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Where Do You Go When You’re Lost In The Fog?

Paw, the cat/kitten

Black as being blind

With one foggy mitten,

Is lost,
And coughing,

In the fog.

He lets me know

Of his displeasure,

Which I can hear from him
Even if I can’t see.

It is a Friday of fog,

Which has followed a
Week of fog,

From the Monday last.

It has made Partridge Island

Disappear into the sea.

The Lighthouse light

Is so smothered, even I

Can not see it from its base.


Paw blames me for this,

And also blames me for 

The incessant foghorn that

– I hope –

Penetrates the gloom to

Ships at sea.

I sit

And knit

Paw, my protesting cat,


A woolen cap

To stop up his ears.

{I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2024 / A lot of stuff have I seen / A lot of stuff to report}

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The Shipping News – Sunset On The Red Sea

There is an odd
Configuration of ships
This evening

At the mouth of the harbour.
I grabbed my telescope,
And headed out to see.
Paw, my cat/kitten,
Black as the distance,
With one white mitten
Demanded to come along.
So – why not?
He knows what the telescope means,

And headed for the furthest outpoint,
Of Partridge Island.

Then, when we reached it,
He scrambled up my clothes,
And perched on my shoulder.
I assume we see the same thing.
For he started to spit

And not purr.
Three ships,
Side-by-side-by-side,
Exchanging goods of
(Perhaps)
A dubious nature.

I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2024 / A lot of stuff have I seen / A lot of stuff to report}

DE BA. UEL

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Ghost Ships Pass By In The New Year

I’ve been reading my Shakespeare (As I often do)

Aloud, to Paw, my cat/kitten

Black as the grave,

With one white mitten.

He usually sleeps.

But he would agree with Horatio, that:

“There needs no ghost, my Lord/

“Come from the grave, to tell us this.”

And Paw, as is Horatio, would be right.

But still, the wrecks of ships,

Gone down to their watery depths

In the preceding year,

Float in a line

Stern to bow

Across the mouth of the harbour.

I go out, and always watch

In the dark dark dark of the night,

As one year of wretched release

Slides into another.

What can I do for them,

Other than to acknowledge

Their passage.

I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2023 / A lot of stuff have I seen / A lot of stuff to report}

DE BA. UEL

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The Ghost Ships Of The Old Year Sail Past On New Year’s Eve

here needs no ghost, my lord, come from the grave
To tell us this.

There needs no ghost, my lord, come from the grave
To tell us this.

There needs no ghost, my lord, come from the grave
To tell us this.

I’ve been reading my Shakespeare(As I often do)

Aloud, to Paw, my cat/kitten

Black as the grave,

With one white mitten.

He usually sleeps.

But he would agree with Horatio, that:

“There needs no ghost, my Lord/

“Come from the grave, to tell us this.”

And Paw, as is Horatio, would be right.

But still, the wrecks of ships,

Gone down to their watery depths

In the preceding year,

Float in a line

Stern to bow

Across the mouth of the harbour.

I go out, and always watch

In the dark dark dark of the night,

As one year of wretched release

Slides into another.

What can I do for them,

Other than to acknowledge

Their passage.

I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2022 / A lot of stuff have I seen / A lot of stuff to report}

DE BA. UEL

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Halifax Explosion Anniversary 9:04:35 AM

I just stood out on the steps in front of my home, waiting for the ship horns in the harbour to sound in memory of the explosion. A beautiful, clear, crisp morning. The explosion happened 06 December 1917.

I live a fifteen minute walk from the exact spot where the ship the Mont-Blanc exploded, causing the biggest man-made explosion ever created, other than the Atomic bombs dropped during the Second World War

1782 people were killed, a few of them at the bottom of my street. 9000 were injured. A large portion of the city of Halifax was destroyed.

At 9:04, as I stood in the sun, the ships in the harbour sounded their horns. There was a cascade of sound,. Most were deep and booming, some more abrupt, a few – by comparison – made me think of piping voices. I was most startled by the ship directly across the water at the bottom of my street. There are rarely any ships berthed this far along the harbour, but it was delivering fuel to a Power plant. It does not do this often in a year. So I was startled. A modest touch of fear.

And then I came in and wrote this.

DE

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The Dead At Sea Are Not Happy Ghosts For Halloween (It’s just around the corner)

I can see my hand

In the fog,

And

The building,

Across the street.

That is about all.

So, I know

The ghosts,

Are not

As close

As they sound.

The Ghosts sound like Fog Horns

And that’s what folk

Up

And down

The coast

Say

That they are.

Fog Horns.

But – they aren’t.

They are ghosts that moan,

And wail,

And cough,

And even

Sputter,

On the wind,

In the fog,

Where they can hide

Out in the open.

It is true that they do moan

For ships.

That they do give warnings

In the fog,

Where they can not

Be seen,

Because they look

Like fog.

They give warnings

Because

They have all come

From ships,

Where once they lived.

But now they don’t.

They went down with ships

At sea

And

Along the coast

To their

Cold and wet

Death.

Days ago

Years ago

Centuries ago.

To be buried at sea

Is not

To be buried

At all.

~ D.E. BA U.E.

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The Hurricane Brings Peril To The Lighthouse And All Ships At Sea

Given enough warning

From ships along the coast

I got the Partridge Island Lighthouse

And Paw, my cat/kitten,

Black as the murderous clouds,

With one white mitten,

Ready for the worst.

And the Worst came.

It was so bad I figure

Even Jesus took cover.

The Lighthouse is thicker

And stronger

Then the Keeper’s house

So that’s where we stayed.

A tiny room inside the stone walls,

Nicely curved to curl the wind away.

I’d put in a narrow cot, and

Me and the cat/’kitten

Got our rest

Although not much sleep.

When I went up to

Trim the wick

I thought those windows might

Cave right in.

Today,

A couple of ships

Limped past,

And our shoreline

Has been altered.

I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2022 / A lot of stuff have I seen / A lot of stuff to report}

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Alison Alexandra Takes the Train in the Chunnel Under The English Channel From London To Paris

And then – to add to the volume of the sea – well, what now floats overhead?

 How many fish and how much plankton and seaweed and eels and lobsters and oysters and snails and perhaps even whales swimming and eating and probably eating each other in the liquid beauty which is the water which is the ocean which is the sea that slaps against the cliffs that she watches from her prow-of-a-ship windows when she is on the other side.

And the ocean that slaps the rocks at the base of her cliff is full of fish gurgle and whale song and lobster clatter and crab scuttle and perhaps even the mermaids singing.

 And then there is the screw screw screw of all the propellers of all the ships carrying crew and passengers and cargo of all sorts and conditions, from cases of the champagne she is drinking to the host of automobiles like the Black Ghost that Gabriella drove when she shared some champagne delivered by ship and not aged on the delivery truck two cities over.

And other cargo, floating and steaming over her head, food and drink and oil and bourbon and stiletto-heeled shoes and prayer books and cotton and smart phones and insulin and jet engines and books and railway ties and sheep dip and textiles and spices from the Far east and tongue dispensers and sugar and steel beams for steel bridges and fishhooks and guided missiles and holy missals and buttons and bows and those tiny umbrellas for fruit punch cocktails and things that Alison Alexandra doesn’t even know exists but she has her suspicions.

All over her head and moving the waves and making whales sing their cautionary songs to warn other whales to get the hell out of the way or they will get bumped on their noggin. And they do. Get out of the way.

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Alison Alexandra Likes To See The Sailors At Sea Dance The Jig

In the multi-window turret at the top of the yellow mansion that looks so far out to sea you could see France and even – with the right telescope – some vineyards, Alison Alexandra has a party where the dancers dance and the poor dancers dance beautifully and the singers sing with perfect voices that reach half way to France and the whisky embraces your mouth with hints of smoke.

Ships at sea with their spyglasses trained on the many-windowed turret that has never had a curtain or blind lowered to obscure the view of the ocean can hunt out the smouldering life water that the thirsty dancers hold aloft before they quaff the stinging liquid without one drop –no, not one – escaping to trail down the side of the glass. These shivering seamen in their frigid crow’s nest turn to one another and with words that puff white vapour between them say: “Aye, do you see smoke?” And the vapour reply of the other is “Yes.”

The smoke from the smoky whiskey.

And Alison Alexandra does not know if these sailors are headed to the snap dab middle of France or not. Or even if they have left there days ago and are soon to be in her port and tie up at berths beneath her cliff, either to the left or to the right, but, if they do – if they are smacking their lips at the prospect of the warm, smoky whisky and the hot dancing ladies, Alison Alexandra raises her other hand not holding the smouldering whiskey and beckons to them to come and join her. She likes to talk to sailors. She likes to see them dance the jig.

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