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Star Trek

May The 4th

may-the-fourth-meme-star-trek
Will
 
… hopefully …
 
Lead to May the 5th
 
& then
On to May the …
 
   – well –
 
U might be getting the picture.
 
Two things (so far) stand out
 
About
 
May the 4th, 2020.
 
One is, that in Italy,
 
Restrictions about
 
Going out
 
And about
 
Are being loosened
 
And the first thing
 
A citizen in Venice
 
Did
 
Was get in her boat
 
And wander the
 
Canals.
 
This is so pleasing.
 
She can see
 
-if she wishes to look-
 
Jellyfish
 
And the bottom of
 
The Canal.
 
Clean water runs through it.
 
The other thing that
 
May the 4th
 
Always brings to my mind
 
Is
 
That
 
Star Trek
 
Is so much better
 
Than Star Wars.
 
(Oh, beam me up)
 
May the 4th be with you!

“Star Trek: Picard” Goes Boldly To Stream Through Space

cbs-picard-poster-2

Star Trek returns to life to stream its images past present and future on platforms far and wide. As far as Space allows.

You can see a teaser/trailer here: https://www.imdb.com/videoplayer/vi3755588633?ref_=ttvi_vi_imdb_2

May I use the word eons when talking of Star Trek? Considering the time travel that often enveloped them, why yes – yes, I may.

So, eons ago, I wrote a script for Star Trek, The Next Generation. Memory says (and I’ve been told my memory is not up to light speed), this was the only television series that asked for, and actively used, scripts from writers outside their own stable. They used one script per season from these submissions. So I submitted.

I had a response from Lolita Fatjo, and it gave me some quiet thrill to see her name among the STTNG credits at the end of each show. I believe she was classed under “Pre production”. I also thought she had a real nifty name. I note she currently still has dealings with Star Trek, helping to facilitate Star Trek Fan conferences and arranging appearances by some of the Star Trek stars.

I did not have an abundance of communication with Ms. Fatjo (I liked to think of her as Lolita). I think I got a package of information about the type of thing they wanted for a script.

Memory says there was a desire to have a main plot line concentrating on just two or three of the main characters. There was to be one additional sub plot. There were arcs to accommodate the commercials.

I believe they hoped for some humour.

And timing, of course, all was timed to the exact minute. I followed directions and wrote a script and put it into the format and sent it off. I had two further dealings with Lolita. One told me they had received the script. The other – so deliciously close to the end of the season – was to tell me they would not be using it.

The script was called The Minstrel. An alien had a musical instrument (I think a horn, but it might have been strings) that would play tunes attuned to whomever he was talking to. It had other properties, but I think I’ll keep them tucked away. You never know – this is a new show.

Anyway, the Minstrel would interact (per act) with the Star Trek characters. Revelations were forthcoming. Not too many special effects (which was something else Lolita requested).

I received no big cheques or writing credits from this foray into television land. But not all was lost.

I was writing my script in tandem with a friend who was writing her own script. News of our endeavours made the local writing circuit, and we were interviewed on regional radio. From that we were asked to speak to a couple of writing classes. and even invited to an alternate world fan club to give a reading. We boldly went..

So, I am more than willing to accelerate plot, characters and writing style to fit into Star Trek: Picard. There are even many of the original cast, and I’m positive I could create a tune for Seven of Nine.

The Script I Wrote For Star Trek

ea_tng25_logo

Can I use the word eons when talking of Star Trek? Considering the time travel that often enveloped them, why – yes, I can.

So, eons ago, I wrote a script for Star Trek, The Next Generation. Memory says (and I’ve been told my memory is not up to light speed), this was the only television series that asked for, and actively used, scripts from writers outside their own stable. They used one script per season from these submissions. So I submitted.

I had a response from Lolita Fatjo.  It gave me some quiet thrill to see her name among the STTNG credits at the end of each show. I believe she was classed under “Pre production”. I also thought she had a real nifty name. I note she currently still has dealings with Star Trek, helping to facilitate Star Trek Fan conferences and arranging appearances by some of the Star Trek stars.

I did not have an abundance of communication with Ms. Fatjo (I liked to think of her as Lolita). I think I got a package of information about the type of thing they wanted for a script.

Memory says there was a desire to have a main plot line concentrating on just two or three of the main characters. There was to be one additional sub plot. There were arcs to accommodate the commercials. I believe they hoped for some humour. And timing, of course, all was timed to the exact minute.

I followed directions and wrote a script and put it into the format and sent it off. I had two further dealings with Lolita.

One told me they had received the script.

The other – so deliciously close to the end of the season – was to tell me they would not be using it.

The script was called The Minstrel.

In it, an alien had a musical instrument (I think a horn, but it might have been strings) that would play tunes attuned to whoever he was talking to. It had other properties, but I think I’ll keep them tucked away. You never know – there is a new show. Anyway, the Minstrel would interact (per act) with the Star Trek characters. Revelations were forthcoming. Not too many special effects (which was something else Lolita requested).

I received no cheques nor writing credits from this foray into television land. But not all was lost.

I was writing my script in tandem with a friend who was writing her own script. News of our endeavours made the local writing circuit, and we were interviewed on regional radio.

From that we were asked to speak to a couple of writing classes and even invited to an alternate world fan club to give a reading.

We boldly went.

DE

 

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