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Shakespeare And Me – Until Black Death Do Us Part

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I have been consoled in my writing career that Shakespeare and I have one thing in common. Oh – yes – there may be a dozen others, but there is one I can point to uncategorically. We share a winsome way with our spelling of words. He even spelled his own name in a dozen different ways.
 
Even before-publication of my novels and stories, I was an example laid before my cousins (those younger than me). I don’t testify that this statement was used, but the gist was: “If you don’t smarten up, you’ll spell as badly as Dale.”.
 
And I’m sure some smart ass responded: “Not possible.”
 
But still, it is one (of the possible dozen) comparisons to Shakespeare.
 
Now, there are two.
 
It turns out that Shakespeare and I have been spurred on by a Pandemic / Black Death, to while away our enforced isolation to write our respective tomes. The Bard had to not only flee London, but his actors company was forbidden to mount any plays. All the theatres were closed. He decamped to safer accommodations and, with time at hand, wrote King Lear and Macbeth and other plays.
 
My indefatigable main character, Alison Alexandra (about whom I have been writing over four years) has decided to have her closest friends come and stay at her house until the world turns less mad. And – yes – this even includes R/Jane-the-Ghost. ‘Twill be a merry troupe. Quite Shakespearean.I’ll be busy for months.
 
I might even include Shaksbeard himself in my dedication.

The Theatre For The World

theatre-clipart-stage-background-1

The stage is as bare as my lady’s ass in his lordship’s bedchamber.

Rough-hewn in the most knockabout way, leaving splinters in the palace lawns of the imagination. There’s many a dip ‘twixt the trap and the lip.

It fares little better than hastily strewn boards covering parched ground, and barely enough elevation to keep the understanding masses at bay.

Were one fool enough to come from out the wings, and at centre front begin a soliloquy about the beauty of the wretched arena on which he stands, to fight the resulting and justified spontaneous combustion, there would not be found one drop of piss from any a Thespian’s hose.

For who could allow this sacrilege to be spoken? Even the flag atop the pole knows that the magic is not yet arrived.

 

A stage without commercial trappings:

without solid doors and thick drapes,

uncluttered by pillars,

and arches,

tables and chairs,

windows and fireplaces;

sans orchestra, sans balcony, sans pit.

A stage revealing all its secrets.

Profound as emptiness.

A stage in wait.

For in this world writ small – as in the globe around – the audience has nothing to know, nothing to learn, until the actor makes an entrance, and prepares to fight past our eyes to battle with those thoughts and fears which lurk in sheltered halls.

What’s Hecuba to him?

Why – nothing. Merely a name on a page of script, a cue at which to turn his profile thus.

It is what Hecuba becomes to we who wait,

that turns the key upon the heavy gate.

(image) moziru.com/images/theatre-clipart-stage-background-1.jpg

Shakespeare Born And Dead Day, April 23rd

 

is-shakespeare-overrated

I bet Shakespeare could look you in the eye and tell you who you are – so well-versed in the ways of people he was. And he could then place you upon the stage, and have an actor have a go at you. With puns and foibles and insights.

Thus do I repeat my Shakespeare (if not Shakespearean) homage.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

The stage is as bare as my lady’s ass in his lordship’s bedchamber. Rough-hewn in the most knockabout way, leaving splinters in the palace lawns of the imagination.

There’s many a dip ‘twixt the trap and the lip.

It fares little better than hastily strewn boards covering parched ground, and barely enough elevation to keep the understanding masses at bay.

Were one fool enough to come from out the wings, and at centre front begin a soliloquy about the beauty of the wretched arena on which he stands, to fight the resulting and justified spontaneous combustion, there would not be found one drop of piss from any a Thespian’s hose.

For who could allow this sacrilege to be spoken?

Even the flag atop the pole knows that the magic is not yet arrived.

A stage without commercial trappings:

without solid doors and thick drapes;

uncluttered by pillars and arches, tables and chairs, windows and fireplaces;

sans orchestra, sans balcony, sans pit.

A stage revealing all its secrets. Profound as emptiness.

A stage in wait.

For in this world writ small – as in the globe around – the audience has nothing to know, nothing to learn, until the actor makes an entrance, and prepares to fight past our eyes to battle with those thoughts and fears which lurk in sheltered halls.

What’s Hecuba to him?

Why – nothing.

Merely a name on a page of script, a cue at which to turn his profile thus.

It is what Hecuba becomes to we who wait,

that turns the key upon the heavy gate.

DE

(image)https://netivist.org/uploads/forum/discussions/pictures/543d4f6f55f4f713c0069828/is

What Is Hecuba To Him – To Us – As We Gaze Upon The Theatre Stage?

 

image

The stage is as bare as my lady’s ass in his lordship’s bedchamber. Rough-hewn in the most knockabout way, leaving splinters in the palace lawns of the imagination.

There’s many a dip ‘twixt the trap and the lip.

It fares little better than hastily strewn boards covering parched ground, and barely enough elevation to keep the understanding masses at bay.

Were one fool enough to come from out the wings, and at centre front begin a soliloquy about the beauty of the wretched arena on which he stands, to fight the resulting and justified spontaneous combustion, there would not be found one drop of piss from any a Thespian’s hose.

For who could allow this sacrilege to be spoken?

Even the flag atop the pole knows that the magic is not yet arrived.

A stage without commercial trappings:

without solid doors and thick drapes;

uncluttered by pillars and arches, tables and chairs, windows and fireplaces;

sans orchestra, sans balcony, sans pit.

A stage revealing all its secrets. Profound as emptiness.

A stage in wait.

For in this world writ small – as in the globe around – the audience has nothing to know, nothing to learn, until the actor makes an entrance, and prepares to fight past our eyes to battle with those thoughts and fears which lurk in sheltered halls.

What’s Hecuba to him?

Why – nothing.

Merely a name on a page of script, a cue at which to turn his profile thus.

It is what Hecuba becomes to we who wait,

that turns the key upon the heavy gate.

DE

(image) https://media.timeout.com/images/101695099/image.jpg

Every Stage Waits For Action On World Theatre Day

3405608142_9c99681644_o

The stage is as bare as my lady’s ass in his lordship’s bedchamber.

Rough-hewn in the most knockabout way, leaving splinters in the palace lawns of the imagination. There’s many a dip ‘twixt the trap and the lip.

It fares little better than hastily strewn boards covering parched ground, and barely enough elevation to keep the understanding masses at bay.

Were one fool enough to come from out the wings, and at centre front begin a soliloquy about the beauty of the wretched arena on which he stands, to fight the resulting and justified spontaneous combustion, there would not be found one drop of piss from any a thespian’s hose.

For who could allow this sacrilege to be spoken? Even the flag atop the pole knows that the magic is not yet arrived.

A stage without commercial trappings: without solid doors and thick drapes; uncluttered by pillars and arches, tables and chairs, windows and fireplaces; sans orchestra, sans balcony, sans pit.

A stage revealing all its secrets. Profound as emptiness.

A stage in wait.

For in this world writ small – as in the globe around – the audience has nothing to know, nothing to learn, until the actor makes an entrance, and prepares to fight past our eyes to do battle with those thoughts and fears which lurk in sheltered halls.

“What’s Hecuba to him?”

Why – nothing.

Merely a name on a page of script, a cue at which to turn his profile thus.

It is what Hecuba becomes to we who wait,

That turns the key upon the heavy gate.

DE

(image)https://farm4.staticflickr.com/3628/3405608142_9c99681644_o.jpg

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