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funeral

When The Ghosts Escape

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When ghosts escape
Where
(quite frankly)
Do they go?
 
A question that is
(quite frankly)
Only slightly more
Problematic
Than
Where do they
Come from?
 
It’s a grave question
Worthy to be
Unearthed.
 
And how,
When the ghosts
Escape,
Do we
Find them?
 
Where do we look?
 
How will we see
What we can’t see?
 
For ghosts,
Once they escape,
Like to sneak up
Behind you
&
Look over your shoulder.
 
They want to see
What you are doing.
 
They want to
Make comments.
 
They want to go
“BOO!”
And scare
The living shit
Outta you.
 
Because
(let’s face it)
That’s just
The way
Ghosts
Are.

The Funeral For Princess Diana Comes To An End

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An excerpt from my novel More Famous Than The Queen. My main character – so famous he is just known by initials – is at the funeral of Princess Diana.

The casket reaches the Sacrarium. ST leaves his thoughts behind to follow the service, listen to the words, and sing along with the hymns.

Although he has no fondness for opera and operatic song, ST finds the soprano’s voice pleasant, and drifts along with the Latin text: “Dies illa, dias irae … Day of wrath, day of calamity and woe.” He finds Elton John’s presentation bizarre yet sincere.

The rest of the service proceeds around him, but he only stands and sits by following the motion and noise of those fore and aft. Perhaps it is his deficient attention span, perhaps it is jet lag (he did not get any rest yesterday), but, much as he did as a child on Sunday, ST slips into a revere.

He wonders where Diana is.

If the whole context of this service is correct, and her Spirit Everlasting is afloat in some other world, does she have the slightest interest in these proceedings? Do you care what is on the plate after you have eaten the meal?

Is it – as he hopes – an all new wonderful adventure?

ST is returned to the present by the familiar words of The Lord’s Prayer. He is actually reciting  “Give us this day our daily bread” before he realizes what he is doing.

Stopped in place and time.

He could be a child again (perhaps he is) wondering what `trespasses’ are. He could be the aware young man, wondering why God would have a penchant to lead us into temptation. And he could be as he now is, wondering if this was the only way for a troubled young woman to be delivered from evil.

ST is fully attentive to the final hymn, and The Commendation of the Dead to the Lord.

He suspects it is an all-or-nothing package: that Diana and Jesus and God are present and appreciative to what is happening around him; or that he and everyone else are just singing and praying to the empty rafters. He fears his faith has skidded to the unstable foundation of hope.

The cortege prepares to leave the Abbey. Although the choir sings as the procession slowly moves to the west end of the church, it is really silence which hangs over this vast array of people. Again the casket with its ruptured body wend their way down the aisle, the flower arrangement an almost dull glow in this final, sombre setting.

“Weeping at the grave creates the song.”

Or so the song goes.

Then there is the final minute.

The minute of silence.

Observed by the Nation.

Observed by ST.

Observed -perhaps- as a minute’s pause in the enormous expanse of Eternity by a dead princess.

Leonard Cohen Toasts A Dead Prime Minister

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An excerpt from my novel, Fame’s Victim (at times, an altered history of Canada.) Here, ST (the person of Fame in the novel) dines with Leonard Cohen after Pierre Elliott Trudeau’s funeral.

++++++++++++++++++++++

“Yes.” ST turns to the street. “The only time I met the Prime Minister – mere months ago – he desired we have champagne. It is a memory to share.”

“Memory – the ghost at every table.”

The noontime crowd has run its course and, just as with the café clientele, the number of people on the street become fewer. However, word-of-mouth has spread and everyone makes a pass of the café. Other than being the object of glances and smiles, the two men are not interrupted. Pedestrian traffic does slow however when the bottle of champagne arrives.

“They want a show.” Cohen runs a finger over the cold bottle.

“There’s a proper way.” The waitress is winding a white napkin around the bottle.

“In tandem, don’t you think?” The poet glances at ST.

“That will make the news of the world.” ST indicates the number of cameras and video recorders among the crowd.

“It should be the news of the world.”

The waitress is not certain of his intent, but when Cohen stands beside her with a generous smile she hands him the bottle. He lets the napkin fall to the table and holds the champagne – label out – toward the street. ST gets to his feet amid the click-click-click of cameras and begins to remove the wire basket.

“You can not share my déjà vu but trust me, Time is doubling over with laughter.”

ST begins to twist the cork, his other hand around the bottle’s neck even though Cohen holds the base. When he feels the cork start to give he puts both thumbs against it and shoves. As it explodes into the Montreal sky the waitress holds the two glasses and, amid the welling applause from the street, ST pours the champagne.

“We begin to set the clocks at normal.” The poet takes both glasses and the flustered waitress flees.

“By drinking champagne at noon?” ST reaches for the offered glass.

“By showing we no longer need to mourn.” Cohen’s smile contains wry triumph. “Time is pulling out of the station and now we need to jump on board.”

“With a sip of champagne?” ST brings his glass to his lips.

Cohen gives a slight bow to the street. “The most effective slight-of-hand is the trick that’s seen by all.”

(Image) https://thehaberdasherhistory.files.wordpress.com/2012/06/210014-pierre-elliott-trudeau.jpg

Anniversary Of The Sinking Of The Titanic

titanic_in_southampton
Halifax is significant to the Titanic, and vice versa. It is the port where 209 of the victims from the Titanic were brought after being retrieved. 150 of these bodies were eventually buried in Halifax.   I live a short city bus ride  from one graveyard where many Titanic victims are buried.  I am also a longer bus trip to another graveyard where more of the dead are buried. I usually visit each once a year.
When cruise ships come to Halifax, one of the ‘tours’ offered the passengers is a visit to the Titanic graveyard. I assume the irony of this is lost, but I do wonder about the ‘tempting fate’ aspect of such an excursion.
One year I went to a Titanic “parade” down on the waterfront. The event started one hour late. The horse-drawn “hearse” was really a waggon from a local farm. The candles were  fake electric. Still, the team of Percheron horses was wonderful, and the folk in period costume were well done.
The ‘undertaker’ driving the team had a black frock coat and black top hat but – alas – no black riband around the hat. There was a plain, grey wooden box in the back.
Whatever the reason, a half dozen present-day undertakers from Snow’s Funeral Home (the funeral home which had tended to the actual Titanic victims) marched behind the waggon.
As a macabre aside (and I generally favour the macabre, but I found this creepy) there were meals to be had in some of the downtown restaurants which featured the menu of the last meal eaten on the Titanic.
One of these restaurants was The Five Fishermen. At the time The Titanic sank, Snow’s Funeral Home was in the building The Five Fishermen now occupies. So – literally – the coffins were once stacked in the same room where present day patrons were chowing down on The Titanic’s last meal.
I did learn one new thing. One of the people crowded around the ‘hearse’ opined  there would have been no women undertakes in 1912. The group following the waggon did have one woman. A member of the real undertaker group said that was not true. Indeed, two women embalmers from the city of Saint John (a port city in the adjoining province of New Brunswick) were brought in by train to help with the vast numbers of dead.

The Funeral Ends For A Dead Princess

From Being Famous:

He wonders where Diana is.

If the whole context of this service is correct, and her Spirit Everlasting is afloat in some other world, does she have the slightest interest in these proceedings? Do you care what is on the plate after you have eaten the meal?

Is it – as he hopes – an all new wonderful adventure?

ST is returned to the present by the familiar words of The Lord’s Prayer. He is actually reciting  “Give us this day our daily bread” before he realizes what he is doing.

Stopped in place and time.

He could be a child again (perhaps he is) wondering what `trespasses’ are. He could be the aware young man, wondering why God would have a penchant to lead us into temptation. And he could be as he now is, wondering if this was the only way for a troubled young woman to be delivered from evil.

ST is fully attentive to the final hymn, and The Commendation of the Dead to the Lord.

He suspects it is an all-or-nothing package: that Diana and Jesus and God are present and appreciative to what is happening around him; or that he and everyone else are just singing and praying to the empty rafters. He fears his faith has skidded to the unstable foundation of hope.

The cortege prepares to leave the Abbey. Although the choir sings as the procession slowly moves to the west end of the church, it is really silence which hangs over this vast array of people. Again the casket with its ruptured body wend their way down the aisle, the flower arrangement an almost dull glow in this final, sombre setting.

“Weeping at the grave creates the song.”

Or so the song goes.

Then there is the final minute.

The minute of silence.

Observed by the Nation.

Observed by ST.

Observed -perhaps- as a minute’s pause in the enormous expanse of Eternity by a dead princess.

(image)http://www.westminster-abbey.org/__data/assets/thumbnail/0006/90933/Diana-fun-1997-outside-72.jpg

 

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