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29 August 1917: Kafka Walks A Dark Bridge And Ponders The Sea

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote. 

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29 August 1917

             I strolled the Charles Bridge a long time tonight, before coming on to the castle. I have the feeling that the river air helps my lungs. I also like the city lights reflecting from the racing water. And the occasional boat, lanterns stern and bow. I have once or twice steered my own boat through the dark, the flickering light dripping through the gloom before me. If I could have reached the sea while it was still dark, I would have tried to do so. But I was younger then. And could breathe deeply.     Fantasy fuelled this escape, from my Moldau island and then along the Elbe, through Dresden, Magdeburg and Hamburg, to the freedom of Helgoland Bay. Further into the North Sea, if I wanted. Perhaps to Iceland, where I could become lost in the snow and white. All this, from my perch upon the Charles Bridge, as I strolled from side to side, and one end to the other. My last smile reserved for the statues staring down on me. Their stony expressions etched upon their faces, as are mine to me.
DE

28 August 1917 Kafka Is His Own Invention And Not His Father’s Product

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote. 

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28 August 1917

             I avoid my parent’s apartment, and as yet they notice nothing from the ordinary. Actually, I think my father’s fervent wish would be to find something ordinary. Something he could understand. Such as sickness and death. His gratitude at this understanding would not, I think, even be unkind. The Director, however, notices things only too well. He came to my desk – an unusual activity – again today, asking after my cough, which proves futile to hide after any length of conversation. His concern is genuine – he has always shown me the utmost kindness – and goes beyond the conventional interest in a valued employee. How radically different my life would have been had such consideration ever been shown by my father.

     I don’t mean I think of the Director as a father – we rarely see each other outside the confines of the Institute. And anyway, I am as much my own invention as I am my father’s product. How quickly I point my finger to others about my woes; how quickly I drop my hand when I’m faced with a mirror.  

DE

27 August 1917 Kafka Take His Leave

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote. 

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27 August 1917

             Max has arranged for me to see a specialist a week from tomorrow. My protestations are necessarily weak, since it is an effort not to cough during most of our conversations. Even my breathing proves to be more difficult. Perhaps some treatment or some medicine can be found. Some palliative. With luck a cure – the cure? – will be to get me out of Prague. Even if Prague had grand entrance gates, and I lived just on the other side – had my cot in the dust just an arms length from the wall – I could sleep easily. Even without a mattress on the springs.

     As it is, I have no use for the furniture, so I may as well be rid of it. There is no need or place for it in my apartment, and Ottla has expressed no interest. Or even curiosity . A solution – and the one which was done next door – is just to leave everything. I suspect, in this day and age, the people who really have to live in this type of house, will find a use for it. Even the bamboo pieces. I think I’ll keep the lamp.

Paw, The Cat/Kitten, Does Not Mean To Kill The Li’l Bird

I was sitting on my porch
Humble enough,
At my Lighthouse Keeper’s house,
When Paw, the cat/kitten,
Black as a  raven
With one white mitten,
Started playing with a flock
Of little birds.
They were in the bushes,
Flitting from branch to branch
Up and down and over.
He tried to catch one
And then another
And then an another
And then –

He succeeded.
He stood over the bird
Pushed it with his paw,
Sniffed at it,

Then came tearing over to me.
He snagged my pant leg
And pulled.
“Come come come” was in his meows,
So, I did.
The sea breeze ruffled the bird’s feathers
But
There was more movement than that.
I picked up the tiny bird,
Touched its breast,
Felt the trembling heart,
Saw its beak open and close,
And just held it closer to the sun.
It stirred, and stood, and wobbled
And gasped open its eyes
And started to fly
Before it stood.
Right back to the other li’l birds.
Paw slept by my feet
The rest of the day.

{I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2023 / A lot of stuff have I seen / A lot of stuff to report}

DE BA. UEL

Kafka Takes A “Mistake” Train To Prague As The War Begins To End

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote.

Franz Kafka did not shy away from writing horror, and you are forwarned.

14 February 1918

              The grip of evil showed tenfold times the horror.

               The train to Prague – late and slow because it had made a stop in Hell.

              “A mistake train,” said the Stationmaster. “But we had no other choice because of the shortages.” I looked through the windows, and hesitated. “There may be no other train today, if it’s Prague you want.” He rubbed off the chalkboard with the spittle on his finger. “No evening train. Perhaps there will be something after mid-night.” He wiped his hand on his soiled jacket. “Perhaps not.”  “You do not even dare look into the compartments,” I said. “And yet you expect me to enter.”

     “I’ve seen worse.” He wrote down a new time, and his hand did not shake. “In the dark of the night, these trains come through.” He put the stubby piece of chalk back into his coat pocket. “But -no. I don’t get used to it.” He looked in my direction, his face as expressionless as before. “I would advise you to try the coaches after the engine. Most of them there can at least sit up.”

     His advice was good.

     That is where the other civilians were clustered. Huddled – almost literally – away from the sounds and the stench. And they readily made room for me, moved even closer together so they could add me to their number. In my suite and tie, overcoat and hat, I was a Godsend of normality. The gentlemen nodded, and the ladies tried to smile. But then the train started, with its usual jumble of jolts, and the moaning which followed turned their faces blank and ashen.

     One of the soldiers, across the aisle behind me – a Hungarian captain with a weeping bandage obscuring his neck – gulped and slid to the floor. I looked around for a doctor, or an orderly, but there were none. I went back and placed him – as best I could – onto his seat. He mouthed some words – he obviously couldn’t speak – and I patted his hand. Further back still, I saw an Austrian corporal grabbing and grasping over his head. I went to him, and smelled the blood before I saw it. One leg ended in a jagged stump of bandages, the other ceased inches below the hip. He kept grasping at the air even as I steadied him, and he finally seemed to realize I was there. He made motions toward his mouth, gesturing with both hands. “Have you got a fag for us, Sir?” he said, and I realized what his movements had meant. “You’re bleeding,” I began, but he smiled with a finger to his lips. “Don’t tell them, Sir. Don’t tell them. A cigarette is all I need. I’ll keep quiet. I confessed that I didn’t smoke, but a voice behind me spoke with a shrill deliberateness. “I have some – a box of them.” I turned, and it was one of the men I had been sitting with. The soldier held out his hand, and I changed places with the man. “I’m going to find help,” I said. “It won’t do any good,” replied the man, lighting the cigarette. “We’ve tried.” Terror was trapped in his eyes. “You shouldn’t go any further.”

     And I should have listened to him.

     I can not – or perhaps, even now, I dare not – reveal the monsters which I saw. For that is what these men had become, by no choice of their own. Terrifying, repulsive creatures who were more frightening the more human they appeared. One man had his arm melted into his side by and explosion. Another had his ribs piercing through his chest. And what flame can do to faces. The last cars had sacks of dead – too many for the coffins. And any official, any officer, any nurse I met, would only say that they’ll be tended to in Prague.  Treated.  Looked after.  The best care available. 

     And I remembered something from my childhood – a saying perhaps even from my parent’s parents: “A dead man doesn’t care what suit he’s buried in.”

     But I did not tell them this.

STOP AI From Scraping Creative Work To Use Elsewhere

It is time (past time) to regulate, restrict, impede, STOP, and make illegal, any and all external stealing of creative material. Period and Exclamation Point.

That all he wrote.

~ Dale Estey

After A Funeral Kafka Dreams Of The Dead

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote.

21 March 1917

             Dreamed I was standing in a galleria with him. In a town in Northern Italy. We could see across the rooftops, to a plain slipping gently toward the foothills of the mountains. The day was clear – a cool spring morning – and the touch of sun was welcome on our skin. He pointed to a laden waggon passing beneath us. A curtain of dust rose from its wheels as it squeezed through a narrow lane. We watched it for awhile, then he turned to me, his body a silhouette against the vivid sky. “I enjoyed my funeral. I wish we could have talked about it after – it was one of those things to share.”  “We did share it,” I pointed out. “I was there.”  “But I was not,” he said.

     Then he eased himself over the balcony, and without effort, we were sitting in the back of the waggon, perched upon boxes and equipment. We rattled out of the village toward the countryside. “I loved the outdoors,” he said. “I still remember my last walk in the fields.”  We moved slowly through the country side, the waggon rarely being jostled along the rutted road. The teamster must have been an expert, but he never turned his face to us. Intent upon his business, I suppose.  “You forget that I am dead; for which I thank you.”  “Sometimes I do,” I replied.  “It is at those times, I sometimes think I’m still alive.”

     He occasionally pointed to things behind me. Once there was a rabbit. The countryside spread endlessly, without another person in sight. I mentioned this, and he nodded. “It will be crowded at our destination. But I’ll want to meet my wife.” He then leaned toward me, across the waggon. “You helped me, you know – in our final dance.” He smiled, then sighed, then pointed beneath me.   “My destination is close, I must return.” I looked down, and saw I was sitting on a coffin – the polished brown one of his funeral. I moved, then bent over, prepared to open it. His fingers touched the wood beneath my hand. “No. Do not look. You would not like what you found.” His smile seemed forced, there were more teeth showing than usual. “I embrace my new world. But for you, I am well and truly dead.”

Kafka Takes The Train In His Dreams

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote.

04 April 1917

             Dreamed I was to take a train journey. I tried to find my travel papers, but all the drawers were jammed shut. The cupboard doors refused to open. My wallet was stuffed with money   – colourful bills worth thousands of marks – yet no passport, no police clearance. I could find no proof of who I was, and no permission to cross borders. I feared I was going to be late, so I put on an overcoat, grabbed a small bag off the bed, and hurried from the room.

     The door led directly to the station platform, and I was quickly caught in lines of people. A man in uniform  harshly requested to see our tickets, but when I explained I had been unable to find any of my documents, he pointed to my case. Inside were passports and papers from every country in Europe. I handed him one, but over my name was a photo of hog. Another had a picture of a donkey. A third showed sheep. Rodents, insects, and finally an ape, all appearing over my name and signature. “You are Doktor Kafka?” he demanded. “Yes,” I answered. I was terrified – what face did I have now? “You are the veterinarian,” he said, finally satisfied. “Down to the end of the train.” He pointed the way, and I hurried along.

     I walked and walked, but the train just became longer. Box cars and cattle cars were filled with the most terrible animal clamour, and reeking of filth. And I wondered, as I searched in vain for the end of this endless train, where would my destination finally be?

20 September 1917

               Dreamed a mixture. I walked – a desolate figure trudging the vast Steppes. Yet I rode wildly – a madman with my forehead pressed against the compartment window. And I saw myself as the train raced by, outlined by the yellow light of the coach; and then a slender body turning to stare at the racing train. We both hollered, but noise and distance obscured our voice. The vast Steppes turned into a castle, but the castle was displayed in the photos of a magazine, which I held on my lap in the flickering light of the compartment, as the train became engulfed  by the large buildings on either side of the tracks. In the magazine there was a railway at the base of the castle, and as I looked out the window the stone walls filled the frame, each giant block wedged securely to the others, their facing protruding and rough. It was as if the train had entered a tunnel, except there was still light from the distant sky.

     I turned a page, and had to squint to see the pictures. Along the whole bottom of the magazine pages, a train obscured part of the castle wall, almost becoming a part of the stones. Black and white, light and shade, blending into a sepia which smudged all the details. Was there a figure in the window?

Does The Visitor To Partridge Island Want to Play?

Paw

My cat/kitten,

Black as night, with

One white mitten,

Has grabbed my pant leg,

And urges me to go with him.

Does he think I’m his father,

Or some sort of brother?

But off we go.

He leads me to the waterside

And there, splashing and frollicking

Like all get out,

Is a baby seal.

I like seals,

They are always smiling.

Paw looks at me

&

What the heck,

I toss him in.

First, I find out

Paw can really swim,

And, second,

The baby seal is a tease.

A gentle tease.

He butts Paw with his snout.

Dives in front of him,

And comes up behind.

Tickles him

(I swear)

With his whiskers.

I let them go at it,

Until I see Paw is

Getting tired,

So I scoop him out.

The baby seal looks at me,

And gives a bark,

So I bend over

And I scritch his head,

And away he scoots.

I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2023 / A lot of stuff have I seen / A lot of stuff to report}

DE BA.UEL

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