I owe my life to Hitler, though I never met the man. My father was paid to stop Hitler, so there is no conflict of interest. I was given a thunk on the back o' the head by God when I was fifteen, and within a week began to write. I haven't stopped. My first novel was accepted 'over the transom'. My first editor/author luncheon in New York included a naked man with roller skates at the next table. For the sake of research I have lain on Kafka's grave, but I did not weep. I wish upon my own gravestone the phrase "Thank God He Didn't Die A Virgin". There is truth in every truth - so watch out.
My published novels include the popular fantasy A Lost Tale and the thriller The Bonner Deception. I also have two editions of humorous and spiritual short stories, The Elephant Talks to God, which are appreciated by both young and old.
My manuscripts range from stories about unicorns and druids in the 'Passing Through Trilogy' to the 9/11 destruction of New York. I have filled in the missing diaries of Franz Kafka; recounted the first person dementia of a serial killer; explored the outrageous lifestyle of the famous; and listened in while an elephant and God converse. I currently switch my attention between the saga of a family of onion farmers, from Fourth century Italy to the present day, and a contemporary NATO thriller.
I live in Canada and make Nova Scotia my home.
I prefer to travel by train, but embrace the computer age with passion. I am always on the hunt for unique onion recipes.
One Christmas season some years ago, I looked after a dog whilst her owners went out of town. Tibbit is a big, friendly dawg who likes inspecting piles of leaves. She has a long lead which her benevolent human allows to go as far as possible. She knows (better than her accompanying human) that there are treats at the end of each walk.
On Saturday I didn’t get Tibbit out until after dark. We skirted the university (where her masters work) and went up a street bordering the campus. We both liked the Christmas lights. Near the top of the street we met an inebriated gentleman warning us of a bear in the surrounding woods.
“Flush him out,” said he, pointing at the dog, “And I’ll get my 3 aught 3.”
“Get the rifle first,” I replied.
We went our respective ways. Now Tibbit and I doubted the veracity of the gentleman, so when we came to a trail through the woods, we took it. I will admit I did peer more intently into the gloom than usual, but one trail led to a larger trail which led back to the university. We advanced without incident.
On Sunday I again walked Tibbit toward the university, though from a different direction. It was a crisp, clear day and she gamboled (as much as the leash allowed ) through the new fallen snow. Sunshine gleamed. This time we were on the other side of the campus, but our walk eventually led to a position about half a mile away from where we were the previous evening.
We followed another trail into the woods and admired the sun through the fir trees. The path was wide and sloped. It came to turn some distance away which would lead us even closer to where we were the day before. At the top of the slope Tibbit stopped dead in her tracks.
She stared and stared. She glanced briefly into the woods but mainly kept staring along the trail. I saw nothing nor heard anything (and I was intent upon both). Tibbit did not move and made not a sound. She just kept staring. After a solid two minutes of this I started to backtrack and she made no complaint.
Willing to do anything in my damn fool endeavour to improve the state of literature in the world, I entered a beer mat contest. The prize in the contest was to have your short story printed on a beer mat. Oh, there was also money and gift coupons involved, but my main desire was to get printed on a beer mat. Alas, it did not happen. But here is the story anyway. Have a brew while you read it.
drink a lot
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Flash Flash Flash
Green flash – nine dash – dark green in dark room, four flash – minus dash – three flash – six dash – eight then tight then eight. The operator shoves his chair back in fear, things happen too quickly to be surprised. Red left light followed by yellow left light glow beside the numbers, reflect the band of a wristwatch. Eight flash two race one plus one point – decimal moving across the board, hunting. Fingers, hand, wristwatch reach for the never used phone.
Second and third red left lights glow off the face of the Operator as his lips open before the mouthpiece.
“Get the General and the Director down here fast.”
“But they’re both asleep.” A thin voice in his ear.
“No time – no time. Hurry.”
His hand replaces the phone, but his eyes never leave the wild numbers before him, doubling and now tripling. Four two flash seven one three dash six six six pause blank plus plus racing decimal three three three three. He takes a fast look around the dim room to see yellow and red lights glimmering from every corner, and the flashing green of disappearing numbers.
His eyes return to his own board. There is a constant series of tiny clicks as the green numbers race from right to left, bottom to top. He moves a sweaty palm across his leg and gapes. Minus minus minus eight zero four three eight zero four three pause eight pause plus pause zero four three three click click click click.
Quadrupling now, simultaneous right to left and bottom to top, green numbers racing click click click click. He notices that right red and right yellow lights have come on, quickly followed by the second set. The sound of the flicking numbers makes him think of chicken claws scratching in gravel. He notices his hands shaking, and dimly remembers one lecture where the odds were given of such a thing happening, the smug humour of his instructor. Six six 44 flash two seven 55 click nine two 77 plus 333 point 2864 flash minus flash minus eight seven three three zero.
“My God, they’re in fives now.”
They were moving like green waves across a dark sea now, sextupling in a rush from the base of the screen. Seven two 2941 flash four one 3384 pause nine zero 7766 click click minus three four 0827.
“More warning lights are on now, Sir.”
“It’s the same with every terminal,” said the Director as he looks over to the General.
“I presume you activated the breaking system.”
“Yes, Sir.” The operator does not look behind him as he answers. “When the triples started. All it did was blow out the switch lights.” His face – like the others – is bathed in a confused glow of green, yellow and red.
“The last warning lights just came on.”
“We can see that!” snapped the Director.
The room has never had so much light in it, yet the green numbers do not seem subdued. Four two 8601, nine five 7350, one one 4499 plus flash four eight 1632 click click.
Green flash, red light and yellow, number after number, 472210 flash 992136 pause 886221 race pause flash green 220011 flash click click click.
“Sounds like hens scratching,” says the General.
The Director took in his breath with a groan. “They’re turning octal,” he said.
The green numbers moved constantly now, covering the whole face of the screen. Click click flash plus 12345678 flash 87654321 pause 20199465 click minus flash 22446688 race click 11335577 green 88990011 click.
“They’re grouping,” said the Operator. “They’re forming patterns.” His voice was no longer scared, but resigned.
The red and yellow warning lights began to shatter, small pops of sound followed by falling glass. Green flickers raced 11223344 slight pause 55667788 flash green wave 99001122 minus flash 33445566 click click
“It’s turning cyclical,” said the Director.
click flash green rush 77889900 pause plus click 00000000 minus flash flash click 00000000 click click 00000000
To be fair, he went out of his way to tell me he was notJesus.
It was nearly the first thing he said. But he looked like Jesus. Well – you know – he looked like the depictions of Jesus by all the people who have never seen Him. And it doesn’t matter that, as far as I know, there is not one indication in the Bible of what Jesus looked like. Except that is kind of odd. Tall, short, plump, long face – you’d think there would be something. But he looked like what we accept Jesus looked like.
He was standing on the boardwalk of Halifax harbour. It was late evening in the off season. There were few passerbys, either Samaritans or Levites or priests.
And he smelled like Jesus. That is, he smelled like Jesus if Jesus had partaken of a lot of that water he had turned to wine for the wedding. A lot of it. I suppose Jesus would have been as cheerful, too.
“Look!” He pointed toward a dock jutting into the water. “Crosses.”
I turned to look.
“One.” He started counting. “Two. Three!” He sounded pleased. “Four.” He sounded disappointed.
If you looked with forethought, you could decipher some large crosses among the wooden posts and boards which made the docks. Not that I’m sure I could point them out to anyone else.
He said that crosses were important.
I did not argue.
He said that people look down on the disadvantaged.
I did not argue.
He said that people called them names and that they were really as good as anyone else and why did people make fun of them and keep avoiding them.
I could have answered, but I did not.
“Can ya help me out?” This is where he again told me he was not Jesus. He said that I might as well call him Mike. He pointed at the crosses again. “Ya gotta believe.”
There are rumours (none of them started by me) that Kafka had direct dealings with Einstein, Joyce, and even Hitler.
The first two are more than possible. Einstein taught at Charles University when Kafka was a student there. Joyce was in Prague when Kafka lived there. It is quite probable they travelled in the same literary circles. Went to the same coffee houses (which Kafka frequented). Attended the same readings, or literary events, or even book stores.
The Hitler connection is far more tenuous, but based on fact. Hitler was treated, in Munich, by a doctor who had dealt with Kafka’s family in Prague. And Kafka did visit Munich in the right time frame. Kafka did, after all, predict Hitler’s world as much as he did the Communists.
Although I have, in my novel about Kafka, “filled in” his missing diaries, I never give him such speculative encounters – tempting though it was. All events in my Kafka novel are based on detailed research from his own writings, writings of his friends, and multiple biographies.
I have written one short story that is totally speculative, where Kafka is encouraged to meet “the Austrian with the tiny mustache”, so as to kill him and stop an impending terrible war. And save his sisters from the camps. But that doesn’t happen in my fiction, either.
My onion novel, CHINA LILY, spans decades. My main family, the Cannaras, travel the globe (of their time, which is the Fourteen hundreds). Lots of time on ships. Lots of time on horseback.
In their distant locations, over their diverse times, they meet different people. These people fill the chapters they are in, but then they are gone. They are really secondary characters to the novel, but nothing could be accomplished without them. In their own time frame, they are front-and-center.
This same situation happened in my *thriller*. The time frame was much different (squeezed into a few days). And the location was in the same city, until near the end. But the nature of the immediacy, the surprising twists of plot, and the intense action called upon the use of many secondary characters. They were figuratively press-ganged into action. They did their bit and were not called upon again. Louie-the-dog was to be a secondary character with a ‘walk on’ part. He stayed.
I am having a growing fascination for these secondary characters. They have to be developed within paragraphs instead of chapters. Their dialogue and thoughts have to be concise and unique from the start. They possess a freedom of action the main characters do not have. They are not loaded down with baggage. They are a challenge to write and difficult to rein in. They are generally saucy, and rarely ponder their lot. Yet they must be real and not just plot devices. They have to be taken at face value and accepted quickly. They must stand out in the background.
Secondary characters are a challenge to write and a thrill to create. Each and every one of them excite me.
Hmmmm … a novel of onlysecondary characters … hmmmm…
Tracked down to my own apartment, I give a sample reading from my book of short stories, “The Elephant Talks To God”. And I explain the genesis of the book. Gotta say, it might have been more entertaining to emote some of the Elephant’s poetry.