
Director of Operations – Bluenose II


The Titanic was recently in the news. The first drive to the sunken ship in fourteen years reveals that it is deteriorating at a rapid rate. It is literally falling apart.
Not long ago I visited the dead from the Titanic, buried in graveyards in Halifax, Nova Scotia. I went to the Mount Olivet Cemetery, where nineteen of the dead are buried. Mount Olivet is A Roman Catholic cemetery, and the bodies had identification, or at least clues, that they belonged to that Faith.
Four of the bodies are unidentified. The listing of the others include designations from first (1) to third class (8); waiters (3); pastry chef (1); fireman(1); bass violinist (1).
The violinist, John F. P. Clarke, was one of the ship’s band. The band of the Titanic entered the land of fame and lore for their exploits during the hours of the actual sinking. They played on deck, amid the turmoil of frantic passengers, the lowering of the too few lifeboats, and the outright fear and panic surrounding them, as the Titanic inched closer and closer to its destruction.
I leave him for the last because of what I found at his grave site. Beside his individual burial marker, someone had placed a small red box, that could fit in the palm of your hand.
Inside the box was: “SPECIAL Double Bass Resin FOR Cold Weather” By the Hidersine Co. Ltd – made In England.”
It had not been used.
[Image] inapcache.boston.com/universal/site_graphics/blogs/bigpicture/titanic_040612/bp25.jpg

“That is a peculiar-looking ship.”
“It is,” agrees Alison Alexandra.
She agrees because it is a peculiar-looking ship. She is studying it through her military-grade binoculars as she stands near the edge of her cliff, leaning against a waist-high barrier she had constructed just for this purpose.
Three sturdy posts painted blue.
There is a wooden knob atop each post, painted red. Four broad boards, painted white, are securely nailed to the posts, with slight gaps between them. There is room for five people to stand side-by-side.
Alison Alexandra has never had more than one person at a time accompany her on this venture. A slight problem at the moment is that this is not one of those times. She is standing alone, binoculars to eyes, looking out to the ship in the harbour. The peculiar-looking ship.
“In fact, it is not just peculiar-looking, it is actually peculiar.”
It is,” agrees Alison Alexandra, who does not lower her binoculars. “Though that is not the only peculiar thing at the moment.”
“It is not?”
“It is not,” says Alison Alexandra. “One other peculiar thing is that I am standing here by myself.”
“I see.”
“I don’t,” says Alison Alexandra.
“I’m out of your vision.” The voice does not falter. “I’m R/Jane-the-Ghost.”
“R/Jane-the-Ghost?” asks Alison Alexandra.
“Yes,” confirms R/Jane-the-Ghost.” Yes.”
“A for real ghost?” asks Alison Alexandra. “Not a figment produced by an undigested piece of potato?”
“I like that idea,” says R/Jane-the-Ghost. “Being a Dickensian ghost. I liked reading Dickens.”
“As do I,” says Alison Alexandra.
“But – no – no Dickensian ghost am I. I bring no warnings.”
“”No festive cheer?”
“Nary a candle.” Says R/Jane-the-Ghost. “No bony finger have I, pointing at anything.”
“You did – in your way – point out the peculiar ship.”
“In my way.”
“Point taken,” says Alison Alexandra.
There is a low chuckle, bordering on hearty, close beside her right ear. She does lower her binoculars at that, and moves her head to look. Her view is unobstructed all the way down her cliff. The water sparkles.
[Image] http:/cdn.notonthehighstreet.com/fs/06/90/c0b3-fff4-4518-b7d7-527c4703c9d8/original_little-ghost-acrylic-brooch.jpg

(Oceania Marina)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This cruise on the Oceania Marina caught my eye because 1) it actually comes to the Atlantic coast of Canada the second week of April (the earliest I have seen) and 2) it ends in Barcelona – a destination I would appreciate.
In between it goes to Ireland, France, England, France again, Spain, Portugal, Spain (again). It takes twenty-eight days out of New York.
Now, I don’t want to sound like a publicity writer for pricey cruises. If I ever did go on such a jaunt, I’d prefer a ship much smaller (the Marina can handle 1258 – 1447 passengers). And – in truth – I would rather go on a Freighter that only handles a dozen or so paying passengers. Oddly, the main character in my work-in-progress, Alison Alexandra, went on such a Freighter cruise and enjoyed herself immensely. But she’s that type of gal.
However, Alison Alexandra also enjoys the finer things in life (she also had a hearty jaunt on The Orient Express), and would not eschew the accommodations and offerings aboard The Marina.
In addition to the extensive voyage, and numerous ports of call, (and the complementary 24 hour room service) Alison Alexandra would enjoy a night or two in the twelve dining venues offered.
Alison Alexandra could dip into various menus to have :
Roasted veal rack: marsala sauce, mascarpone polenta, sautéed asparagus, tomato
Tournedos rossini: foie gras, truffle sauce, fried lorette potatoes
Roasted Beetroot and Garlic Goat Cheese Napoleon with Champagne and Truffle Vinaigrette
Pancetta Wrapped Filet of Veal with Bay Lobster Tail Oscar Style
Bone-In Milk-Fed Veal Chop prepared in your choice of style: Grilled to perfection and topped with Sautéed Piedmonte Wild Porcini Mushroom Sauce Pounded thin, lightly breaded and sautéed in Lemon-Infused Extra Virgin Olive Oil Vinaigrette, crowned with Trio of Diced Roma Tomatoes, Radicchio and ArugulaAged Marsala Wine Sauce
Gambas Sautées ProvençaleSautéed Jumbo Shrimp in Lessatini Extra Virgin Olive Oil with Garlic, Parsley and Tomatoes
And, from he Dom Pérignon Experience:
Curry jaune de homard bleu, nuage de coco: Brittany blue lobster, yellow curry broth, coco foam:
w/ Dom Pérignon 2006
Alison Alexandra is not (unlike her author) much for desserts.
All the menus, and other cruise details, can be found here: https://www.oceaniacruises.com/ships/marina/cuisine/

Yesterday, I wrote the following blog, explaining my attempts to perhaps wed fiction and reality.
TODAY, I’ll relate what really happened.
I did get down to a chill and cloudy harbour in time to see The Alexandra. In fact, I was in good early time, for the ways of the sea don’t always fit schedules.
I stayed an hour and a half, with no sight of the ship. I would have stayed longer on a more pleasant day, but I was reaching a degree of cold that it is best not to ignore. So I returned home.
I started to follow The Alexandra on three different Marine sites. I could not fix an exact location, but it was obvious by its speed that it was not coming into a harbour. I then came across an arrival time of 19:00, instead if the original 15:00. But, even following it at that time, it was obvious it was not in Halifax harbour.
So, I kept a periodic watch from my windows, the manuscript for my own Alison Alexandra literally at hand. perhaps that was in some way more of a connection of reality to my fictional world.
At 21:00, well after dark, I watched The Alexandra and its tug boats pass along the harbour. It was a good view, though not as good a view as from a pier. I’m sure Alison Alexandra was pleased. Or, as she sometimes says, “pleased enough”.
I made the assumption that a ship six hours late would leave around six hours late. And, although I awoke well before such an assumed departure time, I found it had already left. I was, however, able to see The Alexandra depart the mouth of Halifax via port web cams.
(image)https://photos.fleetmon.com/vessels/alexandra_9635676_1850863.570×1140.jpg

But where I’m walking, money only whispers if it says anything at all, and there are bars and used furniture shops and tenement buildings. The cars are old, not vintage. As I walk along the sidewalk a van enters the driveway immediately ahead of me. Stops so its ass is on part of the sidewalk and I have to swerve.
The side doors slide open and out come a dozen or so men and women. Poorly dressed. Unkempt. Quiet if not sullen. They are intent, and follow the gestures of the driver. This way. This way. They are all headed to a tavern on the corner. I follow the group along the sidewalk, although not into the drinking establishment. As I pass I notice the marker-on-cardboard signs in the window. ‘Two Bucks a Drink Thursday’.
I continue up a hill and then down a hill. I’m aiming for the harbour because I like the water, and the boats, and the vistas. This part of the harbour is also genteel, because there is a large hotel and retirement homes along the genteel boardwalk. There are benches upon which to sit. I appreciate all this. I chose a bench and I sit.
I can sit literally for an hour and more. I am no where near my quota when a roughly, though neatly dressed, young man sits on a bench a couple away from me. He stares out to sea in silence for a number of minutes. Then he starts to talk loudly enough for me to hear. I am the only one present.
“Gotta storm coming down the coast.”
“I heard.” And I have.
“Going to be bad.”
“So they say.”
“Not good to go out on that.”
“I bet.”
“I gotta boat waiting for me.” He mentions the name of a fishing village. “Haven’t been out for awhile.”
“I wouldn’t start today.” And I wouldn’t, but I don’t fish.
“It’s a bugger.” He has not once looked at me. “Gotta go back sometime.”
“I’m sure you do.” And I am.
“Lost a man last time.” I’m not sure I hear him correctly. “Messy death. The sea’s like that.”
I feel I should say something, and I’m sure I should have. But what? I am not certain, truth be told, that he is even – really – talking to me. There is no emotion in his voice. He has yet to look at me. At best it’s a monologue and I’m the audience.
He then opens his outer windbreaker and takes a large bottle from an inner pocket. It looks like a bottle that commercial mouthwash is sold in. He screws off the cap and starts to drink. He does not gargle. He takes a number of drinks in quick succession, and I am convinced it is not mouthwash. But I do not know. He screws the cap back on and puts the bottle back in his pocket. He sits. He sits in silence.
“Sea’s getting rough.” He stands. “Lot of wind.” He starts toward the railing along the boardwalk. “I’ve got the Spring run, but I’m not going out after that.” He leans against the railing. “Time to stop. Yes, it is.”
He stands, looking out over the raising waves for a couple of minutes. Then he walks away.
(Jacques Brel’s “Port of Amsterdam” via David Bowie)

This is how i would like to cross the ocean.
The Cruise People Ltd is pleased to announce the opening this week of a new cargo-passenger service between Europe and North America with five new ACL vessels called the G4’s. Delivered over the past two years to Grimaldi Lines subsidiary ACL, these ships now offer a weekly year-round fixed day of the week passenger service […]