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History And Europe And Estey : Redux

Looking myself up on the Internet (as one is sometimes wont to do), I came across this. I posted this nearly ten years ago, and have/had totally forgotten it. So, it’s a possibility others have forgotten it also. I find it quite interesting.

History And Europe And Estey

0a Isabella d’Este, Giovanni Cristoforo Romano, 1500.

There is a tradition in “my” branch of the Estey family that we descend from the d’Este of Italy. The d’Este clan were rich and powerful and influential. They married well which – yes –  brought the infamous Lucrezia Borgia into the family when she wed Alfonso I d’Este, Duke of Ferrara.

My father had a reproduction of Alfonso’s sister, Isabella, readily at hand. Isabel was a name for at least one daughter in every generation of Esteys. Lucrezia attempted to befriend Isabella, but to no avail.

The town of Este is in Northern Italy, in the Veneto region, about a two hour car ride from Venice. It’s most recent population figure of two years ago was around 17,000. I have a special fondness for this part of Italy and have sprinkled references to it in some of my novels. Indeed, my whole historical onion trilogy is centred around a town in this area.

So, Este was certainly a destination when I travelled through Europe. And the surrounding area. Este was suitably medieval in tone, with its ruined Este castle and wonderful flower beds and bowers and stone bridge over river and walled town and as happily historic as all get out.

I looked to see how many Estes were in the phone book (a respectable number) but I didn’t phone anyone.  I would be more thorough and stay longer on another trip. I doubt there is any way to fix up that castle.

I enjoyed all of Italy that I visited (and the rest of Europe held no less enthusiasm from me). But to stick, as it were, around the old homestead, the most enjoyable places were Venice and Florence. I was most surprised to see cruise ships looming from the Venetian waterfront.

I sighed on The Bridge of Sighs – from such beauty to such terror those prisoners were lead. A stunning memory was boating on the Grand Canal at dusk and seeing rooms in a passing mansion ablaze with chandeliers.

Florence was my favourite. It is, of course, awash in museums and galleries and art art Art. To chose the one which stunned me most was  Botechelli’s Birth of Venus – and that’s saying a lot, considering. The Ponte Vecchio over the Arno lives up to all its billing. Alas, I bought no gold.

Also, a memory is walking along certain streets and assuming I was near riding stables because of the permeating smell. However, I was in the leather good quarter. There was also the ancient, wire mesh and gated elevator,the type I had only seen in movies, wheezing me aloft to my lodgings. And the lady who left her room key on my table after breakfast. And don’t get me started on the markets and the food. Don’t.

However, there is one golden memory which consists of neither history nor ancient art. This happened in Verona. I was walking along a busy street and looked into the interior of a news vendor. The building also had an array of paperback books. And there, looking back out at me, was my own novel, L’INGANNO BONNER, recently produced in an Italian translation. That was a most pleasant delight indeed.

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(image)http://www.isabelladeste.org/_/rsrc/1467897567813/isabella-deste/0a.PNG

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The Druids Prepare / The Dead Approach

The Celts  have learned every celebration has its risks.

The Druids taught them this, and the Druids are correct. Samhain is a festival of the harvest; the end of summer; the preparation for the winter to come. Samhain is a juncture. 

As they all know, junctures lead to sundry places. There is both the leaving and the coming. A time of disquiet. A time of danger for those unprepared.

It holds the magic and the power of midnight. Midnight is a powerful time because it is the juncture of two days. Midnight of Samhain thus holds double the power. It can not be avoided. It must be met with all the power mortal man can muster. It must not be met alone.

On the Eve of Samhain, the border between Life and the OtherWorld is breached. A door swings invitingly open, but it is not inviting those who live. It is inviting  those who have died. The Dead who still miss their lives. The long Dead who still are curious.The distant Dead who get a whiff of fresh air, and have their memories stirred.

So the Dead approach.

The Dead approach. The living must prepare to meet them, just as they prepare for the vicissitudes of winter. The same threatened cold holds sway over both. The living assemble the treats and threats that will assuage the longings of the Dead.

Because the living have a healthy fear of death, they equally wish to avoid the Dead. The Dead can prove to be envious, and attempt to relieve the living of their lives. Lanterns from the earth are hollowed out of turnips. Their light will guide the dead to safer places (safer for the living). Candles will shine through carved faces. Some faces are friendly and welcoming. Some are ugly and fierce, to give aggressive Dead a pause.

There will also be treats to entice the Dead – apples and pastries and savouries and some roasted game fresh from the bonfires. There will be ale and other spirits to keep the Spirits at bay. The living will wear costumes and masks to disguise themselves from those Dead who might wish their company to be more permanent.

They will remove the masks if the Spirits are friendly.

They will dance and sing and raise a right ruckus to entertain the Dead.

The boneyard is on the outskirts of town. Revellers approach with noise and caution. A bonfire is set. The moon hangs from the trees. The gated fence stands closed and latched. The living pause and watch. And listen.

Is it the wind, or do the hinges scrape the stone?

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Waiting For The Dead On Halloween

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It is Samhain, and we lay in wait for the dead.

Not to flee from them

Not to hide from them.

But to be prepared.

The moon is full and the trees are bare and the old year ends and they come to dust us with their cold hands. To seep away a little of our warmth. To have just a taste of the life they once had. Blood in their veins. Breath in their mouth. Tears in their eyes. From the cold.

Of course, we are fearful of their touch. We are told they might have the stench of the grave upon them. We are told their skin might slough off on our own. We are told their rotted clothes might fall from their bones, and we will see things to make us scream.

We are told the fresh decay of our parents and uncles and aunts and grand folk will be the worse. They have had their year in the ground and are beyond any excuse to linger. They are the most reluctant. They have the clearest memories of what it is like to live. They, more than all the others, want it back. They might wish, if they can, to suck life right out of us and feel warm once again.

It is best we disguise ourselves from them.

It is best if we hide our faces with masks and wear clothes not our own.

As a last resort we can fill frightening faces with flame and scare them away.

We are all prepared for that.

And when the day passes over into the night; and the full of dark, and the promise the cocks will again bestir themselves to start us into the cold of winter: we will light pyres of wood, and open the cask of ale, and have a feast with dance and song.

If we manage to get through the night.

[Image] 1.bp.blogspot.com/-f9TFFXhu8f8/UJFA-Bj2R4I/AAAAAAAACCQ/pMvabFcW3d4/w1200-h630-p-k-no-nu/115116d1339798513-vintage-halloween-photos-5277724533494196_ewnwqjb0_c.jpg

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