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Alison Alexandra

Death And Satan Are So Often Holding Hands

Even though my current novel is a picaresque, and *relatively* care-free. it goes to other places, as all life must. So, with Alison Alexandra about to go a round with Old Nick, I resurrect this following segment from There Has Been A Sighting, my first Satan novel.

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Mr. S. unexpectedly takes her arm, and begins to lead her along a winding, flagstone path. She has never seen such large pieces of the stone, and they glisten as if polished. 
      The path skirts a small stand of black spruce before it continues to the river. He stops her at the mouth of a gravel walkway leading through the trees.
      “Let’s pop in here.”
      “Your little acre of the Black Forest?”
      “Hardly an acre.”
      “Precision.” Breeze laughs. “Whatever would my father think of you?”
      “Does any father think well of any man when his daughter is concerned?”
      “Probably not.”
      “No,” agrees Mr. S. “So not to worry.”
      “He would think even less of someone leading his daughter down the garden path,” observes Breeze.
      “That would be before he saw what I am about to show you.” 
      Mr. S. holds her arm tightly, and guides her onto the gravel walk. It leads directly to the base of a tree, then makes an abrupt curve between the largest of the spruce. 
      One of the boughs is so low Breeze ducks her head. She has the sensation of being in the midst of a forest, for the heavy branches obscure the surroundings.
      “If I may be permitted a moment of drama.” 
      Mr. S. covers her eyes and speaks softly. 
      “Will you turn to your right, and take a few steps?”
      Even though he had asked, Breeze is startled as he gently eases her forward, and she feels a slight urge to resist him. Her steps are more cautious than the gravel walkway demands, and the press of his body is noticeable. She counts her footsteps under her breath. She is surprised when they stop at half a dozen, and he quickly removes his hand.
      “She’s beautiful.” Breeze stares, open-mouthed.
      “Yes.” Mr. S. is pleased. “I think so, too.”
      “An angel in the woods.”
      “The angel of peace.” Mr. S. walks her around the statue. “Not at all bad for a knockoff.” He pauses behind the wings.
      “A knockoff?”
      “A reproduction.” He puts his foot on the pedestal, and leans forward. “I don’t really know how old it is. Certainly last century – possibly before.” He points to the blue folds. “I’ve had the paint cleaned and touched up. Is it too garish?”
      “It … it stands out.” Breeze hunts for a word. “Let’s call it vibrant.”
      “They said it was probably close to the original colour.” Mr. S. walks around the statue and again halts beside Breeze. “Since she stands in so much shade, it’s for the best she stands with lots of colour.”
      “Do you believe in angels?”
      “I’ve just had a night-long fight with Satan. I have to believe in angels.”
      “Does she have a name?” Breeze leans forward to inspect the angel’s outstretched hand.
      “I’ve never given her one.”
      “That’s one of your suspicious half answers.” Breeze grins.
      “When Mother Ursula spoke to her, she called her `Pet’.”
      “Pet?”
      “`How are we today, Pet?’ `You got a soaking last night, 
Pet’.” Mr. S. glances at the statue’s face. “That sort of thing.”
      “Oh.” Breeze also decides to look at the angel’s face. “It’s not what you’d call a Christian name.”
      “Ursula would get a laugh out of that.” Mr. S. smiles slightly. “And so would the angel.” He turns toward Breeze. “And so do I.” He takes her hand. “Which is probably your intent, so I won’t again slip into the past tense when talking about Ursula.”
      “She’s not dead yet.”
      “Her living will gives the machines seventy-two hours.” Mr. S. looks at the angel. “I suspect it’s a wry Christian reference.”
      “So if she rises on the third day, we won’t be surprised.”
      “You have more optimism than even the Sisters.” He glances at her. “And they tend the machines.”
      “Machines have their place.”
      “Yes.” Mr. S. releases her hand. “But so does death.”

{Image} https://pictures.abebooks.com/LAWBOOKEXC/30356379021_3.jpg

Alison Alexandra Ponders Whilst Under The English Channel

The London platform is abustle, though, in reality, she is boarding a train to take her to a train waiting in Calais. Still, it is under the umbrella of the Venice-Simplon-Orient-Express, and she is happy to board and take a very cushy seat.

Two hours and fifteen minutes to Paris. Nice scenery at either end. A glass of Bellini, in a champagne flute, before the actual undersea part. Nothing could be finer.

Alison Alexandra assumes that a quaff of peach infused Prosecco sparkling wine is to ease the anxiety of anyone going not only underground but also undersea. She appreciates the glass of – expectedly – high-toned champagne regardless, but she does not need a drink to assuage any fears, for she has none.

She has always enjoyed the thought of actually moving under streets and buildings and cars and people and parks and dogs and folk in restaurants spooning soup while other folk high up in business towers give power point presentations about the fluidity of market shares or the expert way to niggle a wire into an explicate brain to stop one form of behaviour or to restart another. Thousands of snips of humanity and civilisation wending their way over her head as she wends her way from one underground station to another.

And then – to add the volume of the sea – well, what now floats overhead? How many fish and how much plankton and seaweed and eels and lobsters and oysters and snails and perhaps even whales swimming and eating and probably eating each other in the liquid beauty which is the water which is the ocean which is the sea that slaps against the cliffs that she watches from her prow-of-a-ship windows when she is on the other side.

And the ocean that slaps the rocks at the base of her cliff is full of fish gurgle and whale song and lobster clatter and crab scuttle and perhaps even the mermaids singing. And then there is the screw screw screw of all the propellers of all the ships carrying crew and passengers and cargo of all sorts and conditions, from cases of the champagne she is drinking to the host of automobiles like the Black Ghost that Gabriella drove when she shared some champagne delivered by ship and not aged on the delivery truck two cities over.

And other cargo, floating and steaming over her head, food and drink and oil and bourbon and stiletto-heeled shoes and prayer books and cotton and smart phones and insulin and jet engines and books and railway ties and sheep dip and textiles and spices from the Far east and tongue dispensers and sugar and steel beams for steel bridges and fishhooks and guided missiles and holy missals and buttons and bows and those tiny umbrellas for fruit punch cocktails and things that Alison Alexandra doesn’t even know exists but she has her suspicions.

All over her head and moving the waves and making whales sing their cautionary songs to warn other whales to get the hell out of the way or they will get bumped on their noggin. And they do. Get out of the way.

Alison Alexandra finishes her underwater pilgrimage and pops above ground in France. And although Alison Alexandra has been somewhat offended by having to take an actual bus shuttle under the actual English Channel, she still shouts “Alors!”

(Image) http://www.jpellegrino.com/img/eliot-mermaidssinging.jpg

Death Mask And The Creative Spirit

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My two gals, Alison Alexandra and her friend, Amanda, went on a sea voyage. A voyage via a freighter, and not a cruise ship. They stop in the ports where the freighter stops, and they take visits of the town if they so desire.

 

On one of their times on shore, they decide to visit a Police Museum. One of the exhibits is a Death Mask of a hanged murderer. They take great interest in this, noting the repose of the face.

 

This incident is based on an event in my own life. I melded parts of my experience into my characters afternoon visit during their day ashore. This had not been on my mind when I started this particular chapter..
 

I once taught a workshop on Supernatural writing. For my workshop I took advantage to take my students on a field trip to see the death mask of a historically known poet. The death mask was conveniently on view in a display case in a near-by building.

None of them had even heard of ‘death masks’, let alone seen one. I invited them to incorporate the idea into their writing exercises. Some did, some did not.

However, it’s possible this visit to Death elicited the following story from one of my students.

My student and her husband had purchased a new house. Cleaning and renovations eventually took them to the back loft area, which was piled high with decades of accumulated detritus from a long life.

 

They cleared out beds and boxes and newspaper piles and magazines and bundles of clothes and on and on. Near the end of this process, my student noticed a “clump of something”on one of the wooden beams of the loft.

Getting ladder and flashlight her husband climbed to see what it was.

It was the end of a number of knotted bed sheets.

Shakespeare And Me – Until Black Death Do Us Part

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I have been consoled in my writing career that Shakespeare and I have one thing in common. Oh – yes – there may be a dozen others, but there is one I can point to uncategorically. We share a winsome way with our spelling of words. He even spelled his own name in a dozen different ways.
 
Even before-publication of my novels and stories, I was an example laid before my cousins (those younger than me). I don’t testify that this statement was used, but the gist was: “If you don’t smarten up, you’ll spell as badly as Dale.”.
 
And I’m sure some smart ass responded: “Not possible.”
 
But still, it is one (of the possible dozen) comparisons to Shakespeare.
 
Now, there are two.
 
It turns out that Shakespeare and I have been spurred on by a Pandemic / Black Death, to while away our enforced isolation to write our respective tomes. The Bard had to not only flee London, but his actors company was forbidden to mount any plays. All the theatres were closed. He decamped to safer accommodations and, with time at hand, wrote King Lear and Macbeth and other plays.
 
My indefatigable main character, Alison Alexandra (about whom I have been writing over four years) has decided to have her closest friends come and stay at her house until the world turns less mad. And – yes – this even includes R/Jane-the-Ghost. ‘Twill be a merry troupe. Quite Shakespearean.I’ll be busy for months.
 
I might even include Shaksbeard himself in my dedication.

One Wedding And Twelve Tuxedos

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Until this month, I would have said the strangest thing I have researched – and written about – for one of my novels, was the chapter in my first Onion novel, where my characters built a bridge over a river in 3rd Century Italy.

Alison Alexandra seems destined to edge me even further.

In There Was A Time, Oh Pilgrim, When The Stones Were Not So Smooth, I currently find myself writing about a wedding ceremony where the bride is dressed in a tuxedo, as are all her attendants. She is a fashion designer, and has created a line of female tuxedos. She is unveiling them at her own wedding.

Peaked vs. shawl lapels – to say nothing of all the colours.

One aspect of Alison Alexandra – rarely alluded to – is that in her teens and early twenties, she was a fashion model in Europe. She left the job from boredom after five years, but it is from this enterprise she gained enough sustainable income (via investments) to be left alone, and live the life she lives.

However, her mentor – the fashion designer, Bellissima Isobella – has called her back to do a favour. Bellissima Isobella is getting married, and has created a line of tuxedos for herself and all her attendants. What better way to promote them?

There is the aspect of the tail wagging the dog in this research. And, let me tell you, the Interent is awash with photos of ladies in tuxedos.

Oh – yes.
Alison Alexandra will be in red.

R/Jane-the-Ghost Is Not The Ghost Of Christmas (Past, Present or Future)

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“That is a peculiar-looking ship.”

“It is,” agrees Alison Alexandra.

She agrees because it is a peculiar-looking ship. She is studying it through her military-grade binoculars as she stands near the edge of her cliff, leaning against a waist-high barrier she had constructed just for this purpose.

Three sturdy posts painted blue.

There is a wooden knob atop each post, painted red. Four broad boards, painted white, are securely nailed to the posts, with slight gaps between them. There is room for five people to stand side-by-side.

Alison Alexandra has never had more than one person at a time accompany her on this venture. A slight problem at the moment is that this is not one of those times. She is standing alone, binoculars to eyes, looking out to the ship in the harbour. The peculiar-looking ship.

“In fact, it is not just peculiar-looking, it is actually peculiar.”

It is,” agrees Alison Alexandra, who does not lower her binoculars. “Though that is not the only peculiar thing at the moment.”

“It is not?”

“It is not,” says Alison Alexandra. “One other peculiar thing is that I am standing here by myself.”

“I see.”

“I don’t,” says Alison Alexandra.

“I’m out of your vision.” The voice does not falter. “I’m R/Jane-the-Ghost.”

“R/Jane-the-Ghost?” asks Alison Alexandra.

“Yes,” confirms R/Jane-the-Ghost.” Yes.”

“A for real ghost?” asks Alison Alexandra. “Not a figment produced by an undigested piece of potato?”

“I like that idea,” says R/Jane-the-Ghost. “Being a Dickensian ghost. I liked reading Dickens.”

“As do I,” says Alison Alexandra.

“But – no – no Dickensian ghost am I. I bring no warnings.”

“”No festive cheer?”

“Nary a candle.” Says R/Jane-the-Ghost. “No bony finger have I, pointing at anything.”

“You did – in your way – point out the peculiar ship.”

“In my way.”

“Point taken,” says Alison Alexandra.

There is a low chuckle, bordering on hearty, close beside her right ear. She does lower her binoculars at that, and moves her head to look. Her view is unobstructed all the way down her cliff. The water sparkles.

 

[Image] http:/cdn.notonthehighstreet.com/fs/06/90/c0b3-fff4-4518-b7d7-527c4703c9d8/original_little-ghost-acrylic-brooch.jpg

Turn Over A New Leaf Pell-Mell

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Alison Alexandra sometimes thinks of turning over a new leaf. Sometimes at the most traditional of times, like at New Year or her birthday or under a full moon or when the tide is at its highest. But then she remembers that well into her pre-teen years she thought the expression to turn over a new leaf meant reaching into the branches of a tree and flipping her wrist (somewhat like Amanda does when cutting cards) and when she found out the flip flip flipping concerned paper pages she was so bored she never did it. No, not once.

And anyway, why would she overturn anything in some sort of orderly fashion when she pell-mell turns things over at the very time they seem that they need to be overturned and not a minute or an hour or a full moon or one leaf later. That now is indeed now is, indeed, now and as she daily finds out from her windows or cliffs overlooking the ocean; tide and time await no Alison Alexandra. So she will not wait for them.

Alison Alexandra has often thought – and she also often thinks – that she could happily turn over all her leaves just from her prow-of-a-ship room jutting into the sea or the cliffs that, as yet, do not erode under her feet as she walks them looking out to sea. But that would be unwise and probably as stagnant as a rotting fish that sometimes lodges itself at the base of her cliff and though she has not travelled as often as those sailors and their spyglasses, she has travelled as far as many of them just to keep those leaves flip flip flipping.

So, today she is going to walk to town.

[Image} https://www.telllaurailovecrochet.co.uk/wp-content/uploads/2016/01/turn-over-a-new-leaf-2-520×400.jpg

You Can’t Take it With You

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So, it’s like this.
 
Alison Alexandra is going to meet her mentor for the first time in ten years. Her mentor, Bellissima Isabella, is the couturier who started, and managed, Alison Alexandra’s modelling career when she was a teen.
 
They are going to meet in front of the Gucci Museum in Florence. Alison Alexandra assumes they are going to go in and look around but, oh no. Belissima Isabella has nothing but disdain for any other couturier.
 
I knew that when entering the Gucci Museum was going to be suggested, Belissima Isabella was going to decline, saying it was full of “Gorgeous Gucci Garbage”. But, what was missing, was an oath of derision, which she might say a few more times as she struts across my stage in There Was A Time, Oh Pilgrim, When the Stones Were Not So Smooth.
 
So, I am right at the moment of writing the oath, not a thing in mind, and she comes out with “Emanuel God Cunt”. A philosophic twist. I can live with it.
 
I finish my writing, come down to the computer, look at odds and ends, one of which is Linkedin. There is a request from a chap for me to add him to my Linkedin Network.  His first name is Emanuel.
 
Might I suppose God is chuckling along with me?

Ship And Sailor Both Await The Danger of Fog

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The sea plays a big part for Alison Alexandra in my manuscript There Was A Time, Oh Pilgrim, When The Stones Were Not So Smooth.  This is at the beginning of a night that is going to last a long time.

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There seems to be a touch of mist coming over the ocean as Alison Alexandra looks from the windows of her prow of a ship house on the top of her cliff. Well, she calls it her cliff and no one – yet – has said ‘nay’. But then, she thinks of it as her ocean, so what is someone going to do with that?

She turns the lights out in her prow of a ship room and settles into her comfortable winged chair. The sun is in its last minute of setting and Alison Alexandra concentrates on the positions of the ships settling in for the night. There are always ships that have no space for a berth until the next day. One or two always seem to have to wait until the day after that.

The vagaries of shipping and commerce, and the whims of an erratic sea, can only be predicted with moderate success. The tides and the winds and the atmospheric pressures high and low make merry over and under the endless horizons. They whirl and they twirl and they scud and skip with gay abandon. ‘Catch them and predict them?’ – well, Alison Alexandra knows better than that.

As it is, her sea eye – well-honed after these many years of coastal watching – is certain the touch of mist that kisses the top of the waves in a most flirtatious manner is deciding whether or not to settle in for the night and become mistress to sea and ships and those swabbies who – oh, so quickly – will be told that the watch must be doubled.

No matter that they are within sight of shore and already have their imaginations stirred by what will be offered at fine establishments such as The Tugboat Wharf And Seafood Lounge with its All You Can Eat Beef Buffet and waitresses who are never going to give them the attention they crave but will still be a damn good source to stroke the imagination and then they can hit the streets and hope to find some pliable bodies with whom to hit the sheets if only by the hour.

(Image) https://i.ytimg.com/vi/uDF-z2ZPzRg/maxresdefault.jpg

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