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It is a whirlwind in here

Kafka And Fame

(Charles University – Prague)

There are rumours (none of them started by me) that Kafka had direct dealings with Einstein, Joyce, and even Hitler.

The first two are more than possible. Einstein taught at Charles University when Kafka was a student there. Joyce was in Prague when Kafka lived there. It is quite probable they travelled in the same literary circles. Went to the same coffee houses (which Kafka frequented). Attended the same readings, or literary events, or even book stores.

The Hitler connection is far more tenuous, but based on fact. Hitler was treated, in Munich, by a doctor who had dealt with Kafka’s family in Prague. And Kafka did visit Munich in the right time frame. Kafka did, after all, predict Hitler’s world as much as he did the Communists.

Although I have, in my novel about Kafka,  “filled in” his missing diaries, I never give him such speculative encounters – tempting though it was. All events in my Kafka novel are based on detailed research from his own writings, writings of his friends, and multiple biographies.

I have written one short story that is totally speculative, where Kafka is encouraged to meet “the Austrian with the tiny mustache”, so as to kill him and stop an impending terrible war. And save his sisters from the camps.  But that doesn’t  happen in my fiction, either.

DE

Not Ready for Prime Time Characters / Spear Carriers

My onion novel, CHINA LILY, spans decades. My main family, the Cannaras, travel the globe (of their time, which is the Fourteen hundreds). Lots of time on ships. Lots of time on horseback.

In their distant locations, over their diverse times, they meet different people. These people fill the chapters they are in, but then they are gone. They are really secondary characters to the novel, but nothing could be accomplished without them. In their own time frame, they are front-and-center.

This same situation happened in my *thriller*. The time frame was much different (squeezed into a few days). And the location was in the same city, until near the end. But the nature of the immediacy, the surprising twists of plot, and the intense action called upon the use of many secondary characters. They were figuratively press-ganged into action. They did their bit and were not called upon again. Louie-the-dog was to be a secondary character with a ‘walk on’ part. He stayed.

 I am having a growing fascination for these secondary characters. They have to be developed within paragraphs instead of chapters. Their dialogue and thoughts have to be concise and unique from the start. They possess a freedom of action the main characters do not have. They are not loaded down with baggage. They are a challenge to write and difficult to rein in. They are generally saucy, and rarely ponder their lot. Yet they must be real and not just plot devices. They have to be taken at face value and accepted quickly. They must stand out in the background.

Secondary characters are a challenge to write and a thrill to create. Each and every one of them excite me.

Hmmmm …  a novel of only secondary characters  … hmmmm…

DE

“Fifth Business” by Robertson Davis

Reading From: “The Elephant Talks To God”

Dale Estey's avatarkafkaestblog

Here I can be heard giving a brief reading from my book of short stories, “The Elephant Talks To God”.

http://www.authorsaloud.com/prose/estey.html

The book itself:

http://www.amazon.com/The-Elephant-Talks-Dale-Estey/dp/0864924593

DE

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Perhaps my creative stream is bubbling away

Perhaps my creative stream is bubbling away.

Live Reading From: “The Elephant Talks To God”

Tracked down to my own apartment, I give a sample reading from my book of short stories, “The Elephant Talks To God”. And I explain the genesis of the book. Gotta say, it might have been more entertaining to emote some of the Elephant’s poetry.

http://www.authorsaloud.com/prose/estey.html

The book itself:

http://www.amazon.com/The-Elephant-Talks-Dale-Estey/dp/0864924593

DE

WHEN THE GOVERNMENT HATES YOU

Regardless of whether it is fascist, communist or capitalist, all governments hate Franz Kafka.

Kafka, despite his reputation as a depressing malcontent, was an honest humanist. He didn’t belabour the philosophy, he just lived the life. Two stories from his real life stand out which show his basic decency. These are told by other people, for Kafka did not blow his own horn. However, I suspect he did not even think he had done anything special.    

When Kafka first met Oskar Baum, who became a lifelong friend, he bowed his head when he shook hands. This was the formal custom of the day. Oskar felt Kafka’s hair graze his head, which was the only way he could tell that Kafka bowed, because Oskar was blind. To Kafka, the fact that the other man was sightless was no reason not to treat him with the full dignity he would express to any other.      

Later in life, Kafka worked as a lawyer for the Worker’s Accident Insurance Institute for the Kingdom of Bohemia in Prague. This organization was an odd blend of a government and private insurance ‘company’, that paid benefits to injured workers. Although Kafka’s main job was as an administrator, he did sometimes find himself representing the Institute in a court of law.  

On one occasion, he was acting against a worker who was refused benefits for an injury. Kafka believed the worker deserved his benefits, but he would do no less than his best to win the case. His solution was to, from his own pocket, hire an excellent lawyer for the worker. Kafka put forward the best case he could, yet lost. He was greatly pleased.

DE

The Bluenose

 A number of years ago, I was seated on a bench in Halifax, watching a cruise ship prepare to leave.  I had noted a tall-masted sailing boat pass, but was more immersed in the huge ship leaving port. Suddenly a man was at my back, asking me to move so I would not get struck in the head.

I turned to see the sailing boat – The Bluenose – coming alongside. It edged toward the dock, closer and closer, and then a crew member on the bow shouted to me.  He asked if I would grab a rope when it was thrown. I agreed, happy to do so. I immediately  had the bow line in my hands and at my feet.

They shouted down to me and asked that I put it over the ‘second’ post. This proved to be quite a chore for something thicker than my arm and heavy in weight.  It took a couple of minutes, but I slipped it over. I jumped back. It was a taut rope indeed.

DE

Blocking Writer’s Block

An ounce of prevention is worth a pound of cure (even in metric).

I experienced over two month’s of writer’s block many a year ago. I did sit literally at my desk for hours. To this day I can  accurately describe that desk. Its vision is before/behind my eyes as I key. It had a red leather top.

I have devised a scheme which I find is 90% successful in combating writer’s block.

Do not finish your thought on page or screen. Make sure it is solidly in your mind (make notes if necessary) but do not write it down. If it’s a description – don’t finish it. If it’s dialogue – don’t complete it. If it’s a line of poetry – don’t end it.

The next day, start with the phrase you could have ended with yesterday. Read the preceding page, slide into the phrase not completed, put in those final words, and the odds are excellent you will continue on your way.

DE

She had God in her feet and Angels in her streaming hair

It was such a summer day.

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