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Author Interview w/ CBC

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1. What unique challenges do you face when writing about serious
non-fiction issues such as religion?

I WRITE about spiritual matters and leave religion to others. The spirit and its quests drive religion – religion just interprets. The biggest challenge I faced in THE ELEPHANT TALKS TO GOD is that the Elephant started asking questions I could not answer. Thus endeth the book.

2. You wrote The Elephant Talks to God in 1989. Why did you decide to
re-release it with the added stories rather than write a sequel?

THIS WAS the decision of the publisher, Goose Lane. When they approached me for a re-issue they were unaware of the additional stories. It was decided the marketplace would prefer one longer book over two shorter ones. Having just one book also reduced production costs, which in turn reduced consumer cost.

3. Why did you decide to become a writer?

“I WAS born like this, I had no choice, I was born with the gift of a golden voice.” This quote from Leonard Cohen sums it up. Not “born” this way exactly, but within one month in grade eleven I went from ‘no writing’ to ‘continually writing’. I have no explanation. I had no previous interest nor inclination toward the arts, or writing. I was not a reader, and only after university deliberately read such children’s classics as Black Beauty and Alice in Wonderland.

4. What books or authors have most influenced your life?

POSSIBLY P.G. WODEHOUSE was the most influential author in my formative period. I even sent him a fan letter and received a response. In university I experienced Franz Kafka, and I believe I have read everything of his in print. Much later I visited Prague to research a novel I have since written about him. There are reports of ‘missing’ stories and diaries of Kafka still in Berlin, which I would dearly love to find.

5. What, in your opinion, are the most important elements of good
writing?

SURPRISE, HUMOUR and reality. ‘In context’ (it doesn’t matter what the genre) I want to be surprised by what is happening, yet fully believe in the reality created in the book. And somewhere, at least once, every character in every novel should make me laugh at least once.

6. What are you reading right now?

“WICKED” BY Gregory Maguire. His abilities as a writer astound me. I am a slow reader, and seemingly getting slower. Soon (?) to be read will be Alice Munro’s “The View from Castle Rock ” and John LeCarre’s “The Mission Song”, both requested Christmas presents. I also do a lot of research for my novels, and will embark upon histories of China in the near future.

7. What advice would you give to writers starting out?

I HAVE two steadfast rules, one put into rhyme. “When in doubt/take it out.” Regardless of the wonder of the poetic line, or the awe of the slice of dialogue, if you have any questions about its effectiveness, that is reason enough to remove it.
The other concerns the physical writing itself. At the end of your writing day, and you know what the next line of dialogue is, or the description you are going to write, or the next line of the poem – DON”T write them down. Start with them the next day, and you will quickly get back into the writing. I find this works 90% of the time.

8. Describe your writing process.

I’M A morning writer, roughly from 9:00 until 15:00. There’s a meal in there, and research and email and such, but I will generally complete two pages a day. I generally write seven or eight days straight and then take one off. At the start of a novel I have a well developed outline and characters, though I rarely write such things down. I find that at the end of a novel I spend an additional third of the writing time editing what is done. I usually complete a novel in two years.

9. Do you ever suffer from writer’s block? If so, how do you overcome
it?

THREE MONTHS of writer’s block during my second novel has (so far) been my experience with this curse (knock knock knock on wood). I sat at the desk literally for hours per day attempting to continue. I think I wrote five paragraphs in that time. I know of no way to overcome it other than attempting to write each day. My number two tip in question #7 will help in avoiding writer’s block.

10. Naturally, most writer want as many people as possible to read
their work. Who did you have in mind when you were writing this book,
the “believers” or the “non-believers”?

BRITISH PUBLISHER Joseph Dent introduced “Everyman’s Library” in the early 1900’s (which is now published by Random House UK). As my mother was from England and my father was a proud UEL, there were many of these books when I was growing up. Everyman’s Library had a motto at the beginning of each book: “Everyman, I will go with thee/and be thy guide,/ in thy most need/ to go by thy side.”
This is what came to mind when thinking of who I write for. I did not write for either believers or non-believers. I wrote for everyone, and my job is to make them both accept that the The Elephant believes. 

The Elephant Talks To God

Rules For Writing Fiction

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1: Write regularly. Daily might be extreme, but try to be extreme.
2: When in doubt / take it out.
3: At the end of your writing day, do not complete the action/description/dialogue – but know what it is. Start with this known at your next writing time. 90% of the time you will slide right back into the work.
4: Follow your characters.
5: Follow your characters.
6: Follow your characters.

[image] https://www.marketingdonut.co.uk/sites/default/files/writing-research-brief383109052.jpg

Follow That Elephant

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The elephant was a curious pachyderm, and followed his persistent quest with a guileless intensity.

“More lucky than smart,” said some of the other elephants, as he blundered his way toward another piece of knowledge. They nodded their heads in his direction with the heavy weight of caution, and warned their small ones that too much thought would make them strange.

“An elephant wades in water,” they would sagely say, “only if the mud hole is wide enough.”

And the little ones would watch him, as they stood between the legs of their parents, and wish that they could follow.

[Image] https: //artofsafari.travel/wp-content/uploads/2016/08/Kenya_Amboseli_CorletteWesselsWildlifeElephant2.jpg

Author Reads An Elephant His Rights

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Tracked down to my apartment, I give a sample reading from my book of short stories, The Elephant Talks To God. And I explain the genesis of the book. Gotta say, it might have been more entertaining to emote some of the Elephant’s poetry.

http://www.authorsaloud.com/prose/estey.html

From The Elephant Talks To God:

The elephant was a curious pachyderm, and followed his persistent quest with a guileless intensity.

“More lucky than smart,” said some of the other elephants, as he blundered his way toward another piece of knowledge. They nodded their heads in his direction with the heavy weight of caution, and warned their small ones that too much thought would make them strange.

“An elephant wades in water,” they would sagely say, “only if the mud hole is wide enough.”

And the little ones would watch him, as they stood between the legs of their parents, and wish that they could follow.

Available at:

Talking And Reading About The Elephant And God

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Tracked down to my own apartment, I give a sample reading from my book of short stories, “The Elephant Talks To God”. And I explain the genesis of the book. Gotta say, it might have been more entertaining to emote some of the Elephant’s poetry.

http://www.authorsaloud.com/prose/estey.html

The book:

From The Elephant Talks To God:

The elephant was a curious pachyderm, and followed his persistent quest with a guileless intensity.

“More lucky than smart,” said some of the other elephants, as he blundered his way toward another piece of knowledge. They nodded their heads in his direction with the heavy weight of caution, and warned their small ones that too much thought would make them strange.

“An elephant wades in water,” they would sagely say, “only if the mud hole is wide enough.”

And the little ones would watch him, as they stood between the legs of their parents, and wish that they could follow.

Author Interview And Reading

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Tracked down to my own apartment, I give a sample reading from my book of short stories, “The Elephant Talks To God”. And I explain the genesis of the book. Gotta say, it might have been more entertaining to emote some of the Elephant’s poetry.

http://www.authorsaloud.com/prose/estey.html

The book:

From The Elephant Talks To God:

The elephant was a curious pachyderm, and followed his persistent quest with a guileless intensity.

“More lucky than smart,” said some of the other elephants, as he blundered his way toward another piece of knowledge. They nodded their heads in his direction with the heavy weight of caution, and warned their small ones that too much thought would make them strange.

“An elephant wades in water,” they would sagely say, “only if the mud hole is wide enough.”

And the little ones would watch him, as they stood between the legs of their parents, and wish that they could follow.

A Christmas Elephant Story For The Love Of God

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This is an abridged version of a story from “The Elephant Talks To God”.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Elephant was not oblivious to the Christmas season, and wanted to pay his respects. He travelled to the special clearing where a cloud waited for him.

“It’s your Son’s birthday and I want to congratulate him.”

“Thank you.” The cloud descended further. “It is a grand time.”

“I’d like to …” the elephant hesitated.

“Yes.”

“You sent your son for us to see, so we would believe.”

“Yes.”

“Well, I want to …”

“Spit it out,” said God. “You’re fired up.”

“I want to see you.” The elephant spoke quickly. “I don’t have to see you, you know that.  I believed even before you talked to me. But I want to see you; it would mean so much. I wasn’t around for the Baby, but cows and sheep and things got to see Him. I can’t explain, but …”

“Go home,” said the cloud.

“You’re not angry with me?” said the elephant.

“No.” The cloud started moving away. “It’s an honest request.”

“Thank you for coming to see me,” said the elephant.

“Sing some carols.” The voice was distant. “I like them.”

The elephant turned and started through the woods. He ignored the tasty leaves within easy reach, and the rich grass near the brook. He wanted to get home as quickly as possible, so he could join the singing at the Mission he knew was happening later in the evening.

He trotted along the trail, snapping a branch here and there in his haste, when he noted the stillness, the hush which had overtaken the forest. He slowed down and then stopped in his tracks.
He turned his head, his small eyes squinting into the brush. There was movement coming toward him, and when the trees parted, he went to his knees with a gasp. Tears rolled from his eyes, and the golden trunk touched his own, and gently
wiped them away.
DE
(purchase)

 

 

An Elephant And God Talk Up A Storm (Well … A Cloud or Two)

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The Elephant Talks to God is an endearing collection of whimsical tales in which a young elephant forages for answers to that age-old existential puzzle: What is the meaning of life?

In this new edition of Dale Estey’s best-selling book, this pachyderm philosopher asks questions and God answers — sometimes cryptically, sometimes humorously but always with love and patience. The answers unfold in a series of conversations between this humble, though occasionally impertinent, beast and the Almighty.

The free-ranging exchanges between the two include contributions from  missionaries,  various monkeys, birds and insects. These sweet, sometimes satirical, and occasionally moving stories will appeal to readers of all ages.

The book includes most of the original stories from the popular 1989 collection, as well as many new ones. Original, fresh and unsentimental, The Elephant Talks to God belongs on the bookshelves of anyone who, just like the inquisitive elephant, has ever wondered about life, love and the true nature of happiness.

https://www.amazon.com/Elephant-Talks-God-Dale-Estey-ebook/dp/B003ZUXXEM

Franz Kafka Turns Words To Gold On The Golden Lane

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[Kafka’s house on The Golden Lane]

A burrow offers security and comfort.  Kafka found both in his sister’s tiny house on the Golden Lane.

The Golden Lane is a narrow, dead-end yet massively historic lane, hugging an interior wall of the huge Prague Castle. Centuries ago the small buildings along the lane housed workers of the Castle, including some resident alchemists. Thus the name.

Ottla – Kafka’s sister – had rented it so she could spend time with her lover, and not be bothered by parents and comments. Her lover was not only a Christian, but he was soon going to leave to fight in World War I. Time was precious. However, she rarely had opportunities to use it other than the weekends, so she offered Franz the use of the tiny house for most of the time. And use it he did, though he never stayed the night.

Through fall, winter and spring Kafka wrote a whole book of short stories there. For a single block of time, it was one of his most creative periods.

When I visited, under the Communist rule of the time, it had been converted to a book store. Of course (which he would have appreciated) there were no books by Kafka for sale. Today he is displayed in the windows.

It was only when I went thorough the small rooms, and looked out the window into The Stag Moat, that I realized how important the house would become in Kafka In The Castle, my novel about Kafka. It was cozy – even with the space cramped by tourists. It had been little altered. I could easily imagine Kafka looking through the same glass and walking through the same doorways. No doubt stooping because he was tall. Research met reality.

One of the last stories Kafka wrote, during his final year in Berlin, was called The Burrow. A version exists and is published, though a longer version is supposed to be among his ‘missing’ papers. In it a tiny animal keeps incessantly burrowing to keep away from an enemy. A vague noise convinces the animal to burrow deeper. Yup – that’s Kafka.

DE

(image) https://farm3.staticflickr.com/2645/3848764367_a7b9e65ed5_o.jpg

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