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It is a whirlwind in here

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writing

People of the World / Punishment of Puns

spuning out of control

When In Rome

There was an Abyssinian (I made her),

an Albanian,

a Bolshevik,

a Bratislavian (he was worst),

a Brazilian,

a Canadian,

a cannibal (uh-oh),

a Colombian (smoking),

a cynic (she didn’t believe the Canadian),

a Dominican,

a Druid (he prayed for the Dominican),

a Druze,

an Etonian,

an Estonian,

a fool (ha ha),

a Frieslandian

a Gazaian (she stripped),

a graduate (he smoked),

a Haligonian,

a Helgolandian (he was gone),

an Israeli,

an Iranian,

an Iraqi {they three went into a bar},

a Jamaican,

a Japanese,

a Kazakhstanian,

a Kurd,

a Lithuanian,

a lush (one in every crowd),

a Mongolian,

a monster (them’s the odds),

a Nederlander,

a Norwegian,

an Olympian (I liked her),

an opportunist (coulda been me),

a Pole (he vaulted over the rest – *joke*),

Québécoise (I’ll never forget her),

a Russian (great dancer – he had the steps),

a Scandinavian,

a Southerner (I melt when she says ‘Y’all)

a stevedore,

a Transylvanian (out for blood),

an Ukrainian,

an  Unitarian,

a Vulcan (he was eerie),

a Walloon,

a wisenheimer,

a Xanaduian (she played on her dulcimer),

a Xaverian (he shot daggers at the Dominican),

a Yugoslavian

[and]

a Zarahthustrain (he spoke a lot).

The Canadian had the soup.

DE

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I http://i.telegraph.co.uk/multimedia/archive/01806/earth_1806334c.jpg

Adapt A Novel Manuscript To A Movie Script

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It will take a whole host of other people to tell me how successful I will be. I’ve done it twice, and realize I must not only ignore my usual method of writing, but often go exactly against it.

I  have attempted to “learn” how to write for film, with many instruction books, and classes, and workshops, and meetings with people. I read many film scripts, which did help me accept the (to my eye) arcane format. But the one thing which turned me visual was the comment of a writer/editor friend who said, after reading my attempt, “I can’t see it.” That is, it did not cause visual action in her mind. And I understood.

Perhaps the biggest hurdle to get over is to accept that a movie is not a book  Changes, additions, and omissions will be necessary. As with a stage play, there is a finite time limit that generally clocks in under two hours. The threads and plot points of a movie are different. And the characters (I swear) feel this freedom, and choose to accentuate other aspects of themselves than are revealed in a novel.

The very fact their paragraphs of dialogue must be reduced to two or three lines makes them uppity. And because they can, in mere seconds, be in diverse locations, performing radically different actions, they become exact without apology. They don’t have to fill in the spaces.

The writer has to fill in the spaces however, and do so with visual stimulation. The transitions have to be swift. Their descriptions exact.

The road is always the fast lane, and the characters kick the tires with gusto.

DE

 

Blocking Writer’s Block

An ounce of prevention is worth a pound of cure (even in metric).

I experienced over two month’s of writer’s block many a year ago. I did sit literally at my desk for hours. To this day I can  accurately describe that desk. Its vision is before/behind my eyes as I key. It had a red leather top.

I have devised a scheme which I find is 90% successful in combating writer’s block.

Do not finish your thought on page or screen. Make sure it is solidly in your mind (make notes if necessary) but do not write it down. If it’s a description – don’t finish it. If it’s dialogue – don’t complete it. If it’s a line of poetry – don’t end it.

The next day, start with the phrase you could have ended with yesterday. Read the preceding page, slide into the phrase not completed, put in those final words, and the odds are excellent you will continue on your way.

DE

Kafka And Technology

Kafka at the helm.

Franz Kafka had little use and no affection for that new-fangled invention – the telephone.

Kafka probably also wished he had never seen a typewriter, though he pecked away on it daily.

However,  no doubt to his chagrin, Kafka has been credited with devising the first ‘safety helmet’ or hard hat. He was also awarded a medal for this feat. Now, I knew Kafka had been awarded a medal by the Austro-Hungarian Empire for some services rendered. The beauty of this (something even Kafka appreciated) was that it never happened. By the time the bureaucracy  of the Empire had chewed its way through the procedure, the Empire no longer existed. Empire and Emperor were both gone as a result of the First World War. The Empire had disappeared before Kafka ever got his medal.

For a writer seemingly outside the ‘real’ world, Kafka was acutely aware of it and how it functioned.  He was  the first person to describe for popular consumption, through a newspaper article, the flight of that newfangled device, the aeroplane. He attended an air show in Italy where there were stunts and races. He wrote an account, “Die Aeroplane in Brescia,” which was published in the Prague newspaper Deutsche Zeitung Bohemia. I would say he was impressed, if not exactly pleased.

DE

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