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Why Do Butterflies Die?

Adapted from “The Elephant Talks To God” ~ Dale Estey

“God, can I ask you a question?”

“Everyone else does,” said God. “What have you got for me this time?”

“It’s about the butterflies.”

“Yes?”

“How come they live for just a season?” The elephant looked down to the ground, then back to the cloud. “They’re so beautiful and so light . . . and friendly. And they do a great job of taking pollen everywhere and helping the flowers and plants. Why, they’re even making sure there is going to be food for me, isn’t that right?”

That’s right,” answered the cloud. “From the butterfly to you with a few extra stages thrown in.”

“So why do they die so soon?”

“Butterflies don’t live a season,” said God. “They live a life.”

“But they’re gone when . . .”

“They’re gone when it’s their time,” answered the cloud. “To a butterfly the season is their life. They expect nothing more and fulfill their existence. To the trees, your life is brief.”

“You mean the butterfly thinks of its season like I think of my years?”

“Seconds or hours, long shadows or short, it’s all the same kind of time,’ said God. “The butterfly feels he has as long a life as you.”

“Really?” asked the elephant.

“Yes,” said God.

“I’m glad,” said the elephant.

And then God spoke to the elephant, and called him by his name, and filled his heart full of his beloved butterflies, and they soared through his blood, wing tip to wing tip, until he understood the power of their life.

Book Wins “It Made Me Think Youth Award” From Digitally Lit Youth Choice Awards [Edited]

My long-suffering Elephant (if one can be classed as long-suffering while having the ear of God) has one a “It Made Me Think” Award from The Digitally Lit Youth Choice Awards,  Canada 2022 . Blessed Be! say I.

The Elephant stories were a joy to write, but i really had to stop when The Elephant started asking God questions that the author could not answer,

Here is an interview and a reading from The Elephant Talks To God.

http://www.authorsaloud.com/prose/estey.html

Here is where The Elephant Talks To God can be purchased.

Here is the information about the Digitally Lit Youth Choice Awards

https://www.digitallylit.ca/post/digitally-lit-choice-awards-the-results-are-in

And here are two short sections from The Elephant Talks To God, perhaps more appreciated by youth.

The elephant was a curious pachyderm, and followed his persistent quest with a guileless intensity.

     “More lucky than smart,” said some of the other elephants, as he blundered his way toward another piece of knowledge. They nodded their heads in his direction with the heavy weight of caution, and warned their small ones that too much thought would make them strange.

     “An elephant wades in water,” they would sagely say, “only if the mud hole is wide enough.”

     And the little ones would watch him, as they stood between the legs of their parents, and wish that they could follow.

Here, the Elephant helps in A Death Procession.

The elephant stood patiently, as if he were a rooted tree, counterbalancing the support of the elephant on the other side. There would be little distance to cover now, and soon the dying beast would just stop, and that would be the time to ease the body onto the ground, and wait until all breathing ended.

     “I know you,” said the old, old elephant.

     “Yes.” The elephant was both surprised and glad. “You helped my mother when she was ill. You looked after me a long time. You were a nurse to both of us.”

     “That has been my job with many, many calves.” The dying animal continued to take her slow, precise steps. “And I’ve outlived even some of them.” She breathed with difficulty. “As I’ve outlived my own.” She gulped for air. “So very long ago, it now seems.”

     “Yes,” said the elephant tentatively. He had not been expecting any conversation.

     “But you were different,” she muttered.

     “Well – I …” The elephant was gratified that she would remember him from all the others.

     “You were foolish.” The old elephant snorted, and made a noise which might have been a cracked laugh. “There was no making sense of you. No keeping up to you. I’d tell your mum that I wondered if she was sick because she couldn’t deal with you.”

     “That can’t be true.” The elephant was peeved. ” I never meant for any of — “

     “No. You never meant harm.” The old elephant stopped moving and turned her head. “That’s the way you were even then. You didn’t take the time to let me finish what I was going to tell you.”

     “Sorry,” said the elephant.

     “Yes – that’s familiar.” This time she did manage a distinct grunt of laughter. “Your mum and I both laughed at your antics. And also laughed as the rest of the herd shook their heads in dismay.” The old elephant started walking again. “The things you wanted to do and to see – too much for any elephant. Too much for any life. You never knew your place.”

     “I never found my place,” corrected the elephant.

     “Yes. That’s familiar, too.” She tried to laugh again, but it turned into a coughing fit. “You always had to contradict whatever was said to you.”

     “It always seemed to me,” said the elephant stubbornly, “that I was always told just part of the story.”

     “Most of us only know part of the story. Most of us are content with that.” She slowly lifted her trunk and rubbed it against the elephant’s ear. “But that was never going to satisfy you – with more questions than there are monkeys in the trees – as you went out searching and pestering.”

~ Dale Estey

    

The Nun And The Elephant Are In Heaven Now, Enjoying The Same God

Many years ago, I received a phone call from a rather panicked Government Administrator. There was a huge weekend Arts Conference being held, for all disciplines in the province. A reader who was to present entertainment at lunch was unable to attend. Could I fill in for him. It was two days away.

Yes, said I.

My Elephant stories are all under five minutes, and they are all amusing. They read themselves. Why not. 

What I did not realize was the extent of this conference. Nor did I fully appreciate that the readings were to be held during the luncheon. Something like an after dinner speech. In the middle of the dinner.

There was one other English reader, the late Bill Bauer. Bill is a genius, a wit, a funny fellow, and an excellent reader. A tough act to follow, so I was glad to be a co-participant. The other two readers were reading in French (New Brunswick is a bi-lingual province). They were to go first, Bill and I second.

The venue – for a reader – was a hell-hole (if I may be blunt). Two large rooms filled with tables and post-meal listeners. There was no way to face them all at the same time. Bill seemed fazed by nothing but I was uncomfortable. I was glad enough the French readers went first.

They were both poets (as was Bill). My French is far from the best but, by their reading method and the reaction of the audience, it appeared that they read dour and angst-filled poems. Sadness and despair crept through the room(s). At least Bill and I would be a contrast.

Bill is an excellent performer. He knows when to show them and knows when to hold them. He is insightful, philosophical, innovative, and just damned funny. I will laugh at a poem of his which I have read a dozen times. Few can successfully end a poem with the main character screaming the immortal words: “Aphids, aphids, aphids.” Bill does.

It may be that we were both assisted by the dour poets, for Bill’s applause was enthusiastic. I was admittedly disconcerted by attempting to read to these hundreds of people scatted upon two sides of me. But – let’s face it – ya gotta laugh at The Elephant as he takes his concerns to God. And (I hope) appreciate God’s thoughtful and kindly replies. If Bill left them laughing (and he did) then The Elephant left them laughing more.

At the end, it was time for all the participants to bustle back to their conferences. But some did come up to make comments to the readers. And then occurred an event which I will cherish to my grave.

An elderly French nun (in real nun garb) came up to me. She was assisted by a younger nun. The old Sister put her hand on my arm. She looked up at me, and in a conspiratorial voice, thick with her French accent, said: “Ah, that Elephant.”

And she smiled.

The Elephant Talks to GOD About a Violent Storm

From: The Elephant Talks To God

The elephant surveyed the remnants of shattered trees, the gouged earth, and the still turbulent waves.

“You know,” he said, looking up at the storm cloud hovering overhead, “A herd of us on the rampage have got nothing on you, when the mood strikes. You trying to tear down in one night what it took seven days to create?”

“Six days,” noted the cloud. “On the seventh … “

” … day you rested,” finished the elephant. “You gotta be patient with us lumbering beasts; after all, you didn’t give us fingers so we could count.”

“But I did give you memories.” said the cloud.

“I know,” said the elephant. “I haven’t forgotten.”

“And this display,” added God, “Looks far worse than it is.

Natural forces occur to keep my earth in a happy balance. Life is already reviving and reasserting itself.”

“Could you not be a bit more gentle?”

“My winds must go somewhere,” said God. “As you already mentioned, even elephants go upon the occasional rampage.”

“I’ve never done anything like this,” said the elephant.

“You’ve not seen yourself from the ant’s point of view,” answered God.

God And The Elephant Discuss Beauty

   The elephant was standing in the rain, enjoying the rivulets which streamed along the creases of his skin.

     It was cleansing and refreshing, and he occasionally flapped his huge ears, causing a small waterfall. The birds and monkeys kept a safe distance.

     “You’ll be creating your own weather system,” said the cloud, which was part of the larger cloud covering the whole sky. “Trunk squalls and violent ear showers.”

     “Just a portion of your abilities,” said the elephant.

     “Part of something is part of everything,” said the cloud. “I don’t do my works on my own.”

     “A humble part,” said the elephant.

     “Humble neither in might nor main,” said God. “That would be the estimation of most of my species – both animal and plant.”

     “I feel humble.”

     “You are humble,” said God. “But I don’t want you to feel humble.”

     “Excuse me?”

     “I want you to realize how wonderful, how exciting, how important – how equal – everything around you is. The blade of grass you eat; the stream from which you drink; the ants under your feet who keep the earth healthy; the butterflies who make the plants grow.”

     “The butterflies are beautiful.”

     “They’re all beautiful.”

     “I’m not so sure about the ants,” said the elephant.

     “Beauty is in the eye of the beholder,” said God. “And I behold everything.”

God And The Elephant Talk About Beauty

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    The elephant was standing in the rain, enjoying the rivulets which streamed along the creases of his skin.

     It was cleansing and refreshing, and he occasionally flapped his huge ears, causing a small waterfall. The birds and monkeys kept a safe distance.

     “You’ll be creating your own weather system,” said the cloud, which was part of the larger cloud covering the whole sky. “Trunk squalls and violent ear showers.”

     “Just a portion of your abilities,” said the elephant.

     “Part of something is part of everything,” said the cloud. “I don’t do my works on my own.”

     “A humble part,” said the elephant.

     “Humble neither in might nor main,” said God. “That would be the estimation of most of my species – both animal and plant.”

     “I feel humble.”

     “You are humble,” said God. “But I don’t want you to feel humble.”

     “Excuse me?”

     “I want you to realize how wonderful, how exciting, how important – how equal – everything around you is. The blade of grass you eat; the stream from which you drink; the ants under your feet who keep the earth healthy; the butterflies who make the plants grow.”

     “The butterflies are beautiful.”

     “They’re all beautiful.”

     “I’m not so sure about the ants,” said the elephant.

     “Beauty is in the eye of the beholder,” said God. “And I behold everything.”

A Hurricane, The Elephant, And God

The elephant was lost to the wind.

He stood foursquare against the tumult, head lowered as if ready to charge. It wrapped his body in its flags and banners, and then as quickly ripped them away. He had to close his eyes in some of the gusts, and occasionally his tail stuck straight out behind.     Many of the other animals found shelter, and even the monkeys came down to the lower branches of their trees. But the elephant flapped his ears in ecstasy as the wind battered against him, and trumpeted as loudly as the rowdydow would permit.

“I hear you,” said a frolicking cloud, as it whipped past his head. It turned a summersault back over the elephant’s back, and positioned itself with much dexterity in the elephant’s line of vision. “And I hazard the guess I’m the only one who can.”

“It’s like flying.”

“Now, now. You’ve tried that before.”

“But I’m staying on the ground, this time.”

“Well,” conceded God. “You’re standing on the ground. And it’s probable you will be staying on the ground. But, as you know, nothing in life is certain.”

“It certainly isn’t,” agreed the elephant, who then attempted to nod his head in agreement. But the wind took a particular bend, and not only could he not nod his head, but his trunk got thrown back into his face, hitting him in the eye.

“Ouch,” said the elephant.

“A cautionary God,” said God, “would go `tsk tsk’, and tell you to come in out of the wind.”

“And is that what you’re going to tell me,” shouted the elephant over the roar.

“God, no,” said God. “This is great stuff.”

“You’re a reckless God, then?” asked the elephant.

“Reckless. And cautious. There is a time for both. There is a need for both. Life demands that you run with it. And sometimes you run scared, and sometimes you run joyful.” The cloud was now tangled in the elephant’s tusks. ” And sometimes you get so caught up in it all that you can’t tell the difference.” The cloud shouted. “And sometimes you get hit in the eye. And sometimes you don’t.”

“And sometimes both,” suggested the elephant.

“You’re catching on.”

“But to you,” protested the elephant. “It is all so simple.”

“But …” The cloud sounded perplexed. “It is as simple as it sounds. Everything is everything. What you seem to do is pay too much attention to the individual parts. Concentrate on the whole.”

“I can hardly think of everything when I’m in the middle of this.”

“This is the perfect place.” The cloud played tag with the elephant’s ears. “Race with it. Race with it. Race with it. You

will never dance a better dance than here. With me.”

And the elephant watched the cloud tumble around his head, and bounce against his back, and twist around his tail.

And the elephant laughed, and laughed so loud that it broke through even the racing wind, and made the other animals peek from their shelters to watch.

And the elephant bobbed and weaved with the cloud, and the cloud held the elephant in a wispy embrace, and the wind turned to music.

Author Interview w/ CBC

cbc_logo_1958-1966

 

1. What unique challenges do you face when writing about serious
non-fiction issues such as religion?

I WRITE about spiritual matters and leave religion to others. The spirit and its quests drive religion – religion just interprets. The biggest challenge I faced in THE ELEPHANT TALKS TO GOD is that the Elephant started asking questions I could not answer. Thus endeth the book.

2. You wrote The Elephant Talks to God in 1989. Why did you decide to
re-release it with the added stories rather than write a sequel?

THIS WAS the decision of the publisher, Goose Lane. When they approached me for a re-issue they were unaware of the additional stories. It was decided the marketplace would prefer one longer book over two shorter ones. Having just one book also reduced production costs, which in turn reduced consumer cost.

3. Why did you decide to become a writer?

“I WAS born like this, I had no choice, I was born with the gift of a golden voice.” This quote from Leonard Cohen sums it up. Not “born” this way exactly, but within one month in grade eleven I went from ‘no writing’ to ‘continually writing’. I have no explanation. I had no previous interest nor inclination toward the arts, or writing. I was not a reader, and only after university deliberately read such children’s classics as Black Beauty and Alice in Wonderland.

4. What books or authors have most influenced your life?

POSSIBLY P.G. WODEHOUSE was the most influential author in my formative period. I even sent him a fan letter and received a response. In university I experienced Franz Kafka, and I believe I have read everything of his in print. Much later I visited Prague to research a novel I have since written about him. There are reports of ‘missing’ stories and diaries of Kafka still in Berlin, which I would dearly love to find.

5. What, in your opinion, are the most important elements of good
writing?

SURPRISE, HUMOUR and reality. ‘In context’ (it doesn’t matter what the genre) I want to be surprised by what is happening, yet fully believe in the reality created in the book. And somewhere, at least once, every character in every novel should make me laugh at least once.

6. What are you reading right now?

“WICKED” BY Gregory Maguire. His abilities as a writer astound me. I am a slow reader, and seemingly getting slower. Soon (?) to be read will be Alice Munro’s “The View from Castle Rock ” and John LeCarre’s “The Mission Song”, both requested Christmas presents. I also do a lot of research for my novels, and will embark upon histories of China in the near future.

7. What advice would you give to writers starting out?

I HAVE two steadfast rules, one put into rhyme. “When in doubt/take it out.” Regardless of the wonder of the poetic line, or the awe of the slice of dialogue, if you have any questions about its effectiveness, that is reason enough to remove it.
The other concerns the physical writing itself. At the end of your writing day, and you know what the next line of dialogue is, or the description you are going to write, or the next line of the poem – DON”T write them down. Start with them the next day, and you will quickly get back into the writing. I find this works 90% of the time.

8. Describe your writing process.

I’M A morning writer, roughly from 9:00 until 15:00. There’s a meal in there, and research and email and such, but I will generally complete two pages a day. I generally write seven or eight days straight and then take one off. At the start of a novel I have a well developed outline and characters, though I rarely write such things down. I find that at the end of a novel I spend an additional third of the writing time editing what is done. I usually complete a novel in two years.

9. Do you ever suffer from writer’s block? If so, how do you overcome
it?

THREE MONTHS of writer’s block during my second novel has (so far) been my experience with this curse (knock knock knock on wood). I sat at the desk literally for hours per day attempting to continue. I think I wrote five paragraphs in that time. I know of no way to overcome it other than attempting to write each day. My number two tip in question #7 will help in avoiding writer’s block.

10. Naturally, most writer want as many people as possible to read
their work. Who did you have in mind when you were writing this book,
the “believers” or the “non-believers”?

BRITISH PUBLISHER Joseph Dent introduced “Everyman’s Library” in the early 1900’s (which is now published by Random House UK). As my mother was from England and my father was a proud UEL, there were many of these books when I was growing up. Everyman’s Library had a motto at the beginning of each book: “Everyman, I will go with thee/and be thy guide,/ in thy most need/ to go by thy side.”
This is what came to mind when thinking of who I write for. I did not write for either believers or non-believers. I wrote for everyone, and my job is to make them both accept that the The Elephant believes. 

The Elephant Talks To God

Rules For Writing Fiction

writing-research-brief383109052

1: Write regularly. Daily might be extreme, but try to be extreme.
2: When in doubt / take it out.
3: At the end of your writing day, do not complete the action/description/dialogue – but know what it is. Start with this known at your next writing time. 90% of the time you will slide right back into the work.
4: Follow your characters.
5: Follow your characters.
6: Follow your characters.

[image] https://www.marketingdonut.co.uk/sites/default/files/writing-research-brief383109052.jpg

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