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Ghosts

The Druids Prepare / The Dead Approach

The Celts  have learned every celebration has its risks.

The Druids taught them this, and the Druids are correct. Samhain is a festival of the harvest; the end of summer; the preparation for the winter to come. Samhain is a juncture. 

As they all know, junctures lead to sundry places. There is both the leaving and the coming. A time of disquiet. A time of danger for those unprepared.

It holds the magic and the power of midnight. Midnight is a powerful time because it is the juncture of two days. Midnight of Samhain thus holds double the power. It can not be avoided. It must be met with all the power mortal man can muster. It must not be met alone.

On the Eve of Samhain, the border between Life and the OtherWorld is breached. A door swings invitingly open, but it is not inviting those who live. It is inviting  those who have died. The Dead who still miss their lives. The long Dead who still are curious.The distant Dead who get a whiff of fresh air, and have their memories stirred.

So the Dead approach.

The Dead approach. The living must prepare to meet them, just as they prepare for the vicissitudes of winter. The same threatened cold holds sway over both. The living assemble the treats and threats that will assuage the longings of the Dead.

Because the living have a healthy fear of death, they equally wish to avoid the Dead. The Dead can prove to be envious, and attempt to relieve the living of their lives. Lanterns from the earth are hollowed out of turnips. Their light will guide the dead to safer places (safer for the living). Candles will shine through carved faces. Some faces are friendly and welcoming. Some are ugly and fierce, to give aggressive Dead a pause.

There will also be treats to entice the Dead – apples and pastries and savouries and some roasted game fresh from the bonfires. There will be ale and other spirits to keep the Spirits at bay. The living will wear costumes and masks to disguise themselves from those Dead who might wish their company to be more permanent.

They will remove the masks if the Spirits are friendly.

They will dance and sing and raise a right ruckus to entertain the Dead.

The boneyard is on the outskirts of town. Revellers approach with noise and caution. A bonfire is set. The moon hangs from the trees. The gated fence stands closed and latched. The living pause and watch. And listen.

Is it the wind, or do the hinges scrape the stone?

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Ghost Ships Pass By In The New Year

I’ve been reading my Shakespeare (As I often do)

Aloud, to Paw, my cat/kitten

Black as the grave,

With one white mitten.

He usually sleeps.

But he would agree with Horatio, that:

“There needs no ghost, my Lord/

“Come from the grave, to tell us this.”

And Paw, as is Horatio, would be right.

But still, the wrecks of ships,

Gone down to their watery depths

In the preceding year,

Float in a line

Stern to bow

Across the mouth of the harbour.

I go out, and always watch

In the dark dark dark of the night,

As one year of wretched release

Slides into another.

What can I do for them,

Other than to acknowledge

Their passage.

I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2023 / A lot of stuff have I seen / A lot of stuff to report}

DE BA. UEL

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A House Of Ghosts

   It had been a house of dreams, it was now a house of ghosts.

   Ghosts tranquil and benign peered through the dusty upper windows, stood in wait behind the boarded doors. The dreams of long ago, which had tumbled down the stairs, and frolicked through the rooms, were now memories in the minds of ghosts.     

   The ghosts were themselves memories, destined to further fade with each new birth. But there would be no births in this house, as it slid inexorably toward decay. The lackluster brown shingles would be more smudged, the remaining panes of old glass would break, the floors would warp and collapse, the  roof would succumb to the years of harsh weather. 

     Even the `No Trespass’ sign was barely legible. Then where would the ghosts go?

     Blaine left his car and walked toward the house. 

     If he had eyes to see, who would be there to greet him?  Would children’s dreams, fair-haired and boisterous, burst through the front door and surround him in games of tag and laughter?  Would he get caught by their enthusiasm (would he become a child himself), and race behind the trees, burrow into the hay, hide between the bins of potato and turnip, intent not to be `it’. 

     Or would he meet the ghosts, quiet and tentative at the top of the steps, moving slowly with their uncertain smiles. Would they greet him with a wave, invite him into their warm-smelling kitchens, offer him fresh tea, and squares right out of the pan?  Would he sit in the stream of fall sunlight flowing across the well-oiled floor, and talk about childhood?

     Blaine walked part way up the drive before he stopped.

     He knew what lay beyond the boarded windows, and the sagging door upon its rusty hinges. Wallpaper would be water-stained, and curling off the plaster walls. There would be lumps of refuse in the corners of the rooms, with one inevitable rusty bed frame lying on its side. There would be gaps in the ceiling, where beams of sunlight shimmered through motes of dust. There would be holes in the baseboards, where earnest rodents made comfortable homes.

     There would be musty smells offering a hint of long-ago meals, and something gone bad in the pantry. There would be one upper window (at the back) which still had a tattered lace  curtain, half obscuring what had once been totally private. At night he would hear bats.

     It was not this house he had come to see, of course. Of course, not this derelict house, which he knew could never be restored, and which was so beyond help even death slept while visiting.

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Halloween Turns Mean On All Hallows

I knew this was going to happen.
I know the old ways,
From the old Days.
Halloween, All Hallows,

The Ghosts and Witches and maybe

Demons 
Take offence when 
They are thwarted.
This All Hallows
They are thwarted by the
Full of the moon,
Which starts to fade before
Their night of freedom.
They want the light to see
The damnable deviltry
They let loose, 
Upon the Living and the Dead.
Paw, my cat/kitten
Black as sin
With one white mitten.
Knows it also.
He refuses to accompany me
On my last tending of the Lighthouse light.
So I asked Sister Darling,
Of The Rarified Church of the World (reformed)
To accompany me.
It is the very reason 
I have implored her,
To visit me on Partridge Island
This usurped night of Samhain.
As well she knows, since she has
Given me warnings in words,
The way Paw has in deeds,
To tend to these eldrich going-ons
Brought in by the ocean tides.
We are quick to my business
And hear the rustle of the curtain
Between this life and the next,

Every time the Lighthouse light
Blinks off.

{I’m The Lighthouse Poet Laureate of Partridge Island /1821 – 2023 / A lot of stuff have I seen / A lot of stuff to report}

DE BA. UEL

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The Dead At Sea Are Not Happy Ghosts For Halloween (It’s just around the corner)

I can see my hand

In the fog,

And

The building,

Across the street.

That is about all.

So, I know

The ghosts,

Are not

As close

As they sound.

The Ghosts sound like Fog Horns

And that’s what folk

Up

And down

The coast

Say

That they are.

Fog Horns.

But – they aren’t.

They are ghosts that moan,

And wail,

And cough,

And even

Sputter,

On the wind,

In the fog,

Where they can hide

Out in the open.

It is true that they do moan

For ships.

That they do give warnings

In the fog,

Where they can not

Be seen,

Because they look

Like fog.

They give warnings

Because

They have all come

From ships,

Where once they lived.

But now they don’t.

They went down with ships

At sea

And

Along the coast

To their

Cold and wet

Death.

Days ago

Years ago

Centuries ago.

To be buried at sea

Is not

To be buried

At all.

~ D.E. BA U.E.

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A House of Dreams Becomes a House of Ghosts

A photo which floated past on the internet this morning, also made this segment of one of my novels float past.

From “He Lives In The City / He Drives To The Country”

It had been a house of dreams, it was now a house of ghosts.

   Ghosts tranquil and benign peered through the dusty upper windows, stood in wait behind the boarded doors. The dreams of long ago, which had tumbled down the stairs, and frolicked through the rooms, were now memories in the minds of ghosts.     

   The ghosts were themselves memories, destined to further fade with each new birth. But there would be no births in this house, as it slid inexorably toward decay. The lackluster brown shingles would be more smudged, the remaining panes of old glass would break, the floors would warp and collapse, the unkept roof would succumb to the years of harsh weather. 

     Even the `No Trespass’ sign was barely legible. Then where would the ghosts go?

     Blaine left his car and walked toward the house. 

     If he had eyes to see, who would be there to greet him?  Would children’s dreams, fair-haired and boisterous, burst through the front door and surround him in games of tag and laughter?  Would he get caught by their enthusiasm (would he become a child himself), and race behind the trees, burrow into the hay, hide between the bins of potato and turnip, intent not to be `it’. 

     Or would he meet the ghosts, quiet and tentative at the top of the steps, moving slowly with their uncertain smiles. Would they greet him with a wave, invite him into their warm-smelling kitchens, offer him fresh tea, and squares right out of the pan?  Would he sit in the stream of fall sunlight flowing across the well-oiled floor, and talk about childhood?

     Blaine walked part way up the drive before he stopped.

     He knew what lay beyond the boarded windows, and the sagging door upon its rusty hinges. Wallpaper would be water-stained, and curling off the plaster walls. There would be lumps of refuse in the corners of the rooms, with one inevitable rusty bedframe lying on its side. There would be gaps in the ceiling, where beams of sunlight shimmered through motes of dust. There would be holes in the baseboards, where earnest rodents made comfortable homes.

     There would be musty smells offering a hint of long-ago meals, and something gone bad in the pantry. There would be one upper window (at the back) which still had a tattered lace  curtain, half obscuring what had once been totally private. At night he would hear bats.

     It was not this house he had come to see, of course. Of course, not this derelict house, which he knew could never be restored, and which was so beyond help even death slept while visiting. 

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The Marvel And Surprise Of A Severe Edit On A Novel Manuscript

I am about two thirds through editing my ‘five-years-to-write’ novel. It is called “There Was A Time, Oh Pilgrim, When The Stones Were Not So Smooth. I doubt I will get to keep my title.

I follow my characters, so I had no detailed plot. Thus, I can forget some of the details of something written two years ago.


Though editing brings most of it back.


And I might have known it at the time, but I am surprised that this particular chapter is a juncture to three major threads in the novel.

,
First, there are a number of different levels of the supernatural in the novel. They are distinct, and do not blend. In this chapter, three of these levels make an appearance.


Second, a major event from my main character’s childhood is revealed, explaining much of how she got to be the person she is.


And third, a decidedly unpleasant and mean character actually performs a positive deed.


That’s a lot of work for one chapter. I realized I had to make each of these threads stand out on their own. I remembered that I had worked and worked on it at the time, but not as successfully as I desired.


But this time.


My solution is to use number of three line paragraphs. Everything stands out. Nothing is cluttered

No confusion at all.

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When The Ghosts Escape

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When ghosts escape
Where
(quite frankly)
Do they go?
 
A question that is
(quite frankly)
Only slightly more
Problematic
Than
Where do they
Come from?
 
It’s a grave question
Worthy to be
Unearthed.
 
And how,
When the ghosts
Escape,
Do we
Find them?
 
Where do we look?
 
How will we see
What we can’t see?
 
For ghosts,
Once they escape,
Like to sneak up
Behind you
&
Look over your shoulder.
 
They want to see
What you are doing.
 
They want to
Make comments.
 
They want to go
“BOO!”
And scare
The living shit
Outta you.
 
Because
(let’s face it)
That’s just
The way
Ghosts
Are.
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The Ghosts In The Fog

robbie-george-sea-smoke-rises-up-around-maine-s-portland-head-light-on-a-cold-winter-s-day
I can see my hand
In the fog,
And
The building,
Across the street.
 
That is about all.
 
So, I know
The ghosts,
Are not
As close
As they sound.
 
The Ghosts sound like Fog Horns
 
And that’s what folk
Up
And down
The coast
Say
That they are.
 
Fog Horns.
 
But – they aren’t.
 
They are ghosts that moan,
And wail,
And cough,
And even
Sputter,
On the wind,
In the fog,
Where they can hide
Out in the open.
 
It is true that they do moan
For ships.
That they do give warnings
In the fog,
Where they can not
Be seen,
Because they look
Like fog.
 
They give warnings
Because
They have all come
From ships,
Where once they lived.
 
But now they don’t.
 
They went down with ships
At sea
And
Along the coast
To their
Cold and wet
Death.
 
Days ago
Years ago
Centuries ago.
 
To be buried at sea
Is not
To be buried
At all.
~ D.E. BA U.E.
(image) imgc.allpostersimages.com/images/P-473-488-90/89/8955/8SOR300Z/posters/robbie-george-sea-smoke-rises-up-around-maine-s-portland-head-light-on-a-cold-winter-s-day.jpg
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