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Kafka

The New Year Prods Kafka To Think Of His Youth

03 January 1917

I still have fantasies about the Swiss girl – although not the type one might suppose.

(My father says I already have too many fantasies, and that I deal with them “too long, and too often” – he is certainly right.)

I make a mixture of what I shared with the Swiss girl, and what I imagine we would be like today. This is certainly more fantasy than not, for what would being together have done to us? Done to her?

But, in this tiny house – could she not join me?

Be here by the window, as I write this?

But she was so young, and such a girl, where I fear that I was never such a boy.

20 September 1917 – Kafka Has A Dream of Dreams

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote. 

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20 September 1917

                Dreamed a mixture. I walked – a desolate figure trudging the vast Steppes. Yet I rode wildly – a madman with my forehead pressed against the compartment window. And I saw myself as the train raced by, outlined by the yellow light of the coach; and then a slender body turning to stare at the racing train. We both hollered, but noise and distance obscured our voice. The vast Steppes turned into a castle, but the castle was displayed in the photos of a magazine, which I held on my lap in the flickering light of the compartment, as the train became engulfed by the large buildings on either side of the tracks. In the magazine there was a railway at the base of the castle, and as I looked out the window the stone walls filled the frame, each giant block wedged securely to the others, their facing protruding and rough. It was as if the train had entered a tunnel, except there was still light from the distant sky.

     I turned a page, and had to squint to see the pictures. Along the whole bottom of the magazine pages, a train obscured part of the castle wall, almost becoming a part of the stones. Black and white, light and shade, blending into a sepia which smudged all the details. Was there a figure in the window?

DE

31 August 1917: A Weasel Well-versed In The Ways Of The Earth

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote. 

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31 August 1917

             The last night of the month. My last night in this tiny house. My last trek along the Alchemist’s Lane as someone who belongs. And soon, my last walk down the Castle steps. Which Max so dutifully counted. And after Max conveys me to the specialist, I imagine I’ll embark on the last part of my life. The power of the Alchemist’s Lane is far from spent, if one truly sees what I have turned into. There could have been no substance so base as myself to put beneath the test of smoking acid. Burning with precision into my lungs.

     Since Max helped last night, there is not much for me to carry away. I might indeed be taking as little as I brought that first day. Technically, I must leave by mid-night, and I plan to walk out the door at that precise minute, turning the key in the lock at the last strokes of the cathedral bell. Of course, I don’t have to do this – no one will appear to check on me. But, I enjoy technicalities. I skirt through life on both the vaguest, and the most precise, of technicalities. After all, I am a well-trained lawyer. Like a weasel well-versed in the ways of the earth.

     But sadly, this burrow must be vacated. And by its exposed front entrance, for I never had the luxury of a back escape route. But then – is that what is now being offered me? Opened for me? Not the Alchemist’s Lane, which will lead me to the city. Between the walls, through the courtyards, down the steps, and beyond the many gates. But the Tuberculous Lane, which may meander in many directions, stop at many doors, but finally – eventually – lead to the deep decent into a darkened pit. The only thing of me remaining above to be my name, carved in stone. The Herr Doktor. Not an unexpected fate. But not a fate I wish to happen too soon.

     Not, at any rate, as soon as my fate to walk out that door, my few parcels and papers in hand. A lingering look upon the table, the lamp, the stove. I think I will say good bye. I think I may even say thank-you. And then, I will take a great deal of time to find my key. It will be in the last pocket I search. And I’ll close the door slowly. With care. And the key in the lock will make a noise I shall never forget.

DE

28 August 1917 Kafka Is His Own Invention And Not His Father’s Product

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote. 

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28 August 1917

             I avoid my parent’s apartment, and as yet they notice nothing from the ordinary. Actually, I think my father’s fervent wish would be to find something ordinary. Something he could understand. Such as sickness and death. His gratitude at this understanding would not, I think, even be unkind. The Director, however, notices things only too well. He came to my desk – an unusual activity – again today, asking after my cough, which proves futile to hide after any length of conversation. His concern is genuine – he has always shown me the utmost kindness – and goes beyond the conventional interest in a valued employee. How radically different my life would have been had such consideration ever been shown by my father.

     I don’t mean I think of the Director as a father – we rarely see each other outside the confines of the Institute. And anyway, I am as much my own invention as I am my father’s product. How quickly I point my finger to others about my woes; how quickly I drop my hand when I’m faced with a mirror.  

DE

27 August 1917 Kafka Take His Leave

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote. 

~~~~~~~~~~~~~~~~~~~


27 August 1917

             Max has arranged for me to see a specialist a week from tomorrow. My protestations are necessarily weak, since it is an effort not to cough during most of our conversations. Even my breathing proves to be more difficult. Perhaps some treatment or some medicine can be found. Some palliative. With luck a cure – the cure? – will be to get me out of Prague. Even if Prague had grand entrance gates, and I lived just on the other side – had my cot in the dust just an arms length from the wall – I could sleep easily. Even without a mattress on the springs.

     As it is, I have no use for the furniture, so I may as well be rid of it. There is no need or place for it in my apartment, and Ottla has expressed no interest. Or even curiosity . A solution – and the one which was done next door – is just to leave everything. I suspect, in this day and age, the people who really have to live in this type of house, will find a use for it. Even the bamboo pieces. I think I’ll keep the lamp.

26 August 1917 “The Kindest Refuge” from “Kafka In The Castle”

26 August 1917

              My last Sunday in this tiny house. All those months passed since I needed to be cautious about Ottla. This tiny house on Alchemist Lane has been the kindest refuge. And I have not quite outstayed my welcome. The lamp is friendly across the floor, the sweep of the Stag Moat beckons at my back. Even now its breezes cool in the warmth of this late summer night. The light from my desk brushes against the leaves of the trees as I peer past the reflections and the shadows. Tonight, some of the old magic lingers, smiling from the darkened corners. I will lose myself to it – tip back my chair and let the comfort ease itself across my well-swept floor.

     I will close my eyes, and let it still even my memories.

“Kafka Moves On” from “Kafka In The Castle “

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote.

24 August 1917

             When change comes into life, it never seems to come alone. Are we pawns in this, or are we the hand moving the pieces across the board? Max arranges for me to see a specialist, where there will be more probing, more questions, and more X-Rays. I find it repulsive – though admittedly fascinating – to see my own interior. And when the word tuberculosis is finally spoken – even by Max – then I can go on to some rest. Some release. Escape for a time from the Institute – perhaps be allowed to resign. And then – a trip out of Prague, to the mountains or to the see. Maybe stay with Ottla for a few weeks.

     Autumn in the country can be very nice; I could even help her with the harvest. Give worth to my freedom. And while I am leaping from my past life, I’ll mail another letter to Felice. What is the use of an engagement now?

After A Funeral Kafka Dreams Of The Dead

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote.

21 March 1917

             Dreamed I was standing in a galleria with him. In a town in Northern Italy. We could see across the rooftops, to a plain slipping gently toward the foothills of the mountains. The day was clear – a cool spring morning – and the touch of sun was welcome on our skin. He pointed to a laden waggon passing beneath us. A curtain of dust rose from its wheels as it squeezed through a narrow lane. We watched it for awhile, then he turned to me, his body a silhouette against the vivid sky. “I enjoyed my funeral. I wish we could have talked about it after – it was one of those things to share.”  “We did share it,” I pointed out. “I was there.”  “But I was not,” he said.

     Then he eased himself over the balcony, and without effort, we were sitting in the back of the waggon, perched upon boxes and equipment. We rattled out of the village toward the countryside. “I loved the outdoors,” he said. “I still remember my last walk in the fields.”  We moved slowly through the country side, the waggon rarely being jostled along the rutted road. The teamster must have been an expert, but he never turned his face to us. Intent upon his business, I suppose.  “You forget that I am dead; for which I thank you.”  “Sometimes I do,” I replied.  “It is at those times, I sometimes think I’m still alive.”

     He occasionally pointed to things behind me. Once there was a rabbit. The countryside spread endlessly, without another person in sight. I mentioned this, and he nodded. “It will be crowded at our destination. But I’ll want to meet my wife.” He then leaned toward me, across the waggon. “You helped me, you know – in our final dance.” He smiled, then sighed, then pointed beneath me.   “My destination is close, I must return.” I looked down, and saw I was sitting on a coffin – the polished brown one of his funeral. I moved, then bent over, prepared to open it. His fingers touched the wood beneath my hand. “No. Do not look. You would not like what you found.” His smile seemed forced, there were more teeth showing than usual. “I embrace my new world. But for you, I am well and truly dead.”

Kafka Takes The Train In His Dreams

In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote.

04 April 1917

             Dreamed I was to take a train journey. I tried to find my travel papers, but all the drawers were jammed shut. The cupboard doors refused to open. My wallet was stuffed with money   – colourful bills worth thousands of marks – yet no passport, no police clearance. I could find no proof of who I was, and no permission to cross borders. I feared I was going to be late, so I put on an overcoat, grabbed a small bag off the bed, and hurried from the room.

     The door led directly to the station platform, and I was quickly caught in lines of people. A man in uniform  harshly requested to see our tickets, but when I explained I had been unable to find any of my documents, he pointed to my case. Inside were passports and papers from every country in Europe. I handed him one, but over my name was a photo of hog. Another had a picture of a donkey. A third showed sheep. Rodents, insects, and finally an ape, all appearing over my name and signature. “You are Doktor Kafka?” he demanded. “Yes,” I answered. I was terrified – what face did I have now? “You are the veterinarian,” he said, finally satisfied. “Down to the end of the train.” He pointed the way, and I hurried along.

     I walked and walked, but the train just became longer. Box cars and cattle cars were filled with the most terrible animal clamour, and reeking of filth. And I wondered, as I searched in vain for the end of this endless train, where would my destination finally be?

20 September 1917

               Dreamed a mixture. I walked – a desolate figure trudging the vast Steppes. Yet I rode wildly – a madman with my forehead pressed against the compartment window. And I saw myself as the train raced by, outlined by the yellow light of the coach; and then a slender body turning to stare at the racing train. We both hollered, but noise and distance obscured our voice. The vast Steppes turned into a castle, but the castle was displayed in the photos of a magazine, which I held on my lap in the flickering light of the compartment, as the train became engulfed  by the large buildings on either side of the tracks. In the magazine there was a railway at the base of the castle, and as I looked out the window the stone walls filled the frame, each giant block wedged securely to the others, their facing protruding and rough. It was as if the train had entered a tunnel, except there was still light from the distant sky.

     I turned a page, and had to squint to see the pictures. Along the whole bottom of the magazine pages, a train obscured part of the castle wall, almost becoming a part of the stones. Black and white, light and shade, blending into a sepia which smudged all the details. Was there a figure in the window?

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