Search

kafkaestblog

It is a whirlwind in here

Open Search
Category

fame

Oktoberfest

I begin my novel, Fame’s Victim, during Oktoberfest in München. Here is the abridged first chapter.

ST is famous for his discoveries about Space and Time – hence the initials. He is fodder for magazine and movie fantasy. His is the life from which envy is made.   

Fame is a seductive life sentence. ST suffers consequences as he strides the red carpet.

In Fame’s Victim, ST ends one century attending Oktoberfest in Munich,  the biggest party in Europe, and starts the next hiding away from the world’s Press that hound him for his opinion

~~~~~******~~~~~

UM PA PA! UM PA PA!

Tuba sounds assail ST as he forges through the clogged streets and packed alleys of Munich during these last hours of Oktoberfest. This, and the thousands upon thousands of revellers apparently heading to his own destination.

ST  worries what will happen when he reaches the Kafer’s Wiesnschanke tent. Because it is situated on the very edge of these huge Oktoberfest fairgrounds, ST is in one of his impeccable disguises. However but will it prove so effective (as it is proving now), that he will be unable to gain entry? Without immediate entry and quick access to his reserved table, he is not going to get to his waiting bottle of Glen Grant scotch.

ST has never had to deal with this problem. He uses camouflage to get from one private destination to another, and always has the luxury of removing his disguise in the comfort of some bath or bedroom. Here, he will have to prove who he is in one public place, so he can get out of another public place.

ST passes the Hofbrauhaus, with still a long way to go. He regrets he consented to spend these last two hours of the week deep in the gemutlichkeit of Bavarian sausages, chicken and beer – horse-drawn wagons of which trundle past even as he aims unerringly for Kafer’s Wiesnschanke tent.

This dramatic scene is foreign to him, though he supposes he is no longer foreign. It is through his inheritance of vast tracts of land and chattels along the coast of the North Sea (to say nothing of the interesting pockets of real estate and apartments still being revealed across the face of Europe, America, Australia, and the Bahamas) that his special invitation to this evening arrived. And the obligation to attend.

The acres of vibrant lighting cast a multi-hue glow across ST. He notes his roughly-shaped beard (one of three dozen – each cropped differently), takes on such bizarre colouring that he doesn’t remember what it really looks like. He probably could have gone without disguise and passed unmolested. That is what his hosts had told him, but he has had such assurances before.

Under a set of flashing amber and yellow lights, ST looks at his watch. The crowd is slowing him, and he should have used another entrance, instead of the broad way through the tents. He tries to get closer to the edge of the crowd, but the edge in an ever-moving mass is difficult to find. It is analogous to the boundaries of Space/Time, which he can never actually discern either. ST rarely gets such a chance to put his world-famous theories to a practical test. Head up and elbows to the ready, he begins a vigorous forward thrust. This attitude alone is enough to make more people give way, plus he is not without practiced skill at dodging and pirouetting among crowds.

As ST advances the garish lights become more extreme, and he has difficulty distinguishing the various tents. The one he wants is in the upper corner, and supposedly not easy to miss. But it is also one of the smallest (holding slightly over 2000), and for all he knows it may get lost in this absurdest hurly-burly. He may succumb to this incredible throng, and get carried away on its tide to the more boisterous Spatenbrau, or whisked back to the very beginning of his trek at the Hippodrom.

In an attempt to fit in, when ST first arrived at the fairground he had purchased one of the large gingerbread cookies, which so many people are wearing around their necks. This is now proving a mistake, for it keeps bumping back and forth across his chest. As he has never actually seen anyone eating the damn things, he hesitates to take this course of action. On the other hand he is concerned that if he just tries to remove it from his neck, the cord might get tangled in his fake beard.

ST clamps a hand over the cookie as if he was taking an oath, and continues through the noisy revelry. He is just passing the Winzerer Fahndl tent and thus is not far from his destination. A turn to the right and some more well placed elbows, and he might be able to arrive in another five minutes.

Just as ST can lose Time when he attempts to track it, equation by equation, through the vast quadrants of his computer programs, so it begins to elude him here. The overwhelming chore of Oktoberfest becomes surprisingly addictive. Although he still wants his scotch and reserved place at table, he looks longingly at the Winzerer Fahndl tent with a desire to enter. As he stares overhead at the amusement park rides, he wonders if he would find them as thrilling as the screaming participants indicate they are. ST is even tempted to gravitate to the nearest thundering band, and settle in close to the tubas. Perhaps he might risk an inquisitive munch of his over-large gingerbread cookie.

These thoughts put him in a better frame of mind as he eases himself into the slowly moving crush. He gets behind a trio of husky teen-agers, and lets them unknowingly clear a path.

It seems their goal is to sample beer from each of the fourteen tents, but so far their boisterous gung-ho remains good-natured and useful. ST keeps just the right distance behind the three so he is not considered a part of their group, yet manages to glean the benefit of their passage. Much as the stern of a ship glides through the wake of the prow.

When he comes within sight of his own goal at Kafer’s Wiesnschanke, he wonders if his trio of outriders is going to steer in its direction. An argument can be made that it is next on the list of any pub-crawl, but the youths are loudly debating the merits of either the Sportschutzen or Lowenbrauu.

ST has the temptation to clap them boisterously on their shoulders and invite them to his more rarefied destination. His popularity with youth is particularly high right now, as he appears to be quite the rebel with his contention that the year 2000 is not the Millennium. This is not his desire, but who is more going to be asked all the questions about this momentous event than the expert on Space/Time?

Even his obvious equation – obvious to ST, at least – that if someone owes you $2000, you are not going to be satisfied in only getting $1999 back – has become an embedded catch phrase in nearly every article now written about the Millennium. It has even become a refrain in a contemporary pop song.

ST starts to hum “Don’t Shortchange Us”, having no fear of ever being heard over the din of Oktoberfest. The decision as to whether or not he will befriend the teen-aged trio is made for him as they abruptly link arms and make a wide swing toward the Lowenbrau tent. ST may be mistaken about the sound of his own voice, for the trio of teenagers breaks out in a thundering rendition of the refrain to “Don’t Shortchange Us”. They create a wide path through the packed revellers, many of whom applaud and join in.

OKTOBERFEST (See what you are missing): https://www.oktoberfest.de/en/informationen/oktoberfest-webcams

0

03 June 1917 & 03 June 1918 From “Kafka In The Castle” In Memory of Kafka’s 100th Death Date

  In Kafka In The Castle, I fill in the ‘missing’ diary entries from Kafka’s real diary. He either did not fill in these days himself, or he destroyed them. There are some estimates that Kafka destroyed 70% – 80% of everything he wrote.

~~~~~~~~~~~~~~~~~~~~~~~~~

03 June 1917

 A day trip to visit Ottla. I went half the way, and so did she. I had an extra hour’s wait for the connection back to Prague, but really a minor inconvenience. It was a lovely day, perhaps hotter than one would expect, but certainly not the heat of Prague. It was a pretty village to stroll around, and we even walked an hour into the countryside. Had a decent meal in a tavern. Men in uniform – with guns – even there. Ottla has put on weight, which is something I did not expect. I joked about it, and she said it was muscle from all the work of the farm. I guessed it was from all the fresh food she can get on the farm.  The advantages of being in the country. She said that there were other advantages to being out of Prague, but then spoke no more about it. She didn’t mention father, and I didn’t tell her I had kept this visit to myself. Sometimes you have to dance without touching anyone.

03 June 1918

           There was a meeting at the Institute today, although it was not classed as a meeting. It was held during the usual lunch period, although nobody ate. It was apparently well planned, although a surprise to most of those present. It was about paper and documents, although no notes were kept. The Director himself invited the specifically chosen – came into our offices with a smile and a few choice words. The Director himself locked the door behind us.

     “When the war ends, there will be changes.” This was a safe statement, for the war must eventually end. Even Ottla could not find fault with that. But, for the rest of the hour, it would have been best to have one’s ears stopped up with wax, if one did not want to flirt with treason. We would be prudent, suggested the Director, if we excised our papers and our files. To let our judgement lean toward the heavy-handed approach. To assume that victors within and without the country will be after their pound of flesh. To realize that those who desire the Republic of Czechoslovakia, will have the desire to eradicate all visages of the Austro-Hungarian Empire. That those in positions of power, when that power is removed, will have no position at all. “Where does one go,” asked a man, to no one in particular, as we filed from the office, “when your country leaves you?”

0

Happy Birthday Margaret Atwood – I’m Sorry For My Interruption

It was not my intent to piss off Margaret Atwood.

The opposite, in fact. I wanted her to know she was an inspiration.

She was giving a reading at the University of New Brunswick in my student days. I attended, but there was quite the gathering and she was whisked away at the end. However, I overheard there was a ‘gathering’ in her honour. Invitation only, of course. Academia and literati.

I crashed the party (that was the term used by the professor who clapped his sturdy hand upon my shoulder but – happily – did not thrust me into the night).

But Ms. Atwood was kept deep in many a learned conversation and I had no opportunity to converse. I did, however, overhear where she would be spending next afternoon – the historic University Observatory.

Next day I knocked upon the Observatory door.

It was not a cheerful Margaret Atwood who answered, and answered with alacrity.

She asked my name.

She asked my business.

And she asked how the hell I knew where she was. She had stolen the day to do some writing. Some ‘real’ writing, in this window-of-opportunity grudgingly offered on the book tour.

At least I was there to praise Atwood and not to bury her with some essay question.

Nor had I a manuscript to hand to her.

I might not have garnered a smile, but her curt thank you was reward enough.

For me, at least.

DE

0

Our Good And Gracious Queen

Our good and gracious Queen was on the #7 bus tonight.
At least, it was the spitting image of HM. Charles III himself would have given her a second look.
She was well dressed and well coiffed.
Her only unusual feature was her scowl. Nary one look of good cheer did she exhibit the whole of the ride.
Perhaps, that is because she was carrying (as best she could) a three-step foot stool, encased in plastic, and a five foot curtain rod, also encased in plastic.
And, I guessed, there was no maid nor footman awaiting her at home to help with her chore.

DE

0

A Flash Mob of One

flashmob

It is difficult to be,

Or, to do,

(Hard to say which is more accurate)

A Flash Mob of One.

Particularly the alto parts.

But that is all

Which is allowed

In these times of

Pandemic.

Six feet (two meters)

Apart.

Multiplied (x)

By who knows

How many people.

So,

Ya gotta be community safe

(So much better than sorry),

And do it all yourself.

This does, however, make those

High-kick routines

Much easier to

Choreograph.

(image) https://reputationtoday.in/wp-content/uploads/2016/11/flashmob.jpg

 

 

0

OktoberFest & Beer in Munich – Dance & Enjoy

oktoberfest-packages-2015
ST is famous for his discoveries about Space and Time – hence the initials. He is fodder for magazine and movie fantasy. His is the life from which envy is made.    
 

Fame is a seductive life sentence. ST suffers consequences as he strides the red carpet.

In Fame’s Victim, ST ends one century attending Oktoberfest in Munich,  the biggest party in Europe, and starts the next hiding away from the world’s Press that hound him for his opinion of the Y2K problem. He is there with his lover movie star, also in disguise. His pet name for her is Garbo.

 

Excerpt From Fame’s Victim:

UM PA PA! UM PA PA!

Kafer’s Wiesnschanke seems not to be a `tent’, but a permanent wooden structure, with lattice at the front. There is outdoor seating, and strings of lights along the peak of the roof. At this time of night guests to the interior are handpicked. No one has given him an invitation or a code word, or any such means of identification. He has not had to prove who he is for so long that he really doesn’t know of any way other than the removal of his disguise. He could show his passport or driver’s license, but the photo displayed doesn’t display him.

People sitting outside give him a once-over, just as they do to all the crowds washing by. Oktoberfest is a people-watching event, but at this time of night, after a festival of beer, there is a sameness and a tiredness to their actions. He has no reason to fear a close scrutiny. ST walks briskly through the seated people and approaches the main entrance. Waiters and waitresses come and go through the door, liter mugs of beer held aloft. There is a small table to the left, and a man wearing a hat sits on a stool behind it. This is obviously the person whose scrutiny ST must meet and pass. He prepares a firm handshake, and a brief explanation of who he is.

From the corner of his eye he sees a figure approach. From its size and build it appears to be a woman, but she is wearing a Harlequin costume and holding a Venetian Sun Mask in front of her face. The gold (it looks like real gold) mask is attached to a long, slender stick, and the hand holding the stick is gloved.

Gloved hand, stick, gold mask and harlequin-attired body all lean toward him. ST is tempted to back away, but an exotic perfume reaching his nostrils is too enticing. He is sure his own disguise will not reveal his identity, so he affixes his fake beard smile.

“Psst.”

This sound hissed in his direction seems to be a woman’s voice. Perhaps he is to be asked the time or offered some cut-rate passage to the giant Ferris Wheel. Both have already happened this evening. Some response seems expected and ST decides to resort to his rusty German.

“Bitte?”

The eyes blink behind the mask and an irrepressible giggle is barely muffled by a gloved hand.

“Annie’s crackers. That better be you.”

“Garbo?” ST takes a surprised step back.

“I was about to take a bite from your cookie.” She removes her mask. “If that wasn’t you, I would have either made an enemy  or a friend I don’t want.”

“What are you – ?”

ST can’t tell if he is more surprised by the presence of his lover, or by the fact he didn’t recognize her. As he ponders he hastily pushes her hand so the mask is once again in front of her face. What they both don’t need is the exposure of the beautiful, young movie star. For if she is recognized, will ST be far behind?

“You don’t want to look at me?”

“I don’t want others looking at you.”

“Mmmm.” Garbo steps close and rubs against him. “Jealous?”

“No more than usual.”

This generates a snort from Garbo and a thwack over ST’s head with the mask. She still finds it hard to accept he doesn’t get jealous, even about the explicit love scenes in her last couple of movies.

“Then what?”

“Garbo.” ST leans toward her. “We’ll lose our concealment.”

“If we’re being so secretive, don’t call me that in public.”

ST realizes even he is affected by their disguises, for otherwise her pet name would not have been uttered. Garbo is very particular that this name is for his use alone.

“But we’re not even supposed to be in public.” He looks around at the mass of revellers. “I’m here because – ”

“I arranged it.” Garbo giggles again.

“You what?”

“Do you know … ” She lowers her voice, making her words barely audible through the mask. “You look surprised, even through that beard.”

This is a dig at his array of beards. She is far more comfortable with the recognition she receives. ST assumes this difference between them is partly due to her age, and partially because of her business. But he is not above retaliation.

“Who’s wearing the mask?”

“I’m supposed to be a surprise.” Garbo shakes her head, deliberately making the bells on her Harlequin cap jingle. “You are already on the agenda.”

“Let’s not stray off topic.” ST reaches forward and flicks one of the bells. “What do you mean you arranged it?”

“You were asked to come here, because I asked them to ask you …” She jingles the bells again. “… to come here.”

“Garbo!”

His voice rises as the name-not-to-be-used spills into the night. ST avoids a hit on the arm and puts his mouth next to her ear.

“Garbo.” Her name is now spoken slowly but quietly. “Why did you do such a thing?”

“To get you out of the mansion.” Her lips are close to his ear, but she is not whispering

“Let’s get this over with.”

“Mr. `Life-of-the-party’.” Garbo shakes her own finger. “You need to sing and schunkel.”

“Schunkel?”

“Hook your arms with those of your neighbors, and weave back and forth while singing lustily.”

“I don’t plan to sing – lustily or not.”

“Oh, yes you do.” Garbo links her arm through his, and starts to pull him toward the entrance. “Timely or not.”

She maneuvers ST past the man sitting at the table, and aims for a large, dirndl-encased woman standing at the far side of the door. She has the girth to block the whole doorway by herself, and ST has some hope that she will stop them.

“Remember – you’re with me.”

Garbo chuckles as she says this. When they are a few steps away from the door she lowers her mask and smiles that smile which charms millions. Even though the woman must have been expecting them she looks surprised, and then delighted. She makes a little bow, then opens her arms as if to embrace them.

“Wellcommen. They will be so pleased. The mayor keeps sober until you arrive.”

“That’s asking a lot.” Garbo replaces the mask in front of her face, and tugs ST toward the interior. “We have not expected such a sacrifice.”

“Why not?” ST directs the bearded question toward her ear. “I’ve kept myself without lubrication so I can appear here in fine form.”

“But you have me to get intoxicated on.” Garbo pushes him through the door. “You don’t need vile alcohol.”

“But there is going to be some, isn’t there?”

“Annie’s crackers – it’s Oktoberfest.” She pulls him forward. “It’s a feat you’ve managed to stay sober this long. Now it’s time for your reward.”

Garbo turns toward the table of officials and lowers her mask. The grim face of the dignitary ready to bar their way changes in a second, replaced with a broad smile. He holds out his hand to shake, though obviously debating whether or not to give her a hug. The temptation is great, and the occasion offers a license to such familiarity. Garbo avoids the situation by holding her mask out between them, and pointing toward ST.

The official stops momentarily, the smile trapped on his face. He is confused, wondering if he is being introduced to a bodyguard or some secretary, equivalent to himself. Garbo smiles, and sings a couple of lines from `Don’t Shortchange Us.’ She sings loudly enough to be heard by the other officials at the table, and immediately two heads whisper into the mayor’s ear. The man jumps up, his chain of office clanging against the beer stein in front of him. He pushes past his own officials, and makes a lunge for ST’s hand.

“Mein Herr. Welcommen!”

The mayor’s grip is so forceful that ST is again pulled off stride and they both bump into the table at the same time. The heart shaped gingerbread cookie around ST’s neck gets caught in the mayor’s heavy chain, and they are pulled together as they try to come apart. ST smells the beer on the other man’s breath, and has a pang of envy. Alcohol would be a relief right now, Glen Grant or not.

“We do a little dance – yes?”

The mayor is laughing, but ST realizes that he may be in some danger of losing his disguise. He doesn’t plan any further excursions tonight but his life proves unpredictable, and he can never be sure. Plus, the pull of glue from his face will not feel very pleasant or look very dignified. He can neither escape, nor risk the energetic contact his dancing partner encourages.

“Does this mean you have no time to dance with me?”

Garbo eases herself close to the two men. She stands in such a way that she could be speaking to either of them. They are confused and stop moving. Garbo reaches over and using both hands, manages to untangle the ornate mayor’s chain, and the string which the giant cookie hangs from. She winks at ST, then nudges against the mayor with her hip.

“Or do you boys prefer each other’s company?”

ST takes note of the most flamboyant dancers on the floor, and starts to copy their steps. Garbo is initially surprised, but quickly follows his lead. She is prepared to match his every move, and ST is determined to make her lose her step. Other revellers make room for them, and some even start to clap to the music. The bandleader has noticed the commotion, and after watching the couple for a minute turns the beat around to their rhythm. By this time even the mayor’s table is back on their feet, thumping their beer steins on its slippery surface.

“Bring it home, Mamma!” shouts the mayor.

Garbo growls with laughter as ST puts a hand on either side of her waist, and lifts her from the floor. She places her hands on his shoulders, and kicks back with her feet. ST actually aims her in different directions, and other dancers dodge away, squealing in delight.

“And another thing.” Garbo is panting and shouting into his ear at the same time.

“What would that be?” ST precariously leans back, almost losing his balance as he lets her slide to the floor off his chest. He twirls her on her stomach before he scoops her up again, and grips her hard against him.

“You’re heading into two months of Millennium stuff?”

“Yes.”

“And it’s going to be serious?”

“Yes.”

“Then ya gotta have some f-u-n.” She throws her hands over her head and leans way back, knowing he is not going to let her go. “And what better place is there than the biggest party in Europe?”

As she presses against him again he has a different answer to her question, and he whispers it into her ear. Her eyes go wide, and she brings up her hand in a motion to slap his face.

But she kisses him instead.

[Image] https: /thefederalist.com/wp-content/uploads/2016/09/Oktoberfest-Packages-2015.jpg

0

Leonard Cohen Toasts A Dead Prime Minister

210014-pierre-elliott-trudeau

An excerpt from my novel, Fame’s Victim (at times, an altered history of Canada.) Here, ST (the person of Fame in the novel) dines with Leonard Cohen after Pierre Elliott Trudeau’s funeral.

++++++++++++++++++++++

“Yes.” ST turns to the street. “The only time I met the Prime Minister – mere months ago – he desired we have champagne. It is a memory to share.”

“Memory – the ghost at every table.”

The noontime crowd has run its course and, just as with the café clientele, the number of people on the street become fewer. However, word-of-mouth has spread and everyone makes a pass of the café. Other than being the object of glances and smiles, the two men are not interrupted. Pedestrian traffic does slow however when the bottle of champagne arrives.

“They want a show.” Cohen runs a finger over the cold bottle.

“There’s a proper way.” The waitress is winding a white napkin around the bottle.

“In tandem, don’t you think?” The poet glances at ST.

“That will make the news of the world.” ST indicates the number of cameras and video recorders among the crowd.

“It should be the news of the world.”

The waitress is not certain of his intent, but when Cohen stands beside her with a generous smile she hands him the bottle. He lets the napkin fall to the table and holds the champagne – label out – toward the street. ST gets to his feet amid the click-click-click of cameras and begins to remove the wire basket.

“You can not share my déjà vu but trust me, Time is doubling over with laughter.”

ST begins to twist the cork, his other hand around the bottle’s neck even though Cohen holds the base. When he feels the cork start to give he puts both thumbs against it and shoves. As it explodes into the Montreal sky the waitress holds the two glasses and, amid the welling applause from the street, ST pours the champagne.

“We begin to set the clocks at normal.” The poet takes both glasses and the flustered waitress flees.

“By drinking champagne at noon?” ST reaches for the offered glass.

“By showing we no longer need to mourn.” Cohen’s smile contains wry triumph. “Time is pulling out of the station and now we need to jump on board.”

“With a sip of champagne?” ST brings his glass to his lips.

Cohen gives a slight bow to the street. “The most effective slight-of-hand is the trick that’s seen by all.”

(Image) https://thehaberdasherhistory.files.wordpress.com/2012/06/210014-pierre-elliott-trudeau.jpg

0

Oktoberfest/Octoberfest Dancing In München from “Fame’s Victim”

 

cropped-logo_ofr_200x179

 

Excerpt from Fame’s Victim:

My famous chap and his nearly-as famous actress girlfriend crash the party at Oktoberfest in Munich. But, it is OK – they were invited

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Annie’s crackers – it’s Oktoberfest.” She pulls him forward. “It’s a feat you’ve managed to stay sober this long. Now it’s time for your reward.”

ST likes the thought of a reward so he snuggles closer, pressing his pelvis against her wondrous ass, encased in its very tight Harlequin pants. She shoves back, which she knows is only encouragement, then reaches and takes his hand.

“You wait until later.”

“Will it be better, later?”

“Depends if you drink too much.”

“You always sober me up.” ST links his arm through hers. “Schunkel, you say?”

“Don’t start singing.” She jingles her bells again.

“`Don’t shortchange us…'” He raises his voice with each word, making Garbo pull him off balance.

“Life of the party,” she hisses. “Not the death of singing.”

He stumbles slightly, making him fit in with most of the other patrons. Then he follows Garbo toward a table that is obviously the depository of dignitaries.

ST knows city officialdom will be involved, but he is unprepared for a mayor in crossed suspender short leather pants, complete with his massive chain of office. Others, whom he supposes are aldermen and various strata of bureaucracy, are also historically attired. They look as suspiciously in his direction.

“Garbo?” His hiss is in the high register.

“Keep your beard on.”

“You promise there’ll be Glen Grant.”

“Annie’s crackers.” She touches the mouth of her Venetian mask. “I’m going to want some, too.”

A functionary rises from the table, ready to approach them with a scowl.

“C’mon,” pleads ST. “Let him chase us away.”

“Too late for that.” Garbo holds her mask further from her face, glancing at him as she whispers. “Besides, it might come in handy to have the city fathers being fatherly toward you.”

“Why? So I can get a parade?”

“With a team of horses to pull you through the streets.”

“We’ve been together two years.” ST puts a hand on her shoulder. “You know I want nothing like that.”

“What you want, and what you need … ” Garbo brushes his forehead with a jester’s bell. “I obviously have yet to teach you the difference.”

Garbo turns toward the table of officials and lowers her mask. The grim face of the dignitary ready to bar their way changes in a second, replaced with a broad smile. He holds out his hand to shake, though obviously debating whether or not to give her a hug. The temptation is great, and the occasion offers a license to such familiarity. Garbo avoids the situation by holding her mask out between them, and pointing toward ST.

The official stops momentarily, the smile trapped on his face. He is confused, wondering if he is being introduced to a bodyguard or some secretary, equivalent to himself. Garbo smiles, and sings a couple of lines from `Don’t Shortchange Us.’ She sings loudly enough to be heard by the other officials at the table, and immediately two heads whisper into the mayor’s ear. The man jumps up, his chain of office clanging against the beer stein in front of him. He pushes past his own officials, and makes a lunge for ST’s hand.

“Mein Herr. Welcommen!”

The mayor’s grip is so forceful that ST is again pulled off stride and they both bump into the table at the same time. The heart shaped gingerbread cookie around ST’s neck gets caught in the mayor’s heavy chain, and they are pulled together as they try to come apart. ST smells the beer on the other man’s breath, and has a pang of envy. Alcohol would be a relief right now, Glen Grant or not.

“We do a little dance – yes?”

The mayor is laughing, but ST realizes that he may be in some danger of losing his disguise. He doesn’t plan any further excursions tonight but his life proves unpredictable, and he can never be sure. Plus, the pull of glue from his face will not feel very pleasant or look very dignified. He can neither escape, nor risk the energetic contact his dancing partner encourages.

“Does this mean you have no time to dance with me?”

Garbo eases herself close to the two men. She stands in such a way that she could be speaking to either of them. They are confused and stop moving. Garbo reaches over and using both hands, manages to untangle the ornate mayor’s chain, and the string which the giant cookie hangs from. She winks at ST, then nudges against the mayor with her hip.

“Or do you boys prefer each other’s company?”

ST has become used to this type of banter, but the mayor does not know if laughter is called for or not. People at this stratum of celebrity do strange things, and he neither wants to appear foolish, nor offend his high scale guests. However, his own photographer is already happily clicking away, and he must do something. Putting his arm across his mayor’s chain so it can catch on nothing else, he turns toward Garbo with a brief bow. Every voter will understand his attraction.

“You dress as Harlequin, yes, so you make the joke.” He extends his hand. “A few steps if the arena is not too crowded.”

“Even if it is crowded.” Garbo takes his hand and pulls him away from the table. “Let’s make that chain rattle.”

ST does not know how many people realize who is dancing with the mayor – he suspects no more than already know. It is late and dark and crowded and noisy, and much of that noise comes from people because they are drunk. Most will probably not even recognize the mayor, chain of office or not.

Because of photographs taken at the mayor’s table, ST has concern about his disguise – if photos end up in newspapers, will he have to discard it? Although expensive, it isn’t the cost or  inconvenience which bothers him.

Over the years, even with the expertise of Hollywood make-up artists, he has found only a limited number of disguises which look authentic. In addition to this, they have to be comfortable upon his face for hours at a time. The one he chose tonight is a favourite, and he will regret losing it. He should have thought more clearly about the transition he was expected to make. It is rare that he goes in disguise to a place where he eventually is to be recognized.

“I thought a beard would hide a man’s frown.”

ST is startled back to his surroundings. He has been watching the dancing, though he long ago lost sight of Garbo and the mayor. He is astonished to see her standing at his side, Harlequin costume glittering in the subdued light. He notes the mayor sits at his table, beer stein in hand.

“You worked him into a thirst.”

“It wasn’t that difficult.” Garbo reaches for ST’s hand. “I’m about to do the same for you.”

Though ST is tired and has been on his feet a long time, he does not resist. Once out among the other revelers on this last night of Octoberfest, he makes use of the dancing lessons both wife number one and two insisted he have. He has come to quite enjoy the dance floor, and Garbo is an excellent partner.

“Tell me again why we are here.”

“You are `Lord of the Manor’ – literally.” Garbo stifles a giggle. “You should make your presence known in the country.”

“Why in Munich?”

“It’s a good distance from where you actually live.” Garbo aims him toward a corner. “You don’t want people too familiar.”

“I certainly do not.” ST picks up her direction and twirls her adroitly among the dancers. “Except, of course, for you.”

“Not to worry.” She slides a hand over his posterior and pulls him closer. “I’ll not only help you remove that beard, but everything else as well.”

“That will be appreciated.” He thrusts his pelvis against her. “But maybe you could start here and work your way up.”

“It feels as if you’re working your way up already.”

“Yes.” ST now whispers in her ear. “I’ve often thought that dancing is wasted by doing it on your feet.”

ST takes note of the most flamboyant dancers on the floor, and starts to copy their steps. Garbo is initially surprised, but quickly follows his lead. She is prepared to match his every move, and ST is determined to make her lose her step. Other revelers make room for them, and some even start to clap to the music. The bandleader has noticed the commotion, and after watching the couple for a minute turns the beat around to their rhythm. By this time even the mayor’s table is back on their feet, thumping their beer steins on its slippery surface.

“Bring it home, Mamma!” shouts the mayor.

Garbo growls with laughter as ST puts a hand on either side of her waist, and lifts her from the floor. She places her hands on his shoulders, and kicks back with her feet. ST actually aims her in different directions, and other dancers dodge away, squealing in delight.

“And another thing.” Garbo is panting and shouting into his ear at the same time.

“What would that be?” ST precariously leans back, almost losing his balance as he lets her slide to the floor off his chest. He twirls her on her stomach before he scoops her up again, and grips her hard against him.

“You’re heading into two months of Millennium stuff?”

“Yes.”

“And it’s going to be serious?”

“Yes.”

“Then ya gotta have some f-u-n.” She throws her hands over her head and leans way back, knowing he is not going to let her go. “And what better place is there than the biggest party in Europe?”

As she presses against him again he has a different answer to her question, and he whispers it into her ear. Her eyes go wide, and she brings up her hand in a motion to slap his face.

But she kisses him instead.

(image)http://www.oktoberfest-trips.com/wp-content/uploads/2017/01/cropped-logo_ofr_200x179.png

0

For The Anniversary of Leonard Cohen’s Birth

leonard-cohen-frazer-harrison-staff-getty

Happily, I managed to see Leonard Cohen twice (at the beginning, and near the end) of his last extended tour. Once was in the intimate venue of a few hundred folk in a small theatre. The other was in a civic stadium holding thousands. He was exquisite in both.

In my novel, Fame’s Victim, my famous protagonist, ST (famous for his discoveries of Space/Time)  and Leonard Cohen, dine out in Montréal after attending the funeral of yet someone else famous, Pierre Elliott Trudeau.

The following is part of their day.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

From Fame’s Victim:

At the table ST begins to pull out a chair which will put his back to the street, but Cohen clicks his tongue and moves the chair until it is nearly beside the other.

“We’ll sit together. We’ll twin their delight.”

“If they approach . . . “

Cohen winks. “You won’t have to sing a note.”

ST settles beside the poet and gives himself up to the street scene. Regardless of the chill in the air most of this early afternoon crowd have made little concession to the time of year. The women especially seem as fashionably and attractively attired as any he has seen in any public place.

“The ladies are alluring.” ST smiles.

“Antidote to the black of funeral garb.”

ST notes the usual ‘double take’ of those pedestrians who happen to look their way. Barely is eye contact made however before it is quickly removed. Couples immediately chat together, but there is not one finger pointed in their direction.

“What would you like to drink?”

ST looks away from the street and smiles as an unexpected thought takes him.

“Champagne. Will they have something decent here?”

“They will offer a selection.”

With a half-raised arm and the gesture of a finger, the waitress is summoned. Upon hearing the request she lists a half dozen champagnes. ST chooses one he knows will be as crisp as the day.

“Any food?”

“Dear God – yes.” ST smiles at the waitress then glances at the other man. “Any suggestions?”

“They stuff a chicken breast here with portebello mushrooms, feta and wild rice.” He touches his lips. “With a Greek salad it is a meal to embrace.”

“That sounds fine.” ST looks back to the waitress. “But bring the champagne now.”

“Are we to toast?” Cohen watches the waitress walk away as he speaks. “Or are we to mourn?”

“I less and less mourn the dead.” ST also watches the waitress leave. “They are lost to us but they are not lost to time.”

“Then we acknowledge?”

“Yes.” ST turns to the street. “The only time I met the Prime Minister – mere months ago – he desired we have champagne. It is a memory to share.”

“Memory – the ghost at every table.”

The noontime crowd has run its course and, just as with the café clientele, the number of people on the street become fewer. However word-of-mouth has spread and everyone makes a pass of the café. Other than being the object of glances and smiles, the two men are not interrupted. Pedestrian traffic does slow however when the bottle of champagne arrives.

“They want a show.” Cohen runs a finger over the cold bottle.

“There’s a proper way.” The waitress is winding a white napkin around the bottle.

“In tandem, don’t you think?” The poet glances at ST.

“That will make the news of the world.” ST indicates the number of cameras and video recorders among the crowd.

“It should be the news of the world.”

The waitress is not certain of his intent, but when Cohen stands beside her with a generous smile she hands him the bottle. He lets the napkin fall to the table and holds the champagne – label out – toward the street. ST gets to his feet amid the click-click-click of cameras and begins to remove the wire basket.

“You can not share my déjà vu but, trust me, Time is doubling over with laughter.”

ST begins to twist the cork, his other hand around the bottle’s neck even though Cohen holds the base. When he feels the cork start to give, he puts both thumbs against it and shoves. As it explodes into the Montreal sky the waitress holds the two glasses and, amid the welling applause from the street, ST pours the champagne.

“We begin to set the clocks at normal.” The poet takes both glasses and the flustered waitress flees.

“By drinking champagne at noon?” ST reaches for the offered glass.

“By showing we no longer need to mourn.” Cohen’s smile contains wry triumph. “Time is pulling out of the station and now we need to jump on board.”

“With a sip of champagne?” ST brings his glass to his lips.

Cohen gives a slight bow to the street. “The most effective slight-of-hand is the trick that’s seen by all.”

 

0

Blog at WordPress.com.

Up ↑