I have a *new* message
From a “ghostwriter”
Will make my BOOK
Will this give me
A ghost of a chance?
(Max Brod + Franz Kafka w/ hat)
I kinda do wonder if Franz is whispering into Brod’s ear (wherever they may have ended up) “I told you to burn them.”
To which Brod would accurately reply, “You knew I wouldn’t. If you wanted it done, you would have done it yourself.”
Star Trek returns to life to stream its images past present and future on platforms far and wide. As far as Space allows.
You can see a teaser/trailer here: https://www.imdb.com/videoplayer/vi3755588633?ref_=ttvi_vi_imdb_2
May I use the word eons when talking of Star Trek? Considering the time travel that often enveloped them, why yes – yes, I may.
So, eons ago, I wrote a script for Star Trek, The Next Generation. Memory says (and I’ve been told my memory is not up to light speed), this was the only television series that asked for, and actively used, scripts from writers outside their own stable. They used one script per season from these submissions. So I submitted.
I had a response from Lolita Fatjo, and it gave me some quiet thrill to see her name among the STTNG credits at the end of each show. I believe she was classed under “Pre production”. I also thought she had a real nifty name. I note she currently still has dealings with Star Trek, helping to facilitate Star Trek Fan conferences and arranging appearances by some of the Star Trek stars.
I did not have an abundance of communication with Ms. Fatjo (I liked to think of her as Lolita). I think I got a package of information about the type of thing they wanted for a script.
Memory says there was a desire to have a main plot line concentrating on just two or three of the main characters. There was to be one additional sub plot. There were arcs to accommodate the commercials.
I believe they hoped for some humour.
And timing, of course, all was timed to the exact minute. I followed directions and wrote a script and put it into the format and sent it off. I had two further dealings with Lolita. One told me they had received the script. The other – so deliciously close to the end of the season – was to tell me they would not be using it.
The script was called The Minstrel. An alien had a musical instrument (I think a horn, but it might have been strings) that would play tunes attuned to whomever he was talking to. It had other properties, but I think I’ll keep them tucked away. You never know – this is a new show.
Anyway, the Minstrel would interact (per act) with the Star Trek characters. Revelations were forthcoming. Not too many special effects (which was something else Lolita requested).
I received no big cheques or writing credits from this foray into television land. But not all was lost.
I was writing my script in tandem with a friend who was writing her own script. News of our endeavours made the local writing circuit, and we were interviewed on regional radio. From that we were asked to speak to a couple of writing classes. and even invited to an alternate world fan club to give a reading. We boldly went..
So, I am more than willing to accelerate plot, characters and writing style to fit into Star Trek: Picard. There are even many of the original cast, and I’m positive I could create a tune for Seven of Nine.
Kafka recorded the beginning of the First World War in his diary this way:
August 2, 1914: Germany has declared war on Russia. Went swimming in the afternoon.
That was it.
But, regardless of his lack of enthusiasm, Kafka believed in the duties of the citizen. He tried to join the army to fight. In fact, he tried to join a number of times. He was always refused because the government deemed his civil/government job was too important for him to relinquish.
But, near the end of the war, when Kafka was so sick he had lengthy periods of leave from his job to recuperate, the army came calling. Kafka had to appear before authorities with medical proof of his illness.
In my novel, Kafka In The Castle, I ‘fill in’ one of his diary entries describing such a situation.
07 February 1918
I find I must go to Prague at the end of next week. Such knowledge is proof that one should not open one’s mail. The Military yet again wishes to snare me, and I must once again prove that my hide is not worth the effort.
There were time (very rare) when my father would despair. Not his usual anger at the general incompetence and perfidy of the world around him, but a resignation to the belief that things would never get any better.
“If they want to drag me down,” he would say, “Then I may as well join them. I’ll go out into the street and let myself be swept away by the mob. I’ll become part of their common, grubby life, and let them wipe their boots on me.”
That is much as I feel right now. Let the army take me, dress me in their uniform, point me toward the Americans, and have some cowboy shoot me. Going into battle could be no worse than going into Prague.
The sea plays a big part for Alison Alexandra in my manuscript There Was A Time, Oh Pilgrim, When The Stones Were Not So Smooth. This is at the beginning of a night that is going to last a long time.
There seems to be a touch of mist coming over the ocean as Alison Alexandra looks from the windows of her prow of a ship house on the top of her cliff. Well, she calls it her cliff and no one – yet – has said ‘nay’. But then, she thinks of it as her ocean, so what is someone going to do with that?
She turns the lights out in her prow of a ship room and settles into her comfortable winged chair. The sun is in its last minute of setting and Alison Alexandra concentrates on the positions of the ships settling in for the night. There are always ships that have no space for a berth until the next day. One or two always seem to have to wait until the day after that.
The vagaries of shipping and commerce, and the whims of an erratic sea, can only be predicted with moderate success. The tides and the winds and the atmospheric pressures high and low make merry over and under the endless horizons. They whirl and they twirl and they scud and skip with gay abandon. ‘Catch them and predict them?’ – well, Alison Alexandra knows better than that.
As it is, her sea eye – well-honed after these many years of coastal watching – is certain the touch of mist that kisses the top of the waves in a most flirtatious manner is deciding whether or not to settle in for the night and become mistress to sea and ships and those swabbies who – oh, so quickly – will be told that the watch must be doubled.
No matter that they are within sight of shore and already have their imaginations stirred by what will be offered at fine establishments such as The Tugboat Wharf And Seafood Lounge with its All You Can Eat Beef Buffet and waitresses who are never going to give them the attention they crave but will still be a damn good source to stroke the imagination and then they can hit the streets and hope to find some pliable bodies with whom to hit the sheets if only by the hour.
There are rumours (none of them started by me) that Kafka had direct dealings with Einstein, Joyce, and even Hitler.
The first two are more than possible. Einstein taught at Charles University when Kafka was a student there. Joyce was in Prague when Kafka lived there. It is quite probable they travelled in the same literary circles. Went to the same coffee houses (which Kafka frequented). Attended the same readings, or literary events, or even book stores.
The Hitler connection is far more tenuous, but based on fact. Hitler was treated, in Munich, by a doctor who had dealt with Kafka’s family in Prague. And Kafka did visit Munich in the right time frame. Kafka did, after all, predict Hitler’s world as much as he did the Communists.
Although I have, in my novel about Kafka, “filled in” his missing diaries, I never give him such speculative encounters – tempting though it was. All events in my Kafka novel are based on detailed research from his own writings, writings of his friends, and multiple biographies.
I have written one short story that is totally speculative, where Kafka is encouraged to meet “the Austrian with the tiny mustache”, so as to kill him and stop an impending terrible war. And save his sisters from the camps. But that doesn’t happen in my fiction, either.