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All I Want Is $100,000 Up Front – Is That Asking Too Much?

What are they going to do when I get into the finer details?

So – this happened.

I answered the phone yesterday. There was a five second delay which (really) lets you know you are in a queue. Suspicion created.

A garbled voice ( I honestly couldn’t tell if I was experiencing an accent different from mine, or if they were in a large room with lots of speakers – I suspect both at the same time) inquired about my book, using the correct title. Gotta admit, that did catch my attention.

Was I the author?

Yes?

Did I want to sell a lot of books?

Yes.

They could do it!

Then, what I assume was a company name, was mentioned. I never did hear the name distinctly enough to know what it was, though mentioned four or five times. It was never clear what its function would be.

But – you know – they mentioned the title -correctly- a number of times.  And, in all truth, I figure I should be making more money.

So, I asked questions. Not very deep questions, but I should know something.

They seemed to know next-to-nothing about the publishing world. They did concentrate on “promotion”, which would, I readily admit, help.

World-wide promotion. Somehow.

So, knowing that they had a stellar product to sell, I just went to the end result. I would consider their proposals for the up-front price of $100,000. A nice round figure. Easy to remember. I could picture the cheque.

This seemed to confuse them.

A few more entreaties were made. An additional publishing term or two. Alas, it was still all garbled. I pointed out that I could still not fully understand them.

I noted they made no counter-offer (not that it would have done any good). $100,000 SVP.

So, I was told to wait until I could speak with a supervisor.

The supervisor did not seem to have an individual office. Same garble and/or background noise.

How could he help?

$!00.000 please. I was tempted to add (and I’m all yours). But I did not (though surely it was implied).

The call ended.

Since there seemed to be no knowledge of traditional publishing (which is how my book is published) I assume this con is directed to Indie authors. Beware, y’alls.

DE

After Margaret Atwood’s Memorable Memoir, Can I Be Far Behind?

I have shared this tale before, and feel encouraged to do so again. It is an odd milestone in my own writing odyssey, and when Margaret Atwood achieves a profound feat, as her new memoir reveals, I do take note. I have about forty pages of my own memoir done, and years to go before I sleep.

*******************************

It was not my intent to piss off Margaret Atwood.

The opposite, in fact. I wanted her to know she was an inspiration.

She was giving a reading at the University of New Brunswick in my student days. I attended, but there was quite the gathering and she was whisked away at the end. However, I overheard there was a ‘gathering’ in her honour. Invitation only, of course. Academia and literati.

I crashed the party (that was the term used by the professor who clapped his sturdy hand upon my shoulder but – happily – did not thrust me into the night).

But Ms. Atwood was kept deep in many a learned conversation and I had no opportunity to converse. I did, however, overhear where she would be spending next afternoon – the historic University Observatory.

Next day I knocked upon the Observatory door.

It was not a cheerful Margaret Atwood who answered, and answered with alacrity.

She asked my name.

She asked my business.

And she asked how the hell I knew where she was. She had stolen the day to do some writing. Some ‘real’ writing, in this window-of-opportunity grudgingly offered on the book tour.

At least I was there to praise Atwood and not to bury her with some essay question.

Nor had I a manuscript to hand to her.

I might not have garnered a smile, but her curt thank you was reward enough.

For me, at least.

DE

A Way To Block “Writer’s Block”

An ounce of prevention is worth a pound of cure (even in metric).

I experienced over two months of writer’s block many years ago. 

I literally sat at my desk for hours. 

To this day I can  accurately describe that desk. Its vision is before/behind my eyes as I key. It had a red leather top.

I have devised a scheme which I find is 90% successful in combating writer’s block.

Do not complete your thought on page or screen. 

Make sure it is solidly in your mind (make notes if necessary). 

But, do not write it down. 

If it is a description – don’t finish it. 

If it is dialogue – don’t complete it. 

If it is a line of poetry – don’t end it.

The next day, read the preceding page. 

Then slide into the phrase you would have ended with yesterday.  

 Put in those final words. 

The odds are excellent you will continue on your way.

History And Europe And Estey : Redux

Looking myself up on the Internet (as one is sometimes wont to do), I came across this. I posted this nearly ten years ago, and have/had totally forgotten it. So, it’s a possibility others have forgotten it also. I find it quite interesting.

History And Europe And Estey

0a Isabella d’Este, Giovanni Cristoforo Romano, 1500.

There is a tradition in “my” branch of the Estey family that we descend from the d’Este of Italy. The d’Este clan were rich and powerful and influential. They married well which – yes –  brought the infamous Lucrezia Borgia into the family when she wed Alfonso I d’Este, Duke of Ferrara.

My father had a reproduction of Alfonso’s sister, Isabella, readily at hand. Isabel was a name for at least one daughter in every generation of Esteys. Lucrezia attempted to befriend Isabella, but to no avail.

The town of Este is in Northern Italy, in the Veneto region, about a two hour car ride from Venice. It’s most recent population figure of two years ago was around 17,000. I have a special fondness for this part of Italy and have sprinkled references to it in some of my novels. Indeed, my whole historical onion trilogy is centred around a town in this area.

So, Este was certainly a destination when I travelled through Europe. And the surrounding area. Este was suitably medieval in tone, with its ruined Este castle and wonderful flower beds and bowers and stone bridge over river and walled town and as happily historic as all get out.

I looked to see how many Estes were in the phone book (a respectable number) but I didn’t phone anyone.  I would be more thorough and stay longer on another trip. I doubt there is any way to fix up that castle.

I enjoyed all of Italy that I visited (and the rest of Europe held no less enthusiasm from me). But to stick, as it were, around the old homestead, the most enjoyable places were Venice and Florence. I was most surprised to see cruise ships looming from the Venetian waterfront.

I sighed on The Bridge of Sighs – from such beauty to such terror those prisoners were lead. A stunning memory was boating on the Grand Canal at dusk and seeing rooms in a passing mansion ablaze with chandeliers.

Florence was my favourite. It is, of course, awash in museums and galleries and art art Art. To chose the one which stunned me most was  Botechelli’s Birth of Venus – and that’s saying a lot, considering. The Ponte Vecchio over the Arno lives up to all its billing. Alas, I bought no gold.

Also, a memory is walking along certain streets and assuming I was near riding stables because of the permeating smell. However, I was in the leather good quarter. There was also the ancient, wire mesh and gated elevator,the type I had only seen in movies, wheezing me aloft to my lodgings. And the lady who left her room key on my table after breakfast. And don’t get me started on the markets and the food. Don’t.

However, there is one golden memory which consists of neither history nor ancient art. This happened in Verona. I was walking along a busy street and looked into the interior of a news vendor. The building also had an array of paperback books. And there, looking back out at me, was my own novel, L’INGANNO BONNER, recently produced in an Italian translation. That was a most pleasant delight indeed.

DE

(image)http://www.isabelladeste.org/_/rsrc/1467897567813/isabella-deste/0a.PNG

Kafka And His Reaction To His First Job

I have written a novel where I fill in the missing days of Kafka’s real diary. However, I appreciate the following, which is Kafka’s real opinion of the first employment he ever had. I never had such far-away thoughts at my own first job, but neither was I enraptured by it. I lasted a year.

*****************

“Now my life is in complete disorder,” he wrote to Hedwig Weiler on October 8, after just a week of work. “It is true, I have a job with a tiny salary of 80 crowns and 8-9 interminable hours of work, but I devour the hours outside the office like a fierce beast. . . . I nourish the hope of sitting one day on chairs in far-flung countries, looking out of the office windows onto sugar cane fields or Muslim cemeteries, and the insurance branch interests me greatly, even though for the moment my work is sad.”

He quit after less than a year, on July 31, 1908, citing health reasons. (“We express our amazement that the state of health of the aforementioned, who after the careful examination of the doctor carried out in October last year was recommended as absolutely fit, is after such a short time so bad that his immediate resignation must follow,” reads a letter from the company in Kafka’s file.)

A Decade That Has Passed Like Ten Years

10 Year Anniversary Achievement

Happy Anniversary with WordPress.com!

You registered on WordPress.com 10 years ago.

Thanks for flying with us. Keep up the good blogging.

Those Pesky Characters In The Novel – Follow Your Characters – Sometimes At A Gallop

My characters are racing me along. 
It’s not that I can’t keep up with them – I don’t keep up with them.

They finished a chapter a few minutes ago that I had assumed would go one for two or three more days (writing time). Nope, they finished tonight, and decided where they would rather be.

Bossy as all get out.
But – invariably – correct.

After All, they know what they’re doing, even if their sluggish author does not.
I’m rarely sure how I am going to get from here to there – but it sure is interesting. And thus, will be interesting to the reader.
DE

When I Dined With An Olympic Silver Medal Winner

I once had the privilege to dine with two of Canada’s preeminent artists. I say privilege and not pleasure, because I soon realized I was out of my depth. I was more apprehensive than not concerning the conversation, and decided I’d best resort to asking a series of not too stupid questions.

This is not casting any negative aspersions upon my hosts. They were both charming and witty. And kind. And the meal was great.

I had been asked to supper by Helen Weinzweig, a formidable author who took fiction into unexpected directions. We were both among the instructors at a week-long writing workshop. I had been asked to say a few words of thanks to her at the end of a reading. Her noted book at the time was entitled “Basic Black With Pearls” which, according to the New York Review Books, is ” . . .recognized as a feminist landmark”. Helen  and I got along very well, so I figured I could slide into a bit of gaucheness with her. During my thanks, I presented her with the best string of pearls that one could purchase at Zellers. And made sure they were in a black box. She did a double take, no doubt to make certain they were fake (though I like to think she had a fleeting thought they might be real).

Her husband, John Weinzweig, was a well-established composer of classical music. His compositions were cutting edge, and often did not fit comfortably into the conventional ouvre. I’m guessing neither one of them had a mundane thought or opinion. There were certainly none presented that night. Which was both a joy and a trial to me.

Oh – and the food was great.

However, it was only yesterday that I found out John Weinzweig won a silver medal at the Olympics. In 1948. A Silver Medal for Music. Specifically for Instrumental and Chamber Music, with his piece ‘ Divertimento No. 1 . As it turned out, 1948 was the last year such “Art” medals were awarded.

I do like to think that, if I had known at the time, I would not have been gauche enough to ask to see it.

DE

Shakespeare Birth Date + Shakespeare Death Date = A Couplet

The stage is as bare as my lady’s ass 

In his lordship’s bedchamber.

Rough-hewn in the most knockabout way, 

Leaving splinters in the palace lawns

Of the imagination.

There’s many a dip

‘twixt the trap and the lip.

It fares little better than hastily strewn boards 

Covering parched ground, 

With barely enough elevation 

To keep the understanding masses at bay.

Were one fool enough 

To come from out the wings, 

And at centre front begin a soliloquy 

About the beauty of the wretched arena 

On which he stands, 

To fight the resulting and justified spontaneous combustion, 

There would not be found one drop of piss 

From any a Thespian’s hose.

For who could allow this sacrilege to be spoken? 

Even the flag atop the pole 

Knows that the magic is not yet arrived.

A stage without commercial trappings:

Without solid doors and thick drapes,

Uncluttered by pillars,

And arches,

Tables and chairs,

Windows and fireplaces;

Sans orchestra, sans balcony, sans pit.

A stage revealing all its secrets.

Profound as emptiness.

A stage in wait.

For in this world writ small 

(As in the globe around)

The audience

Has nothing to know/ nothing to learn,

Until the actor makes an entrance 

And prepares

To fight through our eyes and ears

To battle with those thoughts and fears

that lurk in sheltered halls.

What’s Hecuba to him?

Why – nothing!

Merely a name on a page of script.

A cue at which to turn his profile thus.

It is what Hecuba becomes 

To we who wait,

That turns the key

Upon the heavy gate.

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