diary entry on Friday, 19 October (for I forget the exact day I realized this), I was reading it on Friday, 19 October. I looked at a perpetual calendar, and not only was the year in which I was writing an exact numerical year to his, so was the following year. 

As a result, I believe my novel took on a more authentic flavour. When I put my pen to paper on the 14th of March, it was also a Wednesday in 1917.  

DE

(image)  http://swc2.hccs.edu/htmls/rowhtml/kafka/Diaries.GIF

The View From The Lighthouse

It’s hard to pry me from a bench.

There was a documentary about Maine lighthouses on the local PBS last week. A relatively (in this day and age) ancient documentary, as one of its features was the current (then) president, George Bush (HW) giving a speech. So at least a quarter century ago.

I have enjoyed going to lighthouses for longer still. If anything, I just keep finding them more evocative. I have a couple of chapters of one of my novels set in a lighthouse. A number of years ago, from high cliffs over the Northumberland Straight, this is what I saw one afternoon from a lighthouse.

One old fishing boat:

One sleek new fishing boat:

One chubby fishing boat:

One fading green fishing boat:

One distant white sailboat under sail:

One close white sailboat under sail:

Two small outboard boats:

One tugboat pulling . . .

One rusting barge.

Happily, the Cape George Lighthouse was recently listed as a Heritage Site by the government of Canada.

DE

(photo) https://opto.ca/sites/default/files/pictures/featured_items/nova_scotia_-_cape_george_lighthouse.jpg

(news item) http://globalnews.ca/news/2089945/14-lighthouses-across-nova-scotia-granted-heritage-status/

(Cape George Lighthouse) http://www.parl.ns.ca/lighthouse/

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