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Proof of Life as Time Does What Time Does

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What sights indeed are these, that cause the racing clocks to pant their minutes in counterpoint to a life still learning the difference between wretchedness and love?

The swing goes up and the swing goes down, and then goes up again. If you are on that race, with childish yells, and up-down-mess-it-around feelings in the pit of your stomach, they haven’t lowered that coffin lid yet.

No, not yet.

****

What sights indeed are these, that make a heart argue the worth of dying, and ring the bells across the hill when there is no hand upon the rope?

There are happy tunes on the breeze and, yes, even the unicorn lifts its head with twitching ears and mouth agape.

And even (so it has been recorded, in long-ago books) our Lord Jesus God would pause in His ministrations at the wonder of it all.

****

What sights indeed are these, that ease the night’s passage and sow the fields full of restful dawn?

A race against the end is run by all of us; when the kitten kicks and purrs through her ball of string, or when the ancient’s cane tap-taps across the room. Eyes, whether young; or dim; or blind; can still open in amazement, and still marvel at the ever-changing newness.

Marvel and rejoice.

****

What sights indeed are these, that turn all tunes into rhapsodies of joy, and make the moon do gypsy dances through the night sky?

A sky of stars that shower and shake and stream across the galaxies to cram unto the ends of the distant universe. Grains of sand upon the shore would take sensitive fingers, and a lifetime of counting, yet still could never fill this distant space where even numbers stand in awe.

Zeros with mouths agape.

 

(Image) https://wornandwound.com/library/uploads/2017/06/Zytglogge-Bern-Astronomical-Clock-2.jpg

Meeting For The Olympics – Let The Games Begin

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There was an Abyssinian (I made her),

an Albanian,

a Bolshevik,

a Brataslzvian (he was worst),

a Brazilian (home sweet home),

a Canadian,

a cannibal (uh-oh),

a Colombian (smoking),

a cynic (she didn’t believe the Canadian),

a Dominican,

a Druid (he prayed for the Dominican),

a Druze,

an Eatonian,

an Estonian,

a fool (ha ha),

a Freizen,

a Gazaian (she stripped),

a graduate (he smoked),

a Haligonian,

a Helgolandian (he was gone),

an Israeli,

an Iranian,

an Iraqi,

(they three went into a bar),

a Jamaican,

a Japanese,

a Kazakhstanian,

a Kurd,

a Lithuanian,

a lush (one in every crowd),

a Mongolian,

a monster (them’s the odds),

a Nederlander,

a Norwegian,

an Olympian (he was game),

an opportunist (coulda been me),

a Pole (he vaulted over the rest – *joke*),

a Quebecois (I’ll never forget her),

a Russian (great dancer – he had the steps),

a Scandinavian,

a Southerner (I melt when she says ‘Y’all)

a stevedore,

a Transylvanian (out for blood),

a Ukrainian,

a Unitarian,

a Vulcan (he was eerie),

a Waalloon,

a wisenheimer,

a Xanaduian (she played on her dulcimer),

a Xaverian (he shot daggers at the Dominican),

a Yugoslavian,

and

a Zarahthustain (he spoke a lot).

 

The Canadian won the first game.

DE

Kafka Sees His History In The Mirror [from: Kafka In The Castle]

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04 March 1917

I dreamed I was a prophet. The prophet Amshel, which is my Jewish name. And, I could talk to God. And I was looking at myself in the mirror.

And I was looking back at me. I mean, Franz was in the mirror, looking back at me – the me of Amshel – who was looking in the mirror. Except, I was as much me looking out, as I was me looking in.

The wall behind the prophet was painted red, while the one behind Franz was of brown wood. They both could raise their fists at each other, and sometimes did. In unison, of course. That was the law.

“Certainly, you may speak to God,” said Franz. “What is there in that? Everyone speaks to God – in sentences, in actions, with their lives. No one is more talked-to in the Universe than God. But what a prophet needs, is to have God speak back.”

And then God spoke, from somewhere behind the mirror, but He did not speak to Amshel. He spoke to Franz.

“You are on the wrong side,” said God.

“Speak to me,” said Amshel.

“Wrong side of what?” asked Franz.

“Of the mirror,” answered God.

“Don’t speak to him,” shouted Amshel. “He is from the world of vipers.”

And Amshel raised his fist, but Franz had to hold up his fist in turn.

“I am not the prophet you seek,” said Franz, and pointed his finger at the mirror. “There is your prophet.”

And Amshel was also pointing toward the glass. “Not him – you don’t want him.” He then turned his hand toward himself. “I’m the one you want.”

But Franz was just as vehement, as his thumb arched toward his own chest. “Not me.” For emphasis, he placed his hand over his heart. “In this, God, you have erred.”

And his words echoed those of Amshel, who also had his hand upon his heart. “In this, God, you have erred.”

And the two faces stared at one another, their fingers clutching at the garments they wore.

But God was silent.

DE

(image) http://www.enidhuttgallery.com/images/_lib/angelo-decorative-corner-silver-leaf-bevelled-mirror-deknudt-mirrors-9166-0-1430262718000.jpg

Not Ready for Prime Time Characters / Spear Carriers

My onion novel, CHINA LILY, spans decades. My main family, the Cannaras, travel the globe (of their time, which is the Fourteen hundreds). Lots of time on ships. Lots of time on horseback.

In their distant locations, over their diverse times, they meet different people. These people fill the chapters they are in, but then they are gone. They are really secondary characters to the novel, but nothing could be accomplished without them. In their own time frame, they are front-and-center.

This same situation happened in my *thriller*. The time frame was much different (squeezed into a few days). And the location was in the same city, until near the end. But the nature of the immediacy, the surprising twists of plot, and the intense action called upon the use of many secondary characters. They were figuratively press-ganged into action. They did their bit and were not called upon again. Louie-the-dog was to be a secondary character with a ‘walk on’ part. He stayed.

 I am having a growing fascination for these secondary characters. They have to be developed within paragraphs instead of chapters. Their dialogue and thoughts have to be concise and unique from the start. They possess a freedom of action the main characters do not have. They are not loaded down with baggage. They are a challenge to write and difficult to rein in. They are generally saucy, and rarely ponder their lot. Yet they must be real and not just plot devices. They have to be taken at face value and accepted quickly. They must stand out in the background.

Secondary characters are a challenge to write and a thrill to create. Each and every one of them excite me.

Hmmmm …  a novel of only secondary characters  … hmmmm…

DE

“Fifth Business” by Robertson Davis

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