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A Flash Mob of One

flashmob

It is difficult to be,

Or, to do,

(Hard to say which is more accurate)

A Flash Mob of One.

Particularly the alto parts.

But that is all

Which is allowed

In these times of

Pandemic.

Six feet (two meters)

Apart.

Multiplied (x)

By who knows

How many people.

So,

Ya gotta be community safe

(So much better than sorry),

And do it all yourself.

This does, however, make those

High-kick routines

Much easier to

Choreograph.

(image) https://reputationtoday.in/wp-content/uploads/2016/11/flashmob.jpg

 

 

Death Takes The Lead In The Final Dance

35_newmarriedlady

My two gals, Alison Alexandra and her friend, Amanda, had a sea voyage. It was a voyage via a freighter, and not a cruise ship. They stopped in the ports where the freighter stops, and they took visits of the town if they so desired.

On one of their times on shore, they decide to visit a Police Museum. One of the exhibits is a Death Mask of a hanged murderer. They take great interest in this, noting the repose of the face.

This incident is based on an event in my own life. I melded parts of my experience into my characters afternoon visit during their day ashore. This had not been on my mind when I started this particular chapter..
 
I once taught a workshop on Supernatural writing. For my workshop I took advantage to take my students on a field trip to see the death mask of a historically known poet. The death mask was conveniently on view in a display case in a near-by building. The poet was Bliss Carman, and among the tales told of him, was that his death mask was the only thing remaining of him in this city of his birth. His ashes, buried with great pomp, were actually the ashes from a railway, gathered by his lover who wished to have his real remains stay with her.

None of my students had even heard of ‘death masks’, let alone seen one. I invited them to

incorporate the idea into their writing exercises. Some did, some did not.

However, it’s possible this visit to Death elicited the following story from one of my students.

My student and her husband had purchased a new house. Cleaning and renovations eventually took them to the back loft area, which was piled high with decades of accumulated detritus from a long life.

They cleared out beds and boxes and newspaper piles and magazines and bundles of clothes and on and on. Near the end of this process, my student noticed a “clump of something” on one of the wooden beams of the loft.

Getting ladder and flashlight her husband climbed to see what it was.

It was the end of a number of knotted bed sheets.

 
And, since Death can lead its merry way in so many ways, here is a segment of a Bliss Carman poem which sums up to me, oh, so much.
Bliss Carman (from) Across The Courtyard

Somehow she had acquired the chill
Of worldliness; I missed the thrill
Of eager radiance she had
When we were comrades, free and glad.
Some volatile and subtle trace
Of soul had vanished from her face,
Leaving the brilliancy that springs
From polished and enamelled things.
The beauty of the lamp still shone
With lustre
, but the flame was gone.

OktoberFest & Beer in Munich – Dance & Enjoy

oktoberfest-packages-2015
ST is famous for his discoveries about Space and Time – hence the initials. He is fodder for magazine and movie fantasy. His is the life from which envy is made.    
 

Fame is a seductive life sentence. ST suffers consequences as he strides the red carpet.

In Fame’s Victim, ST ends one century attending Oktoberfest in Munich,  the biggest party in Europe, and starts the next hiding away from the world’s Press that hound him for his opinion of the Y2K problem. He is there with his lover movie star, also in disguise. His pet name for her is Garbo.

 

Excerpt From Fame’s Victim:

UM PA PA! UM PA PA!

Kafer’s Wiesnschanke seems not to be a `tent’, but a permanent wooden structure, with lattice at the front. There is outdoor seating, and strings of lights along the peak of the roof. At this time of night guests to the interior are handpicked. No one has given him an invitation or a code word, or any such means of identification. He has not had to prove who he is for so long that he really doesn’t know of any way other than the removal of his disguise. He could show his passport or driver’s license, but the photo displayed doesn’t display him.

People sitting outside give him a once-over, just as they do to all the crowds washing by. Oktoberfest is a people-watching event, but at this time of night, after a festival of beer, there is a sameness and a tiredness to their actions. He has no reason to fear a close scrutiny. ST walks briskly through the seated people and approaches the main entrance. Waiters and waitresses come and go through the door, liter mugs of beer held aloft. There is a small table to the left, and a man wearing a hat sits on a stool behind it. This is obviously the person whose scrutiny ST must meet and pass. He prepares a firm handshake, and a brief explanation of who he is.

From the corner of his eye he sees a figure approach. From its size and build it appears to be a woman, but she is wearing a Harlequin costume and holding a Venetian Sun Mask in front of her face. The gold (it looks like real gold) mask is attached to a long, slender stick, and the hand holding the stick is gloved.

Gloved hand, stick, gold mask and harlequin-attired body all lean toward him. ST is tempted to back away, but an exotic perfume reaching his nostrils is too enticing. He is sure his own disguise will not reveal his identity, so he affixes his fake beard smile.

“Psst.”

This sound hissed in his direction seems to be a woman’s voice. Perhaps he is to be asked the time or offered some cut-rate passage to the giant Ferris Wheel. Both have already happened this evening. Some response seems expected and ST decides to resort to his rusty German.

“Bitte?”

The eyes blink behind the mask and an irrepressible giggle is barely muffled by a gloved hand.

“Annie’s crackers. That better be you.”

“Garbo?” ST takes a surprised step back.

“I was about to take a bite from your cookie.” She removes her mask. “If that wasn’t you, I would have either made an enemy  or a friend I don’t want.”

“What are you – ?”

ST can’t tell if he is more surprised by the presence of his lover, or by the fact he didn’t recognize her. As he ponders he hastily pushes her hand so the mask is once again in front of her face. What they both don’t need is the exposure of the beautiful, young movie star. For if she is recognized, will ST be far behind?

“You don’t want to look at me?”

“I don’t want others looking at you.”

“Mmmm.” Garbo steps close and rubs against him. “Jealous?”

“No more than usual.”

This generates a snort from Garbo and a thwack over ST’s head with the mask. She still finds it hard to accept he doesn’t get jealous, even about the explicit love scenes in her last couple of movies.

“Then what?”

“Garbo.” ST leans toward her. “We’ll lose our concealment.”

“If we’re being so secretive, don’t call me that in public.”

ST realizes even he is affected by their disguises, for otherwise her pet name would not have been uttered. Garbo is very particular that this name is for his use alone.

“But we’re not even supposed to be in public.” He looks around at the mass of revellers. “I’m here because – ”

“I arranged it.” Garbo giggles again.

“You what?”

“Do you know … ” She lowers her voice, making her words barely audible through the mask. “You look surprised, even through that beard.”

This is a dig at his array of beards. She is far more comfortable with the recognition she receives. ST assumes this difference between them is partly due to her age, and partially because of her business. But he is not above retaliation.

“Who’s wearing the mask?”

“I’m supposed to be a surprise.” Garbo shakes her head, deliberately making the bells on her Harlequin cap jingle. “You are already on the agenda.”

“Let’s not stray off topic.” ST reaches forward and flicks one of the bells. “What do you mean you arranged it?”

“You were asked to come here, because I asked them to ask you …” She jingles the bells again. “… to come here.”

“Garbo!”

His voice rises as the name-not-to-be-used spills into the night. ST avoids a hit on the arm and puts his mouth next to her ear.

“Garbo.” Her name is now spoken slowly but quietly. “Why did you do such a thing?”

“To get you out of the mansion.” Her lips are close to his ear, but she is not whispering

“Let’s get this over with.”

“Mr. `Life-of-the-party’.” Garbo shakes her own finger. “You need to sing and schunkel.”

“Schunkel?”

“Hook your arms with those of your neighbors, and weave back and forth while singing lustily.”

“I don’t plan to sing – lustily or not.”

“Oh, yes you do.” Garbo links her arm through his, and starts to pull him toward the entrance. “Timely or not.”

She maneuvers ST past the man sitting at the table, and aims for a large, dirndl-encased woman standing at the far side of the door. She has the girth to block the whole doorway by herself, and ST has some hope that she will stop them.

“Remember – you’re with me.”

Garbo chuckles as she says this. When they are a few steps away from the door she lowers her mask and smiles that smile which charms millions. Even though the woman must have been expecting them she looks surprised, and then delighted. She makes a little bow, then opens her arms as if to embrace them.

“Wellcommen. They will be so pleased. The mayor keeps sober until you arrive.”

“That’s asking a lot.” Garbo replaces the mask in front of her face, and tugs ST toward the interior. “We have not expected such a sacrifice.”

“Why not?” ST directs the bearded question toward her ear. “I’ve kept myself without lubrication so I can appear here in fine form.”

“But you have me to get intoxicated on.” Garbo pushes him through the door. “You don’t need vile alcohol.”

“But there is going to be some, isn’t there?”

“Annie’s crackers – it’s Oktoberfest.” She pulls him forward. “It’s a feat you’ve managed to stay sober this long. Now it’s time for your reward.”

Garbo turns toward the table of officials and lowers her mask. The grim face of the dignitary ready to bar their way changes in a second, replaced with a broad smile. He holds out his hand to shake, though obviously debating whether or not to give her a hug. The temptation is great, and the occasion offers a license to such familiarity. Garbo avoids the situation by holding her mask out between them, and pointing toward ST.

The official stops momentarily, the smile trapped on his face. He is confused, wondering if he is being introduced to a bodyguard or some secretary, equivalent to himself. Garbo smiles, and sings a couple of lines from `Don’t Shortchange Us.’ She sings loudly enough to be heard by the other officials at the table, and immediately two heads whisper into the mayor’s ear. The man jumps up, his chain of office clanging against the beer stein in front of him. He pushes past his own officials, and makes a lunge for ST’s hand.

“Mein Herr. Welcommen!”

The mayor’s grip is so forceful that ST is again pulled off stride and they both bump into the table at the same time. The heart shaped gingerbread cookie around ST’s neck gets caught in the mayor’s heavy chain, and they are pulled together as they try to come apart. ST smells the beer on the other man’s breath, and has a pang of envy. Alcohol would be a relief right now, Glen Grant or not.

“We do a little dance – yes?”

The mayor is laughing, but ST realizes that he may be in some danger of losing his disguise. He doesn’t plan any further excursions tonight but his life proves unpredictable, and he can never be sure. Plus, the pull of glue from his face will not feel very pleasant or look very dignified. He can neither escape, nor risk the energetic contact his dancing partner encourages.

“Does this mean you have no time to dance with me?”

Garbo eases herself close to the two men. She stands in such a way that she could be speaking to either of them. They are confused and stop moving. Garbo reaches over and using both hands, manages to untangle the ornate mayor’s chain, and the string which the giant cookie hangs from. She winks at ST, then nudges against the mayor with her hip.

“Or do you boys prefer each other’s company?”

ST takes note of the most flamboyant dancers on the floor, and starts to copy their steps. Garbo is initially surprised, but quickly follows his lead. She is prepared to match his every move, and ST is determined to make her lose her step. Other revellers make room for them, and some even start to clap to the music. The bandleader has noticed the commotion, and after watching the couple for a minute turns the beat around to their rhythm. By this time even the mayor’s table is back on their feet, thumping their beer steins on its slippery surface.

“Bring it home, Mamma!” shouts the mayor.

Garbo growls with laughter as ST puts a hand on either side of her waist, and lifts her from the floor. She places her hands on his shoulders, and kicks back with her feet. ST actually aims her in different directions, and other dancers dodge away, squealing in delight.

“And another thing.” Garbo is panting and shouting into his ear at the same time.

“What would that be?” ST precariously leans back, almost losing his balance as he lets her slide to the floor off his chest. He twirls her on her stomach before he scoops her up again, and grips her hard against him.

“You’re heading into two months of Millennium stuff?”

“Yes.”

“And it’s going to be serious?”

“Yes.”

“Then ya gotta have some f-u-n.” She throws her hands over her head and leans way back, knowing he is not going to let her go. “And what better place is there than the biggest party in Europe?”

As she presses against him again he has a different answer to her question, and he whispers it into her ear. Her eyes go wide, and she brings up her hand in a motion to slap his face.

But she kisses him instead.

[Image] https: /thefederalist.com/wp-content/uploads/2016/09/Oktoberfest-Packages-2015.jpg

The Druids Prepare For All Hallows As The Dead Approach

 slide_336017_3406844_freeThe Celts knew every celebration has its risks.

The Druids taught them this, and the Druids are correct. Samhain is a festival of the harvest; the end of summer; the preparation for the winter to come. Samhain is a juncture. 

As they all know, junctures lead to sundry places. There is both the leaving and the coming. A time of disquiet. A time of danger for those unprepared.

It holds the magic and the power of midnight. Midnight is a powerful time because it is the juncture of two days. Midnight of Samhain thus holds double the power. It can not be avoided. It must be met with all the power mortal man can muster. It must not be met alone.

On the Eve of Samhain, the border between Life and the OtherWorld is breached. A door swings invitingly open, but it is not inviting those who live. It is inviting  those who have died. The Dead who still miss their lives. The long Dead who still are curious.The distant Dead who get a whiff of fresh air, and have their memories stirred.

So the Dead approach.

The Dead approach. The living must prepare to meet them, just as they prepare for the vicissitudes of winter. The same threatened cold holds sway over both. The living assemble the treats and threats that will assuage the longings of the Dead.

Because the living have a healthy fear of death, they equally wish to avoid the Dead. The Dead can prove to be envious, and attempt to relieve the living of their lives. Lanterns from the earth are hollowed out of turnips. Their light will guide the dead to safer places (safer for the living). Candles will shine through carved faces. Some faces are friendly and welcoming. Some are ugly and fierce, to give aggressive Dead a pause.

There will also be treats to entice the Dead – apples and pastries and savouries and some roasted game fresh from the bonfires. There will be ale and other spirits to keep the Spirits at bay. The living will wear costumes and masks to disguise themselves from those Dead who might wish their company to be more permanent.

They will remove the masks if the Spirits are friendly.

They will dance and sing and raise a right ruckus to entertain the Dead.

The boneyard is on the outskirts of town. Revellers approach with noise and caution. A bonfire is set. The moon hangs from the trees. The gated fence stands closed and latched. The living pause and watch. And listen.

Is it the wind, or do the hinges scrape the stone?

(image)i.huffpost.com/gadgets/slideshows/336017/slide_336017_3406844_free.jpg

Oktoberfest/Octoberfest Dancing In München from “Fame’s Victim”

 

cropped-logo_ofr_200x179

 

Excerpt from Fame’s Victim:

My famous chap and his nearly-as famous actress girlfriend crash the party at Oktoberfest in Munich. But, it is OK – they were invited

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Annie’s crackers – it’s Oktoberfest.” She pulls him forward. “It’s a feat you’ve managed to stay sober this long. Now it’s time for your reward.”

ST likes the thought of a reward so he snuggles closer, pressing his pelvis against her wondrous ass, encased in its very tight Harlequin pants. She shoves back, which she knows is only encouragement, then reaches and takes his hand.

“You wait until later.”

“Will it be better, later?”

“Depends if you drink too much.”

“You always sober me up.” ST links his arm through hers. “Schunkel, you say?”

“Don’t start singing.” She jingles her bells again.

“`Don’t shortchange us…'” He raises his voice with each word, making Garbo pull him off balance.

“Life of the party,” she hisses. “Not the death of singing.”

He stumbles slightly, making him fit in with most of the other patrons. Then he follows Garbo toward a table that is obviously the depository of dignitaries.

ST knows city officialdom will be involved, but he is unprepared for a mayor in crossed suspender short leather pants, complete with his massive chain of office. Others, whom he supposes are aldermen and various strata of bureaucracy, are also historically attired. They look as suspiciously in his direction.

“Garbo?” His hiss is in the high register.

“Keep your beard on.”

“You promise there’ll be Glen Grant.”

“Annie’s crackers.” She touches the mouth of her Venetian mask. “I’m going to want some, too.”

A functionary rises from the table, ready to approach them with a scowl.

“C’mon,” pleads ST. “Let him chase us away.”

“Too late for that.” Garbo holds her mask further from her face, glancing at him as she whispers. “Besides, it might come in handy to have the city fathers being fatherly toward you.”

“Why? So I can get a parade?”

“With a team of horses to pull you through the streets.”

“We’ve been together two years.” ST puts a hand on her shoulder. “You know I want nothing like that.”

“What you want, and what you need … ” Garbo brushes his forehead with a jester’s bell. “I obviously have yet to teach you the difference.”

Garbo turns toward the table of officials and lowers her mask. The grim face of the dignitary ready to bar their way changes in a second, replaced with a broad smile. He holds out his hand to shake, though obviously debating whether or not to give her a hug. The temptation is great, and the occasion offers a license to such familiarity. Garbo avoids the situation by holding her mask out between them, and pointing toward ST.

The official stops momentarily, the smile trapped on his face. He is confused, wondering if he is being introduced to a bodyguard or some secretary, equivalent to himself. Garbo smiles, and sings a couple of lines from `Don’t Shortchange Us.’ She sings loudly enough to be heard by the other officials at the table, and immediately two heads whisper into the mayor’s ear. The man jumps up, his chain of office clanging against the beer stein in front of him. He pushes past his own officials, and makes a lunge for ST’s hand.

“Mein Herr. Welcommen!”

The mayor’s grip is so forceful that ST is again pulled off stride and they both bump into the table at the same time. The heart shaped gingerbread cookie around ST’s neck gets caught in the mayor’s heavy chain, and they are pulled together as they try to come apart. ST smells the beer on the other man’s breath, and has a pang of envy. Alcohol would be a relief right now, Glen Grant or not.

“We do a little dance – yes?”

The mayor is laughing, but ST realizes that he may be in some danger of losing his disguise. He doesn’t plan any further excursions tonight but his life proves unpredictable, and he can never be sure. Plus, the pull of glue from his face will not feel very pleasant or look very dignified. He can neither escape, nor risk the energetic contact his dancing partner encourages.

“Does this mean you have no time to dance with me?”

Garbo eases herself close to the two men. She stands in such a way that she could be speaking to either of them. They are confused and stop moving. Garbo reaches over and using both hands, manages to untangle the ornate mayor’s chain, and the string which the giant cookie hangs from. She winks at ST, then nudges against the mayor with her hip.

“Or do you boys prefer each other’s company?”

ST has become used to this type of banter, but the mayor does not know if laughter is called for or not. People at this stratum of celebrity do strange things, and he neither wants to appear foolish, nor offend his high scale guests. However, his own photographer is already happily clicking away, and he must do something. Putting his arm across his mayor’s chain so it can catch on nothing else, he turns toward Garbo with a brief bow. Every voter will understand his attraction.

“You dress as Harlequin, yes, so you make the joke.” He extends his hand. “A few steps if the arena is not too crowded.”

“Even if it is crowded.” Garbo takes his hand and pulls him away from the table. “Let’s make that chain rattle.”

ST does not know how many people realize who is dancing with the mayor – he suspects no more than already know. It is late and dark and crowded and noisy, and much of that noise comes from people because they are drunk. Most will probably not even recognize the mayor, chain of office or not.

Because of photographs taken at the mayor’s table, ST has concern about his disguise – if photos end up in newspapers, will he have to discard it? Although expensive, it isn’t the cost or  inconvenience which bothers him.

Over the years, even with the expertise of Hollywood make-up artists, he has found only a limited number of disguises which look authentic. In addition to this, they have to be comfortable upon his face for hours at a time. The one he chose tonight is a favourite, and he will regret losing it. He should have thought more clearly about the transition he was expected to make. It is rare that he goes in disguise to a place where he eventually is to be recognized.

“I thought a beard would hide a man’s frown.”

ST is startled back to his surroundings. He has been watching the dancing, though he long ago lost sight of Garbo and the mayor. He is astonished to see her standing at his side, Harlequin costume glittering in the subdued light. He notes the mayor sits at his table, beer stein in hand.

“You worked him into a thirst.”

“It wasn’t that difficult.” Garbo reaches for ST’s hand. “I’m about to do the same for you.”

Though ST is tired and has been on his feet a long time, he does not resist. Once out among the other revelers on this last night of Octoberfest, he makes use of the dancing lessons both wife number one and two insisted he have. He has come to quite enjoy the dance floor, and Garbo is an excellent partner.

“Tell me again why we are here.”

“You are `Lord of the Manor’ – literally.” Garbo stifles a giggle. “You should make your presence known in the country.”

“Why in Munich?”

“It’s a good distance from where you actually live.” Garbo aims him toward a corner. “You don’t want people too familiar.”

“I certainly do not.” ST picks up her direction and twirls her adroitly among the dancers. “Except, of course, for you.”

“Not to worry.” She slides a hand over his posterior and pulls him closer. “I’ll not only help you remove that beard, but everything else as well.”

“That will be appreciated.” He thrusts his pelvis against her. “But maybe you could start here and work your way up.”

“It feels as if you’re working your way up already.”

“Yes.” ST now whispers in her ear. “I’ve often thought that dancing is wasted by doing it on your feet.”

ST takes note of the most flamboyant dancers on the floor, and starts to copy their steps. Garbo is initially surprised, but quickly follows his lead. She is prepared to match his every move, and ST is determined to make her lose her step. Other revelers make room for them, and some even start to clap to the music. The bandleader has noticed the commotion, and after watching the couple for a minute turns the beat around to their rhythm. By this time even the mayor’s table is back on their feet, thumping their beer steins on its slippery surface.

“Bring it home, Mamma!” shouts the mayor.

Garbo growls with laughter as ST puts a hand on either side of her waist, and lifts her from the floor. She places her hands on his shoulders, and kicks back with her feet. ST actually aims her in different directions, and other dancers dodge away, squealing in delight.

“And another thing.” Garbo is panting and shouting into his ear at the same time.

“What would that be?” ST precariously leans back, almost losing his balance as he lets her slide to the floor off his chest. He twirls her on her stomach before he scoops her up again, and grips her hard against him.

“You’re heading into two months of Millennium stuff?”

“Yes.”

“And it’s going to be serious?”

“Yes.”

“Then ya gotta have some f-u-n.” She throws her hands over her head and leans way back, knowing he is not going to let her go. “And what better place is there than the biggest party in Europe?”

As she presses against him again he has a different answer to her question, and he whispers it into her ear. Her eyes go wide, and she brings up her hand in a motion to slap his face.

But she kisses him instead.

(image)http://www.oktoberfest-trips.com/wp-content/uploads/2017/01/cropped-logo_ofr_200x179.png

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