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When The Fog Is A Shroud For Death, Do The Mermaids Still Sing?

It’s illegal, of course

What Sister Darling of

The Rarefied Church of the World (Reformed)

Wants me to do:

But who am I,

Belated sinner, and open to

Any supernatural suggestion,

Going to do?

Acquiesce, of course.

Submit, of course.

As is (I am sure) God’s will.

So she has transported her beloved aunt,

Dead these past three days,

On a boat to Partridge Island.

Captained by a cousin and

A crew member who will ask no

Questions,

So they will not have


To give any answers 


– If asked –

As to what might have been

In their coffin-shaped cargo.


Sister Darling’s beloved aunt

Wished – implored – to be buried

On Partridge Island as,


Over a half century ago,

It was the place of her birth.

Paw, the cat/kitten,

Black himself as Death,

With one white mitten,

Tolls a tiny bell which

Sister Darling has affixed

Around his neck.

The grave (of course)

I have already dug,

And Sister Darling is

(Of course)

Full of the appropriate prayers.

{I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2024 / A lot of stuff have I seen / A lot of stuff to report}

After A Funeral Kafka Dreams Of The Dead

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote.

21 March 1917

             Dreamed I was standing in a galleria with him. In a town in Northern Italy. We could see across the rooftops, to a plain slipping gently toward the foothills of the mountains. The day was clear – a cool spring morning – and the touch of sun was welcome on our skin. He pointed to a laden waggon passing beneath us. A curtain of dust rose from its wheels as it squeezed through a narrow lane. We watched it for awhile, then he turned to me, his body a silhouette against the vivid sky. “I enjoyed my funeral. I wish we could have talked about it after – it was one of those things to share.”  “We did share it,” I pointed out. “I was there.”  “But I was not,” he said.

     Then he eased himself over the balcony, and without effort, we were sitting in the back of the waggon, perched upon boxes and equipment. We rattled out of the village toward the countryside. “I loved the outdoors,” he said. “I still remember my last walk in the fields.”  We moved slowly through the country side, the waggon rarely being jostled along the rutted road. The teamster must have been an expert, but he never turned his face to us. Intent upon his business, I suppose.  “You forget that I am dead; for which I thank you.”  “Sometimes I do,” I replied.  “It is at those times, I sometimes think I’m still alive.”

     He occasionally pointed to things behind me. Once there was a rabbit. The countryside spread endlessly, without another person in sight. I mentioned this, and he nodded. “It will be crowded at our destination. But I’ll want to meet my wife.” He then leaned toward me, across the waggon. “You helped me, you know – in our final dance.” He smiled, then sighed, then pointed beneath me.   “My destination is close, I must return.” I looked down, and saw I was sitting on a coffin – the polished brown one of his funeral. I moved, then bent over, prepared to open it. His fingers touched the wood beneath my hand. “No. Do not look. You would not like what you found.” His smile seemed forced, there were more teeth showing than usual. “I embrace my new world. But for you, I am well and truly dead.”

“For God’s sake, let us sit upon the ground, And tell sad stories of the death of . . . queens”

I alter but one word from Shakespeare’s poem. I feel I’m allowed.

I concentrate upon the word “sad”. I feel sad about the death of Queen Elizabeth II. I note, that in newscasts, and on the internet, and from personal conversations, many folk feel “sad”. An unexpected sadness. A sadness that is greater than the loss of people close to them. They are surprised.

And so am I.

Today’s funeral took place on my birthday (by the Grace of God – I do not know) . So I’ll always be able to answer the question “Where were you when . . .”

I watched seven hours of the day from London and Windsor. I did not get tired. I could have watched more. But I am content – I won’t be delving very far into replays. The Queen’s removal from the earth was fully documented.

It is true that Queen Elizabeth has been with me all my life. I was greatly interested in her, and the history of her family. She took her part in two of my novels. I saw her five times in my life. I found her an exemplary leader and a fine human being. I am not alone in this. She was thought so the world over. Perhaps that is part of her commonality – everyone knew of her, everyone had an opinion. The majority of those opinions were positive.

I felt pain when she went up the steps to St George’s Chapel for the last time. She can hardly be thought of as a friend, but, perhaps . . .

Perhaps, on this occasion, friendship can be a one way street.

Blessed Be, Elizabeth Regina! Those Choirs of Angels are singing loud and clear.

~ Dale Estey

Six Ex-Wives Meet At A Dead Husband’s Funeral

EXCERPT FROM “There Was A Time When The Stones Were Not So Smooth”

#1-and-only husband has – in truth – not fared well under the ministrations of the Undertaker. Yes, she would recognize him, but she would wonder if he had died of some wasting disease. Perhaps the effects of the gas poisoning produced changes, though Alison Alexandra assumes the whole dying-in-your-sleep thing would make you look at peace. Perhaps he had not been found for quite a while. These are not questions she is going to ask, but he would have been annoyed about the way he looks. He was not a vain man – his standard comment about his own appearance was that ‘he wouldn’t cause a cow to have a miscarriage’. However, he was certainly showing his death.

“Should I introduce you?” asks the lawyer.

“Time consuming,” says Alison Alexandra.

Time consuming or not, it is quickly evident the other ex-wives are interested. They are happy to leave the corpse and settle around her.

“Which one are you?” The youngest woman touches her arm.

“Yes, what group do you fall into?” A heavily made-up woman leans closer. “Are you an Alison, or an Alexandra?” She laughs nervously. “I hope you’re an Alexandra like me, because we’re outnumbered.”

‘I both help and hinder your cause. I’m Alison Alexandra.”

“Well, fuck me gentle.” A woman, more sternly-tailored than the lawyer, holds out her hand. “We’ve hit the mother lode.”

“The Dayspring From On High Doth Visit Us.” A broad woman puts a chummy hand on Alison Alexandra’s shoulder and pats her. “Our Sisterhood is complete.”

“We hope so.” A woman with riveting eyes and uniform grey hair taps her teeth as she speaks. “Is Alison Alexandra the end of our merry – or, is it married – troupe?”

“Lawyer Croft?” The heavily made-up Ex points with lacquered finger. “Is she?”

“Of those who will attend – yes.” Iris Croft hesitates. “There is one deceased.”

“Oh – who was she?” The youngest Ex is excited. “An Alison, or an Alexandra?”

“There’s a story there, I’m sure.” The lawyer looks directly at the youngest Ex. “But I do not know it.”

“What do you mean?”

“She was neither an Alison nor an Alexandra.”

“Well – that’s a devilish turn.” The broad and friendly Ex now pats the lawyer on the shoulder. “What was her name?”

“Amanda.”

“He couldn’t get enough of ‘A’s”” The severe and grey haired Ex forces a smile.

“Where did she fit in?” asks the youngest Ex.

“Just before you.”

‘Well, I guess that didn’t last.”

funeral,widow,widower.ex-wife,death,history,life,Alison Alexandre,novel,marriage,“What happened to her?” asks Alison Alexandra.

“She died of heart failure.”

“Jeez Louise.” The youngest Ex is startled. “How old was she?”

“It had nothing to do with age.” Iris Croft wonders if there is any confidentiality to break. However, the Ex was not her client, and both principals are deceased. “She had a genetic heart defect, discovered at autopsy.”

“What was she like?”

“I never met her.” Iris Croft spreads her hands. “Just as I have never met any of you until today.”

“But you asked to see Alison Alexandra.” The severe, grey haired Ex speaks quickly. “What was that about?”

“It’s not for me to discuss.”

“Well…” The severe Ex turns to Alison Alexandra. “What’s it about, then.”

“She doesn’t have to tell us anything.” The heavily-made up Ex steps forward. “I have no plans of getting personal.”

“But it is kinda personal.” The youngest Ex smirks. “We all fucked him.”

“And he – us,” says the severe grey haired Ex.

Alison Alexandra would like to avoid squabbling among the members of this odd club. She doesn’t mind telling them her beneficiary status as regards the houses. They each had received the financial rewards of the houses they lived in. It’s no skin off their noses. Or hers.

“I get the house in the will.”

“What?” The severe grey haired Ex looks at all the others. “Did you marry him again?”

“First in/last out?” Alison Alexandra laughs. “Nothing like that. I was his default beneficiary for each new house – until he married again.” She decides not to tell them that she got to inspect each new house first.

“So you kept in touch with him?”

“He kept in touch with me.”

“Just about the house?” asks the youngest Ex.

“Yes.” Alison Alexandra will allow one truth to cover much territory. “Not even a Christmas card.”

Leonard Cohen’s Birthday And A Trudeau Election In Canada

I take advantage of the fact that there was a federal election in Canada yesterday, featuring a Prime Minister Trudeau, and today is Leonard Cohen’s birthday. I present this excerpt from my novel, Fame’s Victim, when Cohen was still alive and attending the funeral of a former Prime Minister Trudeau.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Excerpt from Fame’s Victim

ST is present-bound enough to be aware when the end of the funeral arrives. Vested clergy group at the front of the church and the RCMP poll bearers again emerge. To the mournful strains of the organ they begin to slow-march the coffin along the aisle. He has no desire to mill about to meet the family for he has never met any of them before. He only encountered Le Monsieur the one time, but it was obviously significant for the older man.

     This ceremony of death makes everyone equal, and ST takes his place comfortably among the hundreds of other mourners who begin to leave the Basilica. Their progress along the center aisle is orderly but slow and he has time to inspect the interior of the building. As he looks at statues and woodwork and stained glass, a hand taps him on the shoulder.

     “That’s one of my favourites.”

     ST turns to see Leonard Cohen nodding and pointing to the left. He follows the other man’s finger and eventually perceives a somber painting enlivened with splashes of mystic colour.

     “I see ecstasy.” Cohen’s voice is a low murmur.

     “So do I.” ST immediately understands what the quiet voice means. “It breaks out.”

     “The way death should be.” The poet glances at ST with a half smile. “Something to look forward to.”

     “I’ve never doubted that.”

     “Ah.” Cohen shrugs. “If Pierre could only speak to us now.”

     “Do you think it possible?”

     “No.” His eyes hold ST. “Not the way I mean, at any rate.”

     “The tongue stilled.”

     “Something I will regret.” He leans toward ST. “Do you have plans after the funeral?”

     “Not really.” ST keeps to a muted tone. “I thought I’d look around the city. I don’t leave until this evening.”

     “Then perhaps we could take a noontime stroll to a place of refreshment.”

     “I don’t want such public exposure.”

     “This is the Prime Minister’s day in Canada.  It is understood why you’re here, and you will be left alone.”

     They come out into the sunshine. Media attention is heavy, but it is directed elsewhere. ST is pleased to discover that his companion is adept at quickly moving through crowds. They descend the steps and start along the street, garnering glances but no intrusions. They turn a corner, cross another street, and traverse a Square that leads to a narrower street. ST notes it is Rue le Royer and the pedestrian traffic is slight.

     “A restaurant or an outdoor café?”

     “I’d like food and to be outside.” ST speeds up to keep pace. “But I’m not sure about a public display.”

     “There is a favourite place of mine. We will be left alone.”

     The street enchants ST, much as many of the ornate, narrow streets of Europe do. He can imagine himself standing on one of the small, door-sized balconies looking down as pedestrians, such as two, black clad men, scurry along below. In a few minutes they come into the direct sunshine of a broad avenue. They are on Place Jacques-Cartier, and it is ringed with cafés and restaurants. There are also hundreds of people milling about in the crisp October day.

     “There might be the occasional ‘hello’.” Cohen glances at ST. “Nothing more than a smile is required. Most of these people are on their lunch hour, intent on a bite and a glass.”

     “I’m certainly intent on a glass.”

     “That’s where we’re headed.” He doesn’t point but starts across the square. “There are many tables still free.”

     ST again keeps pace, walking beside the other man as they go up the hill. People do indeed notice them, but after an initial surprise comes a look of understanding. The day still belongs to Le Monsieur.

     The outdoor café has hanging baskets of flowers, many in robust bloom. The tables are of ornate wrought iron and have burgundy table clothes. The chairs appear to be actual wooden kitchen chairs.

     “Perhaps that corner.” ST points to the back.

     “But – non.” Cohen smiles as he grabs ST’s arm. “Here – at the front. We are to watch the street go by in all its tousled glory.”

     “Will they not be watching us?”

     “Give and take.” He begins to steer ST to a table. “We will be taking more than they.”

     A couple of the tables have wide umbrellas open over them. ST prefers one of these but instead is gently nudged to the street front. All of the other patrons do look as they walk among them, but although their eyes linger no one says anything. At the table ST begins to pull out a chair which will put his back to the street, but Cohen clicks his tongue and moves the chair until it is nearly beside the other.

     “We’ll sit together. We’ll twin their delight.”

     “If they approach . . . “

     Cohen winks. “You won’t have to sing a note.”

     ST settles beside the poet and gives himself up to the street scene. Regardless of the chill in the air most of this early afternoon crowd have made little concession to the time of year. The women especially seem as fashionably and attractively attired as he has seen in any public place.

     “The ladies are alluring.” ST smiles.

     “Antidote to the black of funeral garb.”

     ST notes the usual ‘double take’ of those pedestrians who happen to look their way. Barely is eye contact made however before it is quickly removed. Couples immediately chat together, but there is not one finger pointed in their direction.

     “What would you like to drink?”

     ST looks away from the street and smiles as an unexpected thought takes him.

     “Champagne.”

time?” Cohen glances at his watch.

     “Will they have something decent here?”

     “They will offer a selection.”

     With a half-raised arm and the gesture of a finger the waitress is summoned. Upon hearing the request she lists a half dozen champagnes. ST chooses one he knows will be as crisp as the day.

     “Any food?”

     “Dear God – yes.” ST smiles at the waitress then glances at the other man. “Any suggestions?”

     “They stuff a chicken breast here with portebello mushrooms, feta and wild rice.” He touches his lips. “With a Greek salad it is a meal to embrace.”

     “That sounds fine.” ST looks back to the waitress. “But bring the champagne now.”

     “Are we to toast?” Cohen watches the waitress walk away as he speaks. “Or are we to mourn?”

     “I less and less mourn the dead.” ST also watches the waitress leave. “They are lost to us but they are not lost to time.”

     “Then we acknowledge?”

     “Yes.” ST turns to the street. “The only time I met the Prime Minister – mere months ago – he desired we have champagne. It is a memory to share.”

     “Memory – the ghost at every table.”

     The noontime crowd has run its course and, just as with the café clientele, the number of people on the street become fewer. However word-of-mouth has spread and everyone makes a pass of the café. Other than being the object of glances and smiles, the two men are not interrupted. Pedestrian traffic does slow however when the bottle of champagne arrives.

     “They want a show.” Cohen runs a finger over the cold bottle.

     “There’s a proper way.” The waitress is winding a white napkin around the bottle.

     “In tandem, don’t you think?” The poet glances at ST.

     “That will make the news of the world.” ST indicates the number of cameras and video recorders among the crowd.

     “It should be the news of the world.”

     The waitress is not certain of his intent, but when Cohen stands beside her with a generous smile she hands him the bottle. He lets the napkin fall to the table and holds the champagne – label out – toward the street. ST gets to his feet amid the click-click-click of cameras and begins to remove the wire basket.

     “You can not share my déjà vu but trust me, Time is doubling over with laughter.”

     ST begins to twist the cork, his other hand around the bottle’s neck even though Cohen holds the base. When he feels the cork start to give he puts both thumbs against it and shoves. As it explodes into the Montreal sky the waitress holds the two glasses and, amid the welling applause from the street, ST pours the champagne.

     “We begin to set the clocks at normal.” The poet takes both glasses and the flustered waitress flees.

     “By drinking champagne at noon?” ST reaches for the offered glass.

     “By showing we no longer need to mourn.” Cohen’s smile contains wry triumph. “Time is pulling out of the station and now we need to jump on board.”

     “With a sip of champagne?” ST brings his glass to his lips.

     Cohen gives a slight bow to the street. “The most effective slight-of-hand is the trick that’s seen by all.”

The Funeral For Princess Diana Comes To An End

http3a2f2fi.huffpost.com2fgen2f52935222fimages2fn-princess-diana-funeral-628x314-1

An excerpt from my novel More Famous Than The Queen. My main character – so famous he is just known by initials – is at the funeral of Princess Diana.

The casket reaches the Sacrarium. ST leaves his thoughts behind to follow the service, listen to the words, and sing along with the hymns.

Although he has no fondness for opera and operatic song, ST finds the soprano’s voice pleasant, and drifts along with the Latin text: “Dies illa, dias irae … Day of wrath, day of calamity and woe.” He finds Elton John’s presentation bizarre yet sincere.

The rest of the service proceeds around him, but he only stands and sits by following the motion and noise of those fore and aft. Perhaps it is his deficient attention span, perhaps it is jet lag (he did not get any rest yesterday), but, much as he did as a child on Sunday, ST slips into a revere.

He wonders where Diana is.

If the whole context of this service is correct, and her Spirit Everlasting is afloat in some other world, does she have the slightest interest in these proceedings? Do you care what is on the plate after you have eaten the meal?

Is it – as he hopes – an all new wonderful adventure?

ST is returned to the present by the familiar words of The Lord’s Prayer. He is actually reciting  “Give us this day our daily bread” before he realizes what he is doing.

Stopped in place and time.

He could be a child again (perhaps he is) wondering what `trespasses’ are. He could be the aware young man, wondering why God would have a penchant to lead us into temptation. And he could be as he now is, wondering if this was the only way for a troubled young woman to be delivered from evil.

ST is fully attentive to the final hymn, and The Commendation of the Dead to the Lord.

He suspects it is an all-or-nothing package: that Diana and Jesus and God are present and appreciative to what is happening around him; or that he and everyone else are just singing and praying to the empty rafters. He fears his faith has skidded to the unstable foundation of hope.

The cortege prepares to leave the Abbey. Although the choir sings as the procession slowly moves to the west end of the church, it is really silence which hangs over this vast array of people. Again the casket with its ruptured body wend their way down the aisle, the flower arrangement an almost dull glow in this final, sombre setting.

“Weeping at the grave creates the song.”

Or so the song goes.

Then there is the final minute.

The minute of silence.

Observed by the Nation.

Observed by ST.

Observed -perhaps- as a minute’s pause in the enormous expanse of Eternity by a dead princess.

Leonard Cohen Toasts A Dead Prime Minister

210014-pierre-elliott-trudeau

An excerpt from my novel, Fame’s Victim (at times, an altered history of Canada.) Here, ST (the person of Fame in the novel) dines with Leonard Cohen after Pierre Elliott Trudeau’s funeral.

++++++++++++++++++++++

“Yes.” ST turns to the street. “The only time I met the Prime Minister – mere months ago – he desired we have champagne. It is a memory to share.”

“Memory – the ghost at every table.”

The noontime crowd has run its course and, just as with the café clientele, the number of people on the street become fewer. However, word-of-mouth has spread and everyone makes a pass of the café. Other than being the object of glances and smiles, the two men are not interrupted. Pedestrian traffic does slow however when the bottle of champagne arrives.

“They want a show.” Cohen runs a finger over the cold bottle.

“There’s a proper way.” The waitress is winding a white napkin around the bottle.

“In tandem, don’t you think?” The poet glances at ST.

“That will make the news of the world.” ST indicates the number of cameras and video recorders among the crowd.

“It should be the news of the world.”

The waitress is not certain of his intent, but when Cohen stands beside her with a generous smile she hands him the bottle. He lets the napkin fall to the table and holds the champagne – label out – toward the street. ST gets to his feet amid the click-click-click of cameras and begins to remove the wire basket.

“You can not share my déjà vu but trust me, Time is doubling over with laughter.”

ST begins to twist the cork, his other hand around the bottle’s neck even though Cohen holds the base. When he feels the cork start to give he puts both thumbs against it and shoves. As it explodes into the Montreal sky the waitress holds the two glasses and, amid the welling applause from the street, ST pours the champagne.

“We begin to set the clocks at normal.” The poet takes both glasses and the flustered waitress flees.

“By drinking champagne at noon?” ST reaches for the offered glass.

“By showing we no longer need to mourn.” Cohen’s smile contains wry triumph. “Time is pulling out of the station and now we need to jump on board.”

“With a sip of champagne?” ST brings his glass to his lips.

Cohen gives a slight bow to the street. “The most effective slight-of-hand is the trick that’s seen by all.”

(Image) https://thehaberdasherhistory.files.wordpress.com/2012/06/210014-pierre-elliott-trudeau.jpg

Why There Are Many Reasons To Give Thanks For My Life

55e2a08b36419_324313b

Buddy and I are waiting for a bus. Hours ahead await us on the trip, though we go to different destinations. I guess proximity is the reason he starts to talk to me, there being nobody else close.

This conversation is edited, though mostly for continuity.

Buddy : Gotta great day.
Me: Yes. (and it is – the weather is some grand)
Buddy: I’ve come half way across Canada, and still have to take the boat to Newfoundland. (this means another 8 hours on the bus for him, and 9 hours on the ferry)
Me: Hope you can sleep on the boat.
Buddy: And then another twelve hours hitching across the province.
Me: You sure have me beat. (I have 7 hours ahead of me, half by train)
Buddy: I don’t know what will happen. My friend says the church will help people.
Me: You’re not going home?
Buddy; Nope – all dead.
Me: That’s tough.
Buddy: That’s my Mom there. (he points to one of his bags) Got her ashes to bury.
Me: You have a sad time.
Buddy: Found her at the end of the driveway.
Me: What?
Buddy: In the urn. My girlfriend threw all my stuff out. That’s where it rolled.
Me: All your things?
Buddy: I had to store my stuff. Just money left for the bus and the ferry.
Me: I gotta say that sounds cold.
Buddy: She’s keeping my last disability cheque.
Me: What?
Buddy $1,700. Says I owe her.
Me: Do you?
Buddy: I guess. Anyway, there’s no going back there.
Me: That’s what it sounds like.

(At this point the bus driver arrives, asking what luggage is to go under the bus)

Buddy: Not that one. (he points to the one with the ashes) That comes with me.

 

DE

The Funeral Ends For A Dead Princess

From Being Famous:

He wonders where Diana is.

If the whole context of this service is correct, and her Spirit Everlasting is afloat in some other world, does she have the slightest interest in these proceedings? Do you care what is on the plate after you have eaten the meal?

Is it – as he hopes – an all new wonderful adventure?

ST is returned to the present by the familiar words of The Lord’s Prayer. He is actually reciting  “Give us this day our daily bread” before he realizes what he is doing.

Stopped in place and time.

He could be a child again (perhaps he is) wondering what `trespasses’ are. He could be the aware young man, wondering why God would have a penchant to lead us into temptation. And he could be as he now is, wondering if this was the only way for a troubled young woman to be delivered from evil.

ST is fully attentive to the final hymn, and The Commendation of the Dead to the Lord.

He suspects it is an all-or-nothing package: that Diana and Jesus and God are present and appreciative to what is happening around him; or that he and everyone else are just singing and praying to the empty rafters. He fears his faith has skidded to the unstable foundation of hope.

The cortege prepares to leave the Abbey. Although the choir sings as the procession slowly moves to the west end of the church, it is really silence which hangs over this vast array of people. Again the casket with its ruptured body wend their way down the aisle, the flower arrangement an almost dull glow in this final, sombre setting.

“Weeping at the grave creates the song.”

Or so the song goes.

Then there is the final minute.

The minute of silence.

Observed by the Nation.

Observed by ST.

Observed -perhaps- as a minute’s pause in the enormous expanse of Eternity by a dead princess.

(image)http://www.westminster-abbey.org/__data/assets/thumbnail/0006/90933/Diana-fun-1997-outside-72.jpg

 

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