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Gas Leak And Evacuation Give Alison Alexandra Much To Ponder

 

butane-leak-day-3-saint-john-east-terminal

I have been evacuated once before because of an explosion, and put up in a hotel by the Red Cross another time because of a house fire.

Monday last, both were able to be combined when a gas leak of Butane forced us to be evacuated just after supper, and the Red Cross found us fine hotel accommodations for (so far) two nights. Not only is there a pool with a water slide attached, but I’ve had the best waffles for breakfast that I’ve had for years. Now, if the neighbourhood doesn’t blow up (which looks less and less like happening) it will be quite the adventure.

Oddly, two days of unexpected hotel life seems like a week. I’m not sure why, because although the actual evacuation occurred in the relative haste of ten minutes, it is not as if we had not been forewarned and thus prepared. With bags and backpacks of provisions and clothes (and computers) we followed the instructions of three burly firemen and left. We did stand in lines in the hotel, and filled in forms and such, but it was not very arduous. Comfy beds awaited. If we have such stress in this situation, I might get some distant glimpse of what folk in dire straits must feel.

The Emergency Situation first began around 11:00 Monday morning. when I noticed hosts of emergency vehicles by their flashing lights, closing the major highways to our area. I actually got better views of our neighbourhood from news outlets and twitter accounts. I watched film crews at their work, and stand up reporters giving their reports across the street. Then, over the course of the afternoon, men in bulky uniforms and helmets started wandering along the street and across the fields. I went out to query them, and they were using their magic wands to sniff out Butane on the air. All seemed well for hours.

But then – as was fully explained in the next-day briefing – the wind shifted and the Butane (though apparently not dangerously concentrated) began in earnest to move toward the residential area, and away we all went.

The next briefing is in an hour.

And although two days of writing have been disturbed, today I returned to my current endeavours, where I follow Alison Alexandra through sundry places. It appears she will  find that she (in her own way) will have to deal with a somewhat similar situation.

But she can take care of herself.

DE

Turning A Novel Into Film – Characters On The Loose

screenplay_square

When adapting a novel manuscript to a film script, I realize it will take a whole host of other people to tell me how successful I might be. I’ve done this twice before, and realize that I must not only ignore my usual method of writing, but often go exactly against it.

I attempted to “learn” how to write for film. I read many instruction books, attended classes and workshops, and had meetings with people. I read many film scripts, which did help me accept the (to my eye) arcane format. But the one thing that actually turned me visual, was the comment of a writer/editor friend who said, after reading my attempt, “I can’t see it.”

That is, it did not cause visual action in her mind.

And I understood.

Perhaps the biggest hurdle is to accept that a movie is not a book, and that changes, additions and omissions will be necessary. As with a play, there is a finite time limit, that generally clocks in under two hours. The threads and plot points of a movie are different. And the characters (I swear) feel this freedom, and choose to accentuate other aspects of themselves than revealed in a novel.

The very fact their paragraphs of dialogue are best reduced to two or three lines makes them uppity. And because they can, in mere seconds, be in diverse locations, performing radically different actions, they become exact without apology. They don’t have to fill in the spaces.

The writer has to fill in the spaces however, and do so with visual stimulation. The transitions have to be swift and their descriptions exact. The road is always the fast lane and the characters kick the tires with gusto.

DE

(image) http://www.indiewire.com/wp-content/uploads/2014/11/screenplay_square.jpg

Adapt A Novel Manuscript To A Movie Script

(image)

It will take a whole host of other people to tell me how successful I will be. I’ve done it twice, and realize I must not only ignore my usual method of writing, but often go exactly against it.

I  have attempted to “learn” how to write for film, with many instruction books, and classes, and workshops, and meetings with people. I read many film scripts, which did help me accept the (to my eye) arcane format. But the one thing which turned me visual was the comment of a writer/editor friend who said, after reading my attempt, “I can’t see it.” That is, it did not cause visual action in her mind. And I understood.

Perhaps the biggest hurdle to get over is to accept that a movie is not a book  Changes, additions, and omissions will be necessary. As with a stage play, there is a finite time limit that generally clocks in under two hours. The threads and plot points of a movie are different. And the characters (I swear) feel this freedom, and choose to accentuate other aspects of themselves than are revealed in a novel.

The very fact their paragraphs of dialogue must be reduced to two or three lines makes them uppity. And because they can, in mere seconds, be in diverse locations, performing radically different actions, they become exact without apology. They don’t have to fill in the spaces.

The writer has to fill in the spaces however, and do so with visual stimulation. The transitions have to be swift. Their descriptions exact.

The road is always the fast lane, and the characters kick the tires with gusto.

DE

 

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